Gait Games

The European Commission proposed new rules around how under-15s access the likes of social media, AI chatbots, and online video games earlier this week. The draft legislation is called the EU Kids Act and calls for the setting up of a tiered system governing the types of accounts children under 15 can create to access such services, enforced by mandatory age verification for all users.

The documents laying out the proposal have been officially released, and based on the current wording the Commission have used to define what they class as an online game, it seems single player games that rely on online platforms like Steam for updates, distribution, or even a one-time authentication could be caught in the crossfire. That is, unless the definition is tightened up before the law is set in stone, if it indeed it makes it that far.

Read more

# Upcoming Anime to Check Out for Fall 2026

How’s your anime queue looking? Endless, I assume? You barely got through all the summer releases, you say? Yeah—believe me, I understand. Well, I’ve got both good and bad news regarding that. The good news is that the fall 2026 anime roster isn’t nearly as overwhelming as the summer 2026 lineup. The bad news is that it’s still quite substantial, so if you’re still attempting to finish last season’s shows, don’t expect much of a break.

Interestingly, there aren’t many massively popular returning titles either. *The Apothecary Diaries* is making a comeback for its third season, the highly underrated *The Ramparts of Ice* is back for another season, and *Black Clover*’s second season is at last premiering after a lengthy five-year gap. But this isn’t a rundown of returning shows to look forward to—it’s a list of new anime, so forget about second or third seasons here. I understand we’re having trouble keeping pace right now, so the last thing we want is even more new content, but…well, you clicked on the article.

## *The Vermilion Mask (Shuiro no Kamen)*

Let’s kick things off powerfully, as I have high expectations for this one. *The Vermilion Mask* shows the potential to become extremely popular, as it echoes many of the same themes as *Jujutsu Kaisen*. First off, while the manga was published by Shōnen Gahōsha, this is actually a seinen. That means it’s more akin to *Attack on Titan* than *My Hero Academia*; darker, bloodier, and indeed aimed at older viewers. I don’t want to reveal too much since the manga is superbly crafted, but let’s just say the initial episode won’t be a lighthearted and cheerful experience.

Although the relatively young animation studio behind *The Vermilion Mask*, 100studio, isn’t a heavyweight by any means, what they’ve produced so far has been quite remarkable. I might be one of the few who actually watched *Quality Assurance in Another World*, so take my word for it; 100studio has the talent, and I believe *The Vermilion Mask* could be their breakout success.

## *Tank Chair*

Alright, this might be my biggest “hear me out” entry on the list, but it’s also the one I’m most eager about. *Tank Chair* is a manga I never anticipated would be turned into an anime. It has a peculiar premise, but that’s not why I didn’t believe it would be adapted; it’s mainly because it’s only moderately known, yet it would be extraordinarily costly to animate.

To give you context, *Tank Chair* follows a paralyzed assassin named Nagi who eliminates targets using his motorized, mecha wheelchair. It’s fantastic. This manga features some of the most thrilling fight scenes I’ve ever encountered, but there’s a catch: the anime adaptation will be 3D computer-generated.

I know, I know—3DCG is often frowned upon in the anime industry, but considering the cost to animate it traditionally, I understand the choice for *Tank Chair*. On the bright side, when it comes to 3DCG, you won’t find much better than Polygon Pictures. This is the studio behind works like *Ghost in the Shell 2: Innocence*, *Love, Death & Robots*, and *Your Friendly Neighborhood Spider-Man*, so if it has to be 3DCG, these are the folks you want on the project.

## *Firefly Wedding (Hotaru no Yomeiri)*

I haven’t read Oreco Tachibana’s historical romance manga *Firefly Wedding*, but I’m immediately intrigued after reading the synopsis. The story takes place in the 1800s and centers on Satoko, a young woman with a heart condition who wishes to marry before her time runs out. Then she gets kidnapped, which leads her to propose to her would-be killer: an assassin named Shinpei. After that, it sounds like a sort of *Bonnie and Clyde* narrative; a tale about two individuals going on a murderous spree across the nation to evade capture. Shinpei also seems to have a few issues, making things even more entertaining.

More importantly, though, the animation studio for this one is David Production; the studio behind nearly every *JoJo’s Bizarre Adventure* adaptation, *Fire Force*, and *Undead Unluck*. With that alone, count me in.

Brendy (RPS in peace) liked Keep Driving. Nic (RPS in peace) liked Keep Driving. I (RPS still alive) liked Keep Driving. Julian (RPS currently boss) liked Keep Driving. You, reader, should play road trip RPG Keep Driving if you haven’t already. A good excuse to do so is the fact that it’s getting official mod support via the Steam Workshop on September 28th.

Read more

# The Dialogue Overload in *Fire Emblem: Fortune’s Weave*

In the arena of tactical RPGs, few series are as esteemed as *Fire Emblem*, featuring its complex narratives and detailed character arcs. Nevertheless, with the launch of *Fire Emblem: Fortune’s Weave*, some gamers have encountered an unforeseen problem—an abundance of dialogue that detracts from the gaming experience.

After spending around ten hours in *Fortune’s Weave*, players frequently feel as though only a minimal portion of that time has been dedicated to actual gameplay mechanics, particularly the game’s core element—fortune weaving. Despite the enthralling storyline and charming protagonists, the lengthy dialogue can seem burdensome, giving the impression that the narrative is overwhelmed by its own verbosity.

## Protagonists and Plot Engagement

Players have shown a distinct affection for the characters crafted within the game. The stories, although engaging, may become tiresome due to the repetitive nature of conversations that do not significantly move the plot forward. Fans value the emotional richness and growth of the characters, which are crucial for player attachment. However, when dialogue recycles themes and concepts, it can lead to irritation, as players feel weighed down by redundant exchanges.

Feedback from gaming critics, such as Jeff Grubb from *Giant Bomb*, highlights this view with instances illustrating how discussions frequently restate points earlier conveyed. This not only challenges players’ patience but can also disrupt the game’s pacing.

## The Unwanted Tutorials

Beyond narrative excess, *Fortune’s Weave* has faced backlash for its surplus of tutorial panels. While tutorials are vital for assisting players in understanding intricate mechanics, the prevalence of these interruptions can greatly hinder the gameplay experience. When a tutorial points out that spots on a map are simply known as “locations,” players might question the need for such explicit guidance, leaving them feeling insulted by the game’s assumption of their comprehension.

The call for concise and effective communication resonates throughout the gaming community. Many contend that improved editing could sharpen the narrative, enhancing the gameplay experience by eliminating unnecessary padding. By doing this, players could enjoy a more seamless transition between storytelling and action, which is essential for maintaining interest in a tactical RPG.

## Conclusion

Though *Fire Emblem: Fortune’s Weave* promises much with its vibrant storytelling and lovable characters, its inclination towards excessive dialogue and tutorial overload can diminish what could be a more immersive gaming experience. Players remain optimistic that upcoming patches or sequels may tackle these issues, fostering a more dynamic interplay between narrative and action. For the time being, the delight of traversing this narrative journey is tempered by instances of annoyance, leaving players yearning for a balance that values their time as much as the game’s rich narrative.

From the buzzing tube lights of TGS 2026 emerges Tokyo Walled City, a (deep breath) “stealth action retro-cyberpunk immersive sim with survival horror and RPG elements” in development at indie outfit Grim Ronin. Hey, I like most of those things, and I like rainy, neon Japanese streets, so let’s have a crack at covering an independent imsim without mentioning Gloomwood. Ah, dammit.

Read more

### Xbox Introduces Mythic Achievements: A Fresh Challenge for Gamers

In an initiative reminiscent of Sony’s PlayStation Platinum trophies, Xbox has begun to introduce a new category of achievements known as “Mythic” achievements. These achievements aim to reward players who have accomplished all standard achievements in a game, offering them a new dimension of prestige in their gaming feats.

#### What Are Mythic Achievements?

The debut of Mythic achievements signifies a major change in Xbox’s strategy towards gamer accomplishments. Reports suggest that these achievements will solely be attainable after players have earned every base achievement in a game, indicating that completionists will have yet another target to aim for. Mythic achievements will be monitored separately from standard achievements and will exclude DLC content, serving as a distinct sign of a player’s commitment to the core game. Notably, these achievements will carry a value of 0 Gamerscore, emphasizing the importance of completion over point accumulation.

#### Unlocking the Mythic Achievement

After finishing all base achievements, players will experience a unique on-screen animation accompanied by a new unlock sound, which has evoked mixed responses from the gaming community. Reports mention that the unlock sound is surprisingly long, extending nearly 15 seconds—an aspect that some players deem excessive. Xbox content creator Klobrille announced the news on Twitter, showcasing the sound alongside the iconic achievement symbol.

#### Community Reaction

Although the idea of Mythic achievements is largely appreciated among gamers who relish the challenge of thoroughly completing games, the prolonged unlock sound has faced backlash. Some players voiced concerns that it is too dramatic, although the number of times players will encounter it may diminish its impact over time.

#### A Timed Release Amid Changes at Xbox

The introduction of Mythic achievements is particularly significant as it aligns with a tumultuous phase for Xbox. The rollout arrives shortly after considerable layoffs within Xbox Game Studios, arousing speculation regarding the company’s trajectory. Many in the gaming community suggest that the launch of such features might serve as a distraction from the ongoing restructuring of Xbox and its studios.

#### Conclusion

As Xbox advances its achievement system with Mythic achievements, players can brace themselves for a new challenge in completing their cherished games. While the prolonged unlock sound continues to spark debate, the overall concept enhances the experience for completionists keen to achieve every accolade in their gaming journey. The effect of this feature on player engagement and the wider Xbox ecosystem remains to be seen, but it undeniably adds an exciting dimension to Xbox’s offerings.

It’s well and truly not summer now. I’m writing this with the lights on because the screen’s backlight is suddenly too bright for these eyes grown weak and lazy by the abundance of natural illumination.

Read more

**The Future of Advertising: McDonald’s Drive-Thru Experience**

In a daring step towards optimizing earnings, McDonald’s is trialing advertising on digital menu displays at its drive-thrus, where customers frequently find themselves waiting idly for their meals. This venture signifies a notable transformation in how consumers interact with fast food services and reflects a burgeoning trend in the marketing field.

**The Concept of Drive-Thru Advertising**

As reported by Bloomberg, McDonald’s is launching a program to showcase advertisements from diverse brands on screens set outside their establishments, particularly targeting customers after they place their orders. These advertisements are thoughtfully positioned during the waiting time, seizing the attention of consumers who cannot easily divert their focus. This deliberate placement seeks to capitalize on the captive audience during a moment when they are relatively uninvolved with other distractions.

**Corporate Justification and Profit Motivation**

A spokesperson for McDonald’s emphasized the rationale behind this strategy, presenting it as an initiative to provide “post-purchase content that customers might find useful, pertinent, or engaging.” However, market analysts propose that this action is chiefly motivated by economic necessity. With escalating operational expenses and stagnant sales—linked to increasing food costs and labor difficulties—McDonald’s is aiming to broaden its revenue channels. The fast-food leader is allegedly also enhancing food quality and the overall customer experience, but the current strategy seems to prioritize immediate income generation via advertising.

**The Consumer Experience**

For numerous patrons, the waiting experience is already charged with anticipation, and the prospect of being inundated with advertisements during this interval may evoke mixed reactions. While some might take an interest in the ads or even stumble upon new products, others may perceive it as an annoyance, detracting from the drive-thru experience. The idea of ‘consuming’ advertisements in an area traditionally centered on service and meal fulfillment prompts inquiries regarding consumer tolerance and brand authenticity.

**The Increasing Role of Advertising in Daily Life**

This trend signifies a wider shift in advertising tactics, wherein every facet of consumer existence is progressively commodified. The concept that every idle moment may soon incorporate exposure to advertisements is materializing as companies strive to enhance engagement and revenue in a highly competitive market.

**Conclusion**

The addition of ads in McDonald’s drive-thrus marks a notable transformation not only for the fast-food chain but also for consumer culture as a whole. As businesses persist in weaving marketing into every conceivable area, it raises a crucial discussion about finding the equilibrium between profitability and customer experience. As we gaze into the future, it remains to be determined how these alterations will redefine the realm of dining and advertising, ultimately influencing consumer behaviors and anticipations.

People Playground, a Steam sandbox game about torturing or otherwise messing with innocent ragdolls that work like crash test dummies, has had its Steam Workshop disabled over a “malicious mod” peddling malware. That’s according to the game’s developer Mestiez, who’s urging anyone who played the game with mods on September 21st to run virus scans and has told everyone not to fire People Playground up until they’ve announced it’s safe to do so.

Read more

**Mark Darrah’s Views on the Dragon Age Franchise: An Analytic Perspective on The Fade and Game Mechanics**

Mark Darrah, a prior producer and director at BioWare, has recently expressed his frank thoughts on the cherished yet debated segments of the Dragon Age franchise, particularly focusing on *Dragon Age: Origins*. His insights have ignited discussions among dedicated fans as he pointed out a specific component of the game that has frequently faced criticism: The Fade.

In a recent TikTok video, Darrah discussed what he would modify or remove from each title in the series. His foremost mention for *Dragon Age: Origins* was the Fade, which he characterized as “poor content.” Darrah conveyed a wish to either remove this section entirely or condense it into more digestible parts. His opinion resonates with many players who perceive the Fade as burdened with unnecessary complexity and often monotonous gameplay.

The Fade represents a crucial aspect of the Broken Circle quest in *Dragon Age: Origins*, where players are ushered into a dream realm after being lulled to sleep by a demon. This segment necessitates players to detach from their group, traverse a bizarre environment, and acquire shapeshifting abilities to advance. Its divisive nature has sparked much discussion within the gaming community, placing it among the most analyzed components of the franchise alongside *Dragon Age II*’s Deep Roads and the Hinterlands of *Inquisition*.

In contrast to his views on The Fade, Darrah expressed a wish to improve the game by incorporating an Avvar origin. He depicted the Avvar as resilient individuals with a heritage of big-game hunting. Although this addition would incur significant costs, Darrah believed it would enhance the game’s narrative richness, given the Avvar’s appearances in the series, especially in the *Jaws of Hakkon* DLC for *Inquisition*.

Darrah’s critiques were not confined to *Origins*. He also focused on *Dragon Age II*, particularly its contentious conclusion. Protagonist Hawke faces a dilemma between supporting mages or templars, but Darrah identified a critical flaw in that choice. No matter the player’s selection, the outcome generally depicts both factions unfavorably, yielding a disappointing resolution to a critical conflict. Darrah suggested a remedy: if a player allies with the mages, they should not encounter Orsino, the First Enchanter, offering a clearer narrative path.

Ultimately, his insights on *Inquisition* revolved around pacing rather than storyline. Darrah criticized the game’s power mechanics, which force players to attain specific thresholds before they can engage in story missions. He deemed this design unnecessary and suggested that lessening these requirements could improve the overall flow of the game.

Darrah’s observations provide a window into the development hurdles and creative choices that shape the games we admire. His thoughts on The Fade, the contentious plots of *Dragon Age II*, and the pacing of *Inquisition* underscore the tension between player contentment and narrative aspiration. As fans of the series keep discussing its various aspects, Darrah’s viewpoints contribute meaningfully to understanding the ongoing progress of the Dragon Age franchise.