{"id":41845,"date":"2026-08-11T23:23:05","date_gmt":"2026-08-11T23:23:05","guid":{"rendered":"https:\/\/gaitgames.com\/?p=41845"},"modified":"2026-08-11T23:23:05","modified_gmt":"2026-08-11T23:23:05","slug":"bit-reactor-discusses-queerness-in-star-wars-zero-company-and-future-collaboration-with-saudi-owned-ea","status":"publish","type":"post","link":"https:\/\/gaitgames.com\/?p=41845","title":{"rendered":"Bit Reactor Discusses Queerness in Star Wars: Zero Company and Future Collaboration with Saudi-Owned EA"},"content":{"rendered":"
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**Exploring Gender Representation in Bit Reactor’s “Star Wars: Zero Company”**<\/p>\n

In the realm of video games, particularly within the expansive universe of Star Wars, gender representation has often been a topic of discussion and debate. Bit Reactor’s tactical RPG, “Star Wars: Zero Company,” introduces players to a custom character named Hawks, who is designated with they\/them pronouns. This choice not only enhances the inclusivity of the game but also invites players to reflect on broader expressions of gender identity within the Star Wars universe.<\/p>\n

### Character Creation and Inclusivity<\/p>\n

During the game’s beta phase, players have the opportunity to craft unique characters, choosing from a variety of humanoid species such as Devaronians, Mirialans, and Togrutas. The ability to express distinct gender identities and traits caters to a diverse gaming audience, encouraging players to explore identities that may not conform to traditional male or female archetypes. One player notably created a Devaronian character adorned with green hair and freckles, affectionately dubbed “Trying Their Best,” showcasing personal expression within the game’s framework.<\/p>\n

CEO Greg Foertsch emphasized the importance of player representation in the character creation process. In an interview, he stated, “There’s no canon Hawks, per se… allowing people to explore Star Wars in a way that they want to do it.” This sentiment, while affirming the players\u2019 freedom to express themselves, also raises questions about the underlying intentions behind gender representation in a franchise that has often shied away from overtly queer or non-binary narratives.<\/p>\n

### The Impact of Corporate Ownership on Representation<\/p>\n

Bit Reactor finds itself within a complex narrative regarding corporate ownership, especially following Electronic Arts’ acquisition by an investor consortium that includes substantial financial backing from Saudi Arabia. As this new ownership structure raises concerns regarding potential censorship, particularly of LGBTQ+ narratives, it poses a critical question: Will “Star Wars: Zero Company” maintain its commitment to diverse representation despite external pressures?<\/p>\n

Foertsch responded with optimism about their collaboration with EA and Lucasfilm, highlighting a positive working relationship with both entities. However, the broader implications of a conservative corporate ownership could challenge the progressive values that Bit Reactor aims to encapsulate in its storytelling.<\/p>\n

### Historical Context and Modern Challenges<\/p>\n

The discussion around gender and queerness in Star Wars must consider the franchise’s history, which largely exemplified heteronormative narratives. While recent entries have experimented with more inclusive character dynamics, the industry as a whole often grapples with the influence of repressive regimes that may impose restrictions on creative expression. The complexities introduced by foreign investments raise pertinent questions about the autonomy of game developers and their ability to create inclusive narratives authentically.<\/p>\n

In regions where LGBTQ+ identities are criminalized, such as Saudi Arabia, the business relationships formed by major gaming companies may inadvertently support oppressive systems. It is crucial for both players and developers to acknowledge these implications when engaging with content from companies linked to such regimes.<\/p>\n

### Conclusion<\/p>\n

“Star Wars: Zero Company” stands at a crossroad between innovation in gender representation and the realities of corporate influence. While the game offers a platform for players to craft their unique identities and narratives, it remains to be seen how external pressures may shape its future. As the gaming community continues to advocate for diverse representation, the challenge lies in ensuring that creative freedom persists in the face of corporate interests.<\/p>\n

Ultimately, as players navigate their own Star Wars stories, the hope is that inclusivity remains a cornerstone of the experience, enabling everyone to find their place in this beloved universe.<\/p>\n","protected":false},"excerpt":{"rendered":"

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\nIn Bit Reactor’s XCOM-style tactics RPG Star Wars: Zero Company<\/a>, you play a custom character called Hawks who is referred to using they\/them pronouns. With my armchair producer hat on, I suspect this is partly just a way to avoid recording several sets of voice lines for different player pronoun choices. But Zero Company as a whole does support expressions of gender that differ from heteronormative male and female archetypes \u2013 or at least, which differ enough to make me, a cisgender writer, curious about expressions of queerness and transness elsewhere in Star Wars.<\/p>\n

While creating a character for the beta, I wondered about how notions of gender might differ across the humanoid species depicted in the game, including Mirialans, Devaronians and Togrutas. In the end, I created a Devaronian character with green hair and copious freckles, whom I would gingerly designate as “Trying Their Best”.\n<\/p>\n

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