Gait Games

That RAM crisis, huh? Surely it’ll end sometime soon. Undoubtedly. We’ll all be able to afford technology again, games consoles and computers won’t be only for the 1%, and we can laugh about this silly point in history. Sorry, I’ve just had a note handed to me and, oh, oh no, Lenovo are saying they think that these new astronomically high prices will be the new normal as we enter 2030. Excuse me while I scream into the void for a moment.

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**Mark Zuckerberg’s Foray into Prediction Markets: A New Endeavor Amid Ethical Dilemmas**

Following the downfall of Meta’s metaverse aspirations, Facebook founder Mark Zuckerberg is reportedly redirecting his attention to the emerging field of prediction markets. With an app internally referred to as “Arena,” Meta seeks to establish a foothold in a sector that already features well-known platforms like Polymarket and Kalshi. By harnessing its extensive user base, Arena hopes to enable wagering on a diverse array of forecasts, enticing users to partake in a fresh form of betting on numerous events.

Insights about this endeavor were shared by Meta’s Ime Archibong in an internal memo leaked to *The New York Times*, stating, “We see prediction markets as one of the more intriguing new content types.” The concept is captivating: users will be motivated to display their predictive skills within their social networks, turning speculation into a form of social currency.

Plans for Arena include launching it as an independent app, with the possibility of integrating it into Meta’s vast social media ecosystem should it achieve success. The appeal of prediction markets is significant; recent estimates suggest billions are staked annually in these speculative arenas. However, this pursuit has ignited internal discussions among Meta employees about the ethical ramifications and legal challenges associated with gambling platforms.

While Polymarket has positioned itself as a rival, its operating environment is laden with complications. Different jurisdictions have instituted outright bans, and access is inconsistent throughout North America. The platform’s extensive betting options—ranging beyond sports to predict outcomes from entertainment box office numbers to geopolitical occurrences—pose serious ethical concerns. Its anonymity feature has already led to investigations into potential insider trading connected to major global events, such as conflicts in Iran and Venezuela.

Critics highlight the risks tied to widespread gambling, particularly if it were to become integrated into platforms like Facebook, Instagram, WhatsApp, and Threads. The repercussions could lure millions into hazardous betting behaviors, necessitating immediate regulatory oversight in a chaotic environment.

Zuckerberg’s push for Arena signifies a continuation of a noticeable trend in his strategic adjustments for success after struggling initiatives. Facebook’s rebranding to Meta in 2021 and its foray into virtual reality and the metaverse proved underwhelming. This shift toward prediction markets reflects Meta’s broader tendency to pursue popular culture phenomena, such as Threads, which seeks to challenge Twitter in a space largely dominated by brands, and efforts to explore artificial intelligence.

Additionally, Zuckerberg’s fascination with creating a version of *Roblox* reveals a tendency to gravitate towards controversial and potentially exploitative digital realms, raising concerns about the long-term repercussions of such endeavors.

As the launch of Arena nears, its success remains uncertain against the backdrop of persistent ethical discussions and regulatory hurdles. Whether Zuckerberg can adeptly manage these challenges and provide a product that can compete effectively in the volatile prediction market arena is yet to be determined.

Civilization 7 is a big, complicated mess of a game with intricacies so delicate you and I couldn’t possibly understand at a glance how or why they were decided upon. So, to shed some light on the design process, Firaxis has put out a big ole post answering a load of community questions digging into things like controversial historic figures, whether there’ll be more 20th century era leaders coming in the future, and more besides.

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### A24 and Google DeepMind: The Controversial AI Collaboration

Earlier this week, independent film studio A24 revealed a major new initiative: a $75 million “artificial intelligence research collaboration” with Google DeepMind. This revelation triggered a wave of unease and backlash within the film community, especially among A24’s loyal fanbase, which has been nurtured over the last fifteen years. Many fans took to social media and various platforms to voice their displeasure, lamenting what they see as a betrayal of the studio’s artistic principles.

#### The Announcement and Immediate Reaction

A24 has established a reputation for creating distinctive and critically lauded films, resonating profoundly with a niche audience that prioritizes creativity over commercial success. The immediate reaction to the partnership announcement was tangible, with many in the film community flocking to social media to share their disillusionment. The prevailing feeling was that this collaboration with a tech giant like Google contradicted the very essence of A24—artistic independence and innovative storytelling.

In response to the strong backlash, Sophia Shin, a communications representative for A24, sought to clarify the company’s objectives. In a statement to Wired, she highlighted that the partnership is a research collaboration designed to develop tools for artists, not a tool for AI-driven production. “This is a research partnership,” she remarked, emphasizing the aspiration to work closely with DeepMind’s researchers to create new technologies for filmmakers.

#### A24’s Dedication to Its Audience

Shin further reassured fans of A24’s dedication to preserving a robust connection with its audience, affirming that the partnership was established with the intention of ensuring that artists have a voice in the tools being developed for their craft. “We’d rather have a seat at the table than on the sidelines,” she noted, suggesting that A24 aims to empower creators rather than replace them with AI.

Despite Shin’s efforts at mitigation, the reaction from A24’s audience has remained critical. Many fans and industry experts continue to express skepticism, questioning the necessity of such a collaboration and doubting its actual benefits for artists in the long term. A notably vocal critique came from filmmaker Kane Parsons, director of the forthcoming horror film *Backrooms*, who publicly distanced himself from the collaboration. Parsons stated in a Reddit comment that he had no say in A24’s investment decisions and raised concerns that the partnership would not resonate positively with directors.

#### The Broader Consequences of AI in Film

The collaboration has incited a broader discussion regarding the ramifications of artificial intelligence in the creative sectors. Critics frequently argue that AI may compromise artistic expression by prioritizing efficiency and profitability over genuine creativity. The question remains whether tools created through such partnerships will truly enhance the creative process or merely contribute to its commodification.

Moreover, the online dialogue reflects a wider skepticism of the tech industry’s intrusion into creative domains. Many voices within the community are advocating for a more measured approach to AI, emphasizing a focus on human creativity that values personal expression and storytelling.

In summary, A24’s partnership with Google DeepMind has sparked fervent dialogues about the future of artistry in the technological era. While A24 aims to position itself as a pioneer in the development of AI tools for filmmakers, the concerns articulated by its fanbase indicate that the path ahead may be laden with obstacles. As the industry navigates this uncharted territory, it will be essential for filmmakers and audiences to engage in ongoing discussions about the role of technology in the creative journey.

Earlier this week, French video game union STJV called for a national industry strike, starting with a picket line held at Detroit: Become Human developer Quantic Dream’s physical studio. The union claimed that 115 jobs were at risk of layoffs as part of an “internal reorganisation.” Now, based on a report that speaks with some devs that work at Quantic Dream, it sounds like the studio’s upcoming Star Wars Eclipse is at risk of cancellation.

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**The Prospects of Star Wars Eclipse: Obstacles and Strikes at Quantic Dream**

Quantic Dream, recognized for its story-focused games like *Detroit: Become Human*, revealed the creation of *Star Wars Eclipse* a few years back. Despite the initial buzz around the project, updates on its development have been infrequent, leaving numerous fans uncertain. Recently, conditions at Quantic Dream have worsened, with disturbances caused by layoffs affecting the development staff, raising issues about the game’s future.

### Recent Updates

Rather than concentrating exclusively on *Star Wars Eclipse*, Quantic Dream shifted its attention to *Spellcasters Chronicles*, a multiplayer online battle arena (MOBA) game. However, this game has had difficulty establishing itself and is reportedly gearing up for termination. Consequently, the studio announced intentions to cut approximately 115 positions, mainly those involved in *Spellcasters Chronicles*.

This choice has prompted a reaction among developers, culminating in a strike outside the Quantic Dream headquarters. Workers contend that the anticipated layoffs threaten the development of *Star Wars Eclipse*, which is already viewed as encountering serious difficulties. One striking worker, Théo, remarked, “We are convinced that, as the situation stands, the game simply cannot be completed if the redundancy plan proceeds as planned.” He underscored the lost productivity during the month when many team members were inactive, accentuating the negative effect on project advancement.

### Workers Voice Their Concerns

The timing of the strike was deliberately aligned with a visit from Lucasfilm representatives aimed at evaluating the status of *Star Wars Eclipse*. The protesting developers argue that workforce reductions will obstruct the project’s progression rather than enhance it. They assert that those let go possess skills vital to the resources necessary for finalizing the ambitious project.

Developer Jules, another participant in the strike, commented, “This is anything but an act of sabotage. On the contrary, we’re striving to preserve *Star Wars Eclipse*.” He conveyed that having an adequate number of personnel is not a luxury but a requirement, stating that the team is already functioning under typical industry understaffing conditions. He highlighted the unsustainable practice of depending on passion-fueled crunch time to complete games, calling for a reassessment of industry norms.

### Management’s Stance

In reaction to these issues, Quantic Dream management maintains that the layoffs were primarily targeted at the team behind *Spellcasters Chronicles*. The official position insists that development of *Star Wars Eclipse* is proceeding, with future information planned for release. David Cage, the director, had previously voiced a desire to share updates, although lingering questions about the timeline remain, with many reports indicating that the game could be years from completion.

### Conclusion

As the situation unfolds, the future of *Star Wars Eclipse* hangs in a delicate balance. The strike signifies deeper problems within the gaming industry, highlighting the demand for sustainable working environments and sufficient staffing to produce high-quality projects. As fans anticipate further updates, the collaboration between Quantic Dream and Lucasfilm is under close observation, facing challenges that could ultimately sway the future of this eagerly awaited title.

**Grand Theft Auto VI: Digital-Only Launch and the Future of Physical Formats**

*Grand Theft Auto VI*, the eagerly awaited release from Rockstar Games, will debut without conventional physical media versions, a choice that has stirred the gaming community. Following a recent speculation triggered by a message from Rockstar Support, there was an initial belief that a disc variant might follow soon after the release. Nonetheless, further clarification has established that this rumor is unfounded.

The original message sparked hope among fans and retailers for a physical alternative, as it indicated that a tangible copy might be accessible in the months succeeding the pre-order announcements. However, sources from *The Hollywood Reporter* disclose that the wording of this email misled many people. The so-called “physical copy” refers to a box that includes a download code rather than a physical disc. As it stands, there are no intentions to print any disc versions of *Grand Theft Auto VI* at launch or in the subsequent months.

This significant shift towards an exclusively digital release starkly highlights the ongoing decline of physical media within the gaming sector. Major retailers are already feeling the repercussions, with some choosing not to stock the empty boxes that symbolize the digital-only offerings. This predicament presents difficulties for fans who value physical collections and the traditional custom of sharing games with friends or family. As the marketplace moves away from physical media, the notion of “ownership” in gaming is transforming, pivoting towards a scenario where players are left with ephemeral digital licenses for their acquisitions.

The anticipation surrounding *Grand Theft Auto VI* remains strong despite these adjustments. The game’s scale and potential effect on the market mark a notable moment in both gaming history and consumer habits. As the digital launch date nears, many fans are pondering how this new phase in gaming will affect future releases and the sustainability of physical versions in the long term. The successful implementation of this digital-only strategy might establish a benchmark for how major gaming companies approach their launches in the future.

Hmm. On the one hand, a Turbulent Thursday. On the other, a Big Mum. We’ve all had Thursdays we could describe as turbulent, so the owner of the 2014 Nissan Fairlady Z who drives with the Neo Limited crew scores a point for relatability. That said, the large mother of the Family Business gang, who as fate would have it also drives a Fairlady Z, scores points for being straightforwardly funky. Both racers’ names are hilarious to me, but in the list of top ten opponent monikers from Tokyo Xtreme Racer, there simply isn’t room for both of them.

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# Investigating Alternatives: Deckbuilding Games After *Slay the Spire 2*

With almost 300 hours invested in *Slay the Spire 2* in just three months since its launch, it is evident that this game has enthralled many gamers with its captivating mix of strategy and deckbuilding. Developed by Mega Crit, the game continues to benefit from frequent balance updates that improve player experience and sustain its allure. For those interested in venturing into new realms of the deckbuilding genre, several titles merit attention, particularly for those who may feel enchanted yet somewhat disheartened after their time with *Slay the Spire 2*.

### 1. Rune Dice

Debuting on May 19, *Rune Dice* introduces novel mechanics to the deckbuilding scene by shifting attention from cards to dice. Players gather dice and merge them by throwing them at each other, inflicting damage on foes. This inventive mechanic, along with a roguelike progression system reminiscent of *Slay the Spire 2*, guarantees that strategic choices are fundamental to the gameplay. The thrill of successfully rolling high values enhances the excitement, creating a gratifying experience for genre enthusiasts.

### 2. Black Jacket

Just days before the release of *Rune Dice*, *Black Jacket* was launched on May 12. This game merges the mechanics of a blackjack deck builder with an intriguing narrative, setting itself apart from conventional roguelikes. The engaging plot twists and high-quality writing keep players engaged throughout their adventure, making it a noteworthy presence in the deckbuilding landscape.

### 3. Griftlands

Created by the acclaimed Klei Entertainment, *Griftlands* delivers a distinctive approach to deckbuilding where choices made in combat and dialogue are resolved through card battles. While it may not be as complex or extensive as other offerings, it delivers 30 hours of enjoyable and replayable gameplay. Its whimsical aesthetics, featuring both combat and dialogue driven by cards, adds layers of strategy and humor, resulting in an enjoyable player experience.

### 4. Marvel’s Midnight Suns

Integrating card-based gameplay with tactical turn-based elements from the *XCOM* series, *Marvel’s Midnight Suns* incorporates RPG elements into its design. Despite being a AAA title based on a well-known IP, it struggled commercially, yet it presents a distinctive deckbuilding experience filled with profound strategy. It stands out for intertwining character-driven narratives within its gameplay while avoiding the usual roguelike features.

### 5. 9 Kings

*9 Kings* challenges conventional descriptions, acting as a deckbuilding roguelike that seamlessly combines real-time strategy and autobattler features. The straightforward gameplay enables players to effortlessly build powerful decks, rendering the game accessible yet engaging. Frequent updates and newly added multiplayer support boost its attractiveness, encouraging both solo and team play.

### 6. Fights In Tight Spaces

With an emphasis on meticulous card balancing and tactical positioning, this game excels at crafting fulfilling encounters. The animations and combat systems ensure each engagement feels dynamic. The recent sequel, *2 Fights in 2 Tight Spaces*, adds multiplayer features, though some claim its integrity is compromised without a playable canine companion like in the original.

### 7. Chrono Ark

*Chrono Ark* appears simple at first glance but reveals depth as players delve deeper. The initial absence of guidance may feel intimidating, yet as players uncover its mechanics, they experience a well-executed deckbuilding RPG that fuses 2000s JRPG aesthetics with captivating narratives. The difficulty level is methodically adjusted to enhance player involvement, paving a path for noteworthy replayability.

### 8. Across the Obelisk

A direct rival to *Slay the Spire 2*, *Across the Obelisk* facilitates cooperative play and the simultaneous construction of multiple decks, distinguishing it further. This layered complexity may be initially daunting, but conquering it rewards players with a profound combat experience. Even with a wide range of available DLCs, the base game provides a solid experience for newcomers and veterans alike.

### 9. Inscryption

While it diverges from the lesser-known alternatives, it is essential to highlight *Inscryption*. Many contend that it stands shoulder to shoulder with *Slay the Spire 2* regarding innovation and narrative richness. With its brief yet impactful gameplay, *Inscryption* emphasizes crafting a gripping story while weaving together various mechanics, resulting in a distinctive experience that resonates profoundly with players.

### Conclusion

With *Slay the Spire 2* establishing a high benchmark, it might seem challenging to discover games that match or surpass that level of quality. Nevertheless, the titles outlined above provide diverse experiences within the deckbuilding genre that can rekindle players’ enthusiasm for strategy and creativity. Whether you’re intrigued by dice, tactical card battles, or immersive narratives, these games present ample chances to explore new horizons beyond the realm.

I would like to say this missive is brought to you from a dark, ventilated room where I lay upon a bed of ice packs. However, if all goes according to masochistic plan, I will already have been cycling for a few hours when this goes live. I need to get out of the house and onto the road before the sun’s too high in the sky and the tarmac becomes an oven baking me from below.

The payoff at the other end? The first BBQ of the summer and, I sincerely hope, a tall glass of chilled water.

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