Gait Games

I’ve been hungry for an action adventure game recently. In this modern era of live service and infinite roguelikes and deckbuilders (seriously, I know they’re popular genres, maybe try a different highly replayable genre), the humble action adventure game has fallen by the wayside a tad. So I’ve been quite curious about Usual June, a quite classic one of those that might end up being a Halloween regular (quick disclaimer: Cara Ellison, who many moons ago did some writing for RPS, is a writer on this one).

Read more

Things are shifting around a bit over at The Long Dark developer Hinterland Studio. Earlier this year, The Long Dark’s story mode wrapped up with the release of Wintermute’s fifth and final episode. After that, you may have fairly assumed that focus would have been mostly placed on the sequel that was announced in 2024, Blackfrost. But according to Hinterland, while Blackfrost is still in the works, the main focus will actually be put on The Long Dark’s survival mode for a while.

Read more

### Grand Theft Auto VI: An In-Depth Exploration of Sound and Music

Earlier this week, Rockstar Games and Netflix joined forces to present an extensive glimpse into the eagerly awaited *Grand Theft Auto VI* (GTA VI). After some pre-trailer anxiety, this reveal not only highlighted various new features and life simulation aspects but also showcased an impressive array of in-game music, reflecting the game’s essence and atmosphere.

#### A Musical Odyssey Through Vice City

One of the standout elements of the latest trailer was the enhanced soundtrack, which aims to enrich the game’s immersive feel. A significant nod to the past comes from the iconic Phil Collins, who is poised to once again illuminate the virtual stage of Vice City. Collins, who made a prior virtual appearance in *Vice City Stories*, will reintroduce his distinct sound, notably with songs like “Against All Odds.” This notion not only stirs nostalgia for dedicated fans of the franchise but may also allude to narrative threads intertwining with the haunting melodies that accompany the game’s plotline.

The inclusion of Collins holds considerable significance, particularly due to his ties to the neo-noir period referenced by the game. This raises fascinating inquiries regarding the potential narrative dynamics between the game’s protagonists, Jason Duval and Lucia Caminos.

#### A Multifaceted Soundtrack

The expanding soundtrack for *GTA VI* includes a variety of genres, catering to diverse musical preferences. In addition to Collins’ contributions, players can anticipate a blend of yacht rock, stadium anthems, and modern R&B. Confirmed songs include Captain & Tennille’s “But I Think It’s a Dream,” Cliff Richard’s “Devil Woman,” and Def Leppard’s “Love Bites.” Notably, the soundtrack also highlights contemporary artists such as Sexyy Red with “Pound Town,” Birdman and Lil Wayne’s “Pop Bottles,” and Kodak Black’s “Skrilla.”

Perhaps the most intriguing additions come from indie and alternative rock, featuring tracks like !!!’s “Off The Grid” and Prefab Sprout’s “Cars and Girls.” Jesse Hawken, a podcaster and Prefab Sprout aficionado, even indicated that their music would resonate beautifully with the Vice City ambiance, hinting at the desire for a dedicated Sprout radio station within the game.

#### Advancement of In-Game Music

Since the debut of *Vice City*, the treatment of licensed music and in-game radio stations in the *Grand Theft Auto* series has progressed considerably. The introduction of various artists and celebrities as in-game DJs has enriched the game’s atmosphere. As fans dive into the world of GTA, the carefully curated playlists accompanying gameplay will inevitably attract new listeners, sparking interest in the varied musical catalog represented. This approach was similarly noted in previous trailers that exhibited a fondness for legendary artists like Tom Petty and the Pointer Sisters.

The emphasis on a dynamic soundtrack in *GTA VI* aligns with Rockstar’s dedication to crafting vibrant, immersive worlds where music functions not merely as background noise but as a crucial part of the storytelling experience. As the game’s launch draws near, players can anticipate the intricate blend of narrative and sound that defines the *Grand Theft Auto* series, promising an exhilarating journey filled with crime, adventure, and an enthralling soundtrack.

We’re a little over one week on from the launch of Mortal Shell 2, a game that Jeremy liked quite a lot. But the work of a developer is never done these days, what with the advent of the internet and patches ‘n’ all. A balance patch arrived on launch day, but the Soulslike has now received its first full update, bringing a whole lot with it.

Read more

When I sat down to play Road Kings in April, the event organisers were very clear: when you’re done driving around in the sandbox, let us know and we will load up the disaster movie scene. After fifty minutes of my hour with Saber’s spin on American Truck Simulator, I’d completely forgotten about the second mission. I was merrily absorbed in hauling truckloads of exercise bikes between the cities of South Georgia and Northern Florida.

Saber are definitely playing catch up with SCS Software. The latter’s American Truck Simulator released over a decade ago and it now features nearly half of North America. Naturally, Road Kings will ship with a much smaller map and roster of vehicles. Though Saber hope to pull ahead by injecting a little drama.

Read more

### System 3 Faces Criticism Over Upcoming *James Pond Legacy* Collection

Recently, System 3, a video game publisher, became the center of controversy concerning the upcoming collection titled *James Pond Legacy: The Pond Is Not Enough*. The issue intensified following the release of a trailer that bore a resemblance to a poorly crafted birthday e-card. Additionally, worries about the incorporation of AI-generated art in the collection sparked public outrage and condemnation.

In light of the criticism, System 3 released a statement asserting that AI was not part of the collection’s creation. This claim left many perplexed, including Chris Sorrell, the co-creator of the *James Pond* series, who openly conveyed his discontent and disapproval of the publisher’s chosen path. “I’m sure it won’t shock you to hear that I was in no way consulted or involved,” Sorrell remarked during an interview with *Time Extension*. He denounced the disregard shown for the franchise, implying that anyone truly passionate about *James Pond* would have approached it with more consideration.

*James Pond* made its debut on the Amiga platform in 1990, rapidly gaining popularity and leading to several sequels and spin-offs, with *RoboCod* being particularly notable. Throughout the years, the series has been celebrated for its quirky appeal, and Sorrell’s later contributions to successful titles like *MediEvil* and *Prototype* demonstrated his expertise in game development. However, the *James Pond* collection has been viewed as a hasty cash grab, lacking the care and consideration that a cherished title merits.

The situation underscores a growing unease within the gaming community about the increasing dependence on AI technologies in game development. As various publishers confront this escalating backlash, System 3’s assertion of no AI involvement in their project appeared especially strange. Critics observed that the visuals and general aesthetic of the collection seemed predominantly AI-generated, raising further questions about the publisher’s honesty in their statements. Sorrell highlighted absurdities in the released production art, indicating that it was unlikely any developer would produce an Illustrator version of a character design that was already established.

During his interview, Sorrell emphasized his frustration regarding the treatment of the franchise that kickstarted his career. He praised other companies, such as Digital Eclipse, which are recognized for their careful archival practices concerning classic titles. Conversely, he contended that the *James Pond* collection exemplifies a troubling, short-sighted mindset that is increasingly common in the gaming industry, one that favors profit over passion and quality. Sorrell’s feelings culminated in a sharp comment, wishing that those accountable for the project “choke on an AI-generated fishbone.”

As the gaming community continues to grapple with the implications of AI in creative sectors, the situation with *James Pond Legacy* acts as a poignant reminder of the risks associated with overlooking the history and integrity of established franchises. It raises essential questions about the future trajectory of the industry and the significance of preserving the essence of beloved titles for both long-time fans and new generations.

What’s that coming through the hiss and crackle of static? It’s a transmission from the Gamescom zone, where a trio of RPS survivalists are fighting to stay alive amid all manner of hazards. You don’t want to know the things they’ve told us about the loos. One of them, James, has ended up hunkered down in the same room as Stalker 2 devs GSC Game World and had the chance to ask them what’s in store for the game now its 2.0 update and Cost of Hope expansion are out. The answer is a “different” second DLC and a free multiplayer mode the studio insist won’t just recycle mechanics seen elsewhere.

Read more

**Mike Judge’s Effort to Regain Beavis and Butt-Head Rights: Implications for the Future of the Iconic Pair**

Mike Judge, the influential creator responsible for some of television’s most legendary and rebellious animated series, such as *King of the Hill*, *Silicon Valley*, and *Beavis and Butt-Head*, has embarked on important legal actions to regain the rights to his cherished characters. While the realm of animation and media rights can frequently be convoluted, the ramifications of this decision are both noteworthy and fascinating.

As reported by *Puck News*, Judge has formally informed Paramount Pictures of his desire to end their rights to *Beavis and Butt-Head*. This declaration is in accordance with U.S. copyright law, which permits creators to reclaim their intellectual property after a designated time, generally established at 35 years. The inception of *Beavis and Butt-Head* traces back to 1992, when they first appeared in a segment of *Liquid Television*, indicating that 2027 could be the year Judge fully regains their rights.

This development arrives at a crucial moment for Judge and *Beavis and Butt-Head*, particularly as Paramount recently approved a 12th season for the series. The revival has ignited renewed interest and enthusiasm, showcasing both the youthful escapades and the more mature lives of the characters. The show has successfully maintained its relevance, allowing fans to partake in various exploits, including a humorous perspective on escape rooms, eliciting laughter from both long-time fans and fresh audiences.

Although Judge’s reclaiming of rights doesn’t guarantee that *Beavis and Butt-Head* will vanish from Paramount, it does provide him with significant creative authority over the characters’ future. This may open doors for new projects or distribution across platforms beyond Paramount, signaling a newfound independence for Judge in his creative pursuits.

Alongside his endeavors with *Beavis and Butt-Head*, Judge is also enjoying success with a *King of the Hill* revival on Disney+, where Bobby Hill’s story continues as he navigates adulthood. This revival, coupled with the ongoing instability at Paramount, where various merger and acquisition initiatives encounter obstacles, reflects a shifting landscape in the animation sector, with Judge’s projects pioneering the way.

In summary, the attempt to reclaim the rights to *Beavis and Butt-Head* not only underscores the complexities surrounding media rights and creator control but also sets the foundation for an exhilarating future for fans who have long adored the misadventures of these memorable characters. As events progress, audiences are keenly excited about what new journeys Mike Judge will craft for his animated duo.

There is a big part of me that doesn’t really believe any aspect of Star Citizen is real. It’s never really a game I’ve given all that much of my attention to, the thing gives off pyramid scheme energy in a way I can’t quite explain. Probably something to do with the numerous promises developer Cloud Imperium Games have made over the years that haven’t always come to fruition in the way they said, or when they said, they would. And here’s yet another example of that: Squadron 42, the story-based single-player spinoff of Star Citizen, has been delayed in 2027, all because of a pesky game called GTA 6.

Read more

### The Thrill of the Pokémon World Championships and XP Fan Convention

This year’s Pokémon World Championships and XP fan convention, taking place in San Francisco, has generated a buzz among fans, although some are observing from home due to entry restrictions via lottery. The excitement is tangible, particularly for those who hold a strong connection to the franchise. This atmosphere of community and nostalgia is amplified by an impressive opening ceremony featuring celebrated musical tributes to the series.

#### A Nostalgic Journey with 8-Bit Big Band

The festivities began with a performance by the Grammy-winning ensemble, 8-Bit Big Band, celebrated for their skill in merging nostalgic video game compositions with innovative renditions. Their homage to 30 years of Pokémon music included a medley highlighting well-loved tracks from the original games, transitioning into a selection that represented various generations of Pokémon titles. Fans have turned to social media to share their pleasure, pointing out the significant influence the music had on the event’s ambiance, with one attendee declaring it “probably the finest Worlds opening ceremony ever.”

#### The Sentimental Bond of Pokémon Music

For many, the emotional connections to Pokémon intertwine closely with its music. The orchestral performances evoke nostalgia and affection for the franchise, leading to instances where fans, moved with emotion, contemplate their experiences through numerous Pokémon games. With nods to recent installments like “Sword and Shield,” it is evident that the music resonates with players from different generations.

#### Competition and Discussions

The weekend is set to offer a plethora of activities for Pokémon enthusiasts. Competitions for various Pokémon games will be broadcast live each day, showcasing the talents of top competitors worldwide. Simultaneously, the XP convention provides panels and discussions that explore the multifaceted Pokémon universe, offering fans valuable insights from community leaders and industry experts.

#### Conclusion: An Unmissable Experience

As fans interact with the convention content, whether onsite or online, the Pokémon World Championships and XP fan convention exemplify the franchise’s lasting appeal. While some may experience the “fear of missing out” (FOMO) from not attending in person, the community’s camaraderie and collective passion for Pokémon continue to shine, welcoming everyone to celebrate this legendary series together. Fans are keenly looking forward to the announcements and developments that will be revealed at the closing ceremony, ensuring that even those watching from home truly feel part of this remarkable experience.