NVIDIA GeForce NOW is relentlessly broadening its cloud gaming portfolio, and on this GFN Thursday, the platform has introduced an additional 20 games, featuring the freshly launched “Little Nightmares III.” For those who may not know, GeForce NOW provides members with the opportunity to enjoy the latest games and content without having to wait for updates or patches. This is accomplished by integrating games into their cloud streaming platform, allowing members to play for a subscription fee, given they possess the game on a compatible platform. Users can tap into the capabilities of an advanced GeForce RTX GPU directly from the cloud without any installation or setup. GFN Thursday signifies the introduction of more titles to the service, and on July 3, 2025, NVIDIA GeForce NOW has incorporated 20 additional titles.

On this GFN Thursday, the newly launched “Little Nightmares III” and “Wuchang: Fallen Feathers” are now available on the platform, letting players access them on the release day. With the service now compatible with Steam Deck, players can jump in without any installation on a handheld device. The July 3, 2025, lineup includes:

**GeForce NOW – July 2025 GFN Thursday Releases**

– *Little Nightmares II* (New release on Xbox, available on PC Game Pass)
– *Figment* (New release on Epic Games Store)
– *Clicker Heroes* (Steam)
– *Fabledom* (Steam)
– *Rogue: Genesia* (Steam)
– *Schedule I* (released on Steam)
– *The Ascent* (New release on Xbox, PC Game Pass, July 8)
– *Every Day We Fight* (New release on Steam, July 10)
– *Mycopunk* (New release on Steam, July 10)
– *Brickadia* (New release on Steam, July 11)
– *HUNTER×HUNTER NEN×IMPACT* (New release on Steam, July 15)
– *Stronghold Crusader: Definitive Edition* (New release on Steam, July 15)
– *DREADZONE* (New release on Steam, July 17)
– *The Drifter* (New release on Steam, July 17)
– *He Is Coming* (New release on Steam, July 17)
– *Killing Floor 3* (New release on Steam, July 24)
– *RoboCop: Rogue City – Unfinished Business* (New release on Steam, July 17)
– *Wildgate* (New release on Steam, July 22)
– *Wuchang: Fallen Feathers* (New release on Steam and Epic Games Store)
– *Battle Brothers* (Steam)

For further details on NVIDIA GeForce NOW releases or to register, enthusiasts can check out the official [NVIDIA website](https://www.nvidia.com/en-us/geforce-now/).

I entered *SPINE* at Summer Game Fest 2025 with elevated expectations. The neon-lit avenues of Tensor City appeared to promise a rich, vibrant environment, and developer Nekki offered a sneak peek into the gameplay as Redline—a graffiti artist-turned-revolutionary—in their forthcoming cyberpunk action game. I found myself captivated. After spending 20 minutes with this chic gun-fu fighter, I departed believing that Nekki has created something unique—a game that not only pays tribute to [John Wick](https://www.cgmagonline.com/review/movie/john-wick-chapter-4-2023-review/)’s graceful violence but also transforms it into an interactive form of art.

*SPINE* allows players to take on the role of Redline, a red-haired creator whose existence is dramatically altered upon acquiring a sentient spinal implant. This isn’t just another cybernetic upgrade—the implant, simply known as Spine, serves as her combat ally in the battle against the oppressive Tensor AI regime that governs her city. The concept immediately brings to mind [The Matrix](https://www.cgmagonline.com/review/movie/the-matrix-resurrections-review/) and Neo’s odyssey, yet Redline’s narrative feels thoroughly her own, grounded in street art culture and urban insurrection, with a visual style that evokes Hong Kong and other Asian metropolises.

The combat system stands as the game’s most significant draw, gracefully merging martial arts with firearms in what the creators refer to as gun-fu. It brought to mind what [viewers witnessed in *Equilibrium*](https://www.imdb.com/title/tt0238380/) back in the early 2000s. Throughout the *SPINE* demo, guiding Redline as she sliced through waves of foes felt profoundly cinematic. She danced around adversaries with graceful agility, delivering powerful kicks and strikes before effortlessly moving into weapon-based finishes—and let me tell you, it’s spectacular. *SPINE* seems crafted to enable players to experiment and discover the full extent of its combat, rather than struggle with each fresh challenge, allowing them to star in their personal action film.

However, as you can discern by now, *SPINE* diverges slightly from the ordinary action game. Its distinguishing factor is its dedication to providing a one-of-a-kind cinematic experience. The third-person perspective sustains a letterboxed, film-like aesthetic throughout the majority of encounters, ensuring Redline’s electrifying combat style and eye-catching red attire remain prominent against the cyberpunk landscape.

### “Throughout the *SPINE* demo, guiding Redline as she sliced through waves of foes felt profoundly cinematic.”

Naturally, raw hand-to-hand combat represents only one facet of this gun-fu action title, and *SPINE* introduces an ample selection of options for dispatching adversaries. The weapon system injects tactical nuance without introducing overwhelming complexity. Redline begins every confrontation armed with a basic handgun and a can of spray paint—the latter utilized to temporarily blind oncoming foes. Scatterings of weapons throughout each level include shotguns and other firearms. Nonetheless, ammo depletes rapidly, compelling players to depend on melee techniques and environmental takedowns to advance. This scarcity generates tension and promotes inventive problem-solving, whether it involves hurling foes off rooftops or snatching their weapons mid-fight.

I was informed during my demo that the studio created its own animation engine, dubbed Cascadeur, which collaborates with Unreal Engine 5 to produce those fluid, film-quality takedown sequences. The outcome is combat that flows without clumsy interruptions or abrupt shifts. Finishing moves merge seamlessly into the action, crafting moments that genuinely encourage players to cheer. One particularly unforgettable scene exhibited Redline snatching a foe’s shotgun before instantly using it to execute a brutal finishing move—pure cinematic brilliance.

### “For action gaming enthusiasts who have longed for a genuine John Wick–style experience, SPINE seems set to fulfill that fantasy…”

While combat is a crucial element, it’s the game’s overall visual style that enhances the experience, embracing its cyberpunk backdrop without resorting to stale clichés. Neon graffiti accents add character to combat encounters, while Tensor City’s oppressive architecture forms the ideal setting for rebellion. The artistic direction underlines the game’s narrative themes, with Redline’s artistic roots influencing both the world design and her combat animations.

The boss fight that wrapped up the demo showcased *SPINE*’s challenge scaling. Battling an opponent with analogous cybernetic enhancements resulted in a notable difficulty spike, requiring heightened strategic thinking and precise timing. I’ll concede—I failed several times in my effort to defeat this other Spine user. Yet I appreciate how it all functions and how the developer structured the experience, helping the player feel empowered while daring to challenge their newly honed skills against formidable adversaries.

*SPINE* is set to release sometime in 2026 on PC, PlayStation 5, and Xbox Series X|S.

Firefly Studios has revealed a thrilling roadmap for the eagerly awaited launch of “Stronghold Crusader: Definitive Edition,” which is scheduled for July 15. This announcement has intensified the excitement of fans who are keenly anticipating the game’s debut. The roadmap details the studio’s dedication to supporting the title following its release, with two significant updates slated for 2025.

The announcement showcases remarkable fan involvement, with 195,000 demo downloads and 230,000 wishlists since the game’s announcement. The post-launch strategy encompasses expected fixes, enhancements, and balancing for the upgraded RTS remaster. Furthermore, Firefly Studios has confirmed two major updates for 2025, motivated by substantial fan enthusiasm. In addition to the previously mentioned Autumn and Winter Updates, two paid DLCs are also under development for the remaster.

The complimentary Autumn Update will unveil a groundbreaking economic campaign and introduce a new CPU-controlled commander. Players will tackle five missions that concentrate on economic goals, highlighting the city-building aspects of “Stronghold Crusader.” This update will bring three new maps, with an additional three maps scheduled to be released in the Winter Update, culminating in a total of six free maps. The Winter Update will feature a highly desired addition, enabling players to customize CPU opponents, castles, and campaigns, allowing them to craft their perfect rivals.

The paid DLCs will each present two new CPU opponents and a collection of demanding missions referred to as a “skirmish trail.” These updates are all that Firefly Studios has disclosed for the moment. “Stronghold Crusader: Definitive Edition” is set to launch on July 15, and fans can access more details on the official website as the release date nears.

The prolific actor who featured in films like *Reservoir Dogs, Donnie Brasco* and *Die Another Day* has been found deceased in his Malibu residence.

As reported by [NBC Los Angeles](https://www.nbclosangeles.com/entertainment/actor-michael-madsen-death-malibu/3738032/?amp=1), deputies responded to a 911 call, arriving at Madsen’s home in the early hours of July 3rd, 2025. He was declared dead at the scene from natural causes, with no foul play suspected. Manager Ron Smith confirmed via email that Madsen succumbed to cardiac arrest. Madsen was 67 years of age.

In a statement, Managers Susan Ferris and Ron Smith, along with Publicist Liz Rodriguez expressed, “In the past two years, Michael Madsen has produced remarkable work in independent film, featuring in upcoming productions like *Resurrection Road*, *Concessions* and *Cookbook for Southern Housewives*; he was very much anticipating this next phase of his life.” They added, “Michael Madsen was one of Hollywood’s most legendary actors, and he will be deeply missed by many.”

Madsen was also on the brink of releasing a new book titled *Tears For My Father: Outlaw Thoughts and Poems*, and [as per IMDB](https://www.imdb.com/name/nm0000514/?ref_=nv_sr_srsg_0_tt_5_nm_3_in_0_q_michael%2520madsen), he is scheduled to posthumously feature in nearly 18 films. Madsen was an exceptionally esteemed actor, involved in almost 328 projects across film, television, and video games. His IMDB entry describes him as “an enigmatic force in the entertainment industry, widely recognized as one of the most intense and captivating actors of our time.”

Although he commenced his acting career in 1982, his breakout performance was as Mr. Blonde in Quentin Tarantino’s *Reservoir Dogs*. Madsen frequently aligned with Tarantino, featuring in *Kill Bill Vol 1 & 2, The Hateful Eight,* and *Once Upon a Time in Mexico*. He also lent his voice to various video game characters, notably Toni Cipriani in *[Grand Theft Auto III](https://www.cgmagonline.com/news/grand-theft-auto-vi-new-trailer-2nd/)*, Don Rafferty in *True Crime: Streets of LA,* and the English voice of Shimano from the 2005 game *Yakuza*. He was acknowledged for portraying “tough-guys” while imbuing them with emotional depth.

Madsen is survived by his wife, DeAnna Morgan, and his five children. He will be truly missed.

Gamification has evolved well past simple badges and points. In 2025, it has emerged as a fundamental aspect of how digital media companies attract and retain customers. It influences how individuals engage with news applications, streaming platforms, and financial technology interfaces. Gamification incorporates features that ignite curiosity, foster competition, and build community. Businesses are discovering that designs inspired by gaming keep users engaged and transform them into active participants rather than mere observers. This trend is aiding brands in cultivating loyalty in an environment where attention is perpetually at stake.

The New Rules of Engagement

User expectations have transformed. Audiences seek media experiences that are rewarding, making gamification a perfect solution for this transition. Financial applications, especially in sectors like cryptocurrency and banking, have been among the first to implement these strategies. This is due to the fact that gamification assists users in navigating complex topics in manageable increments, which promotes regular usage.

For instance, certain cryptocurrency platforms and trading communities incorporate game-style objectives, point systems, and streak incentives to facilitate user learning about asset management while keeping them actively engaged with the platform. A few cryptocurrency sites provide clear explanations regarding coin futures, margin tracking, and risk management integrated with gamified features that make daily interactions feel valuable. Whether it involves daily check-ins for bonus streaks or completing educational tasks for minor rewards, these techniques provide users with goals to pursue without it feeling like an additional burden.

Badges Are Out, Meaningful Progress Is In

Initial gamification attempts often centered around rewarding users with shiny badges for actions such as logging in. While these strategies were effective for some time, they could not maintain attention once the novelty faded. By 2025, digital media and fintech organizations are transitioning to progression-centric systems that seem more meaningful.

By staying current with the latest features from popular franchises such as Grand Theft Auto and Call of Duty, various news outlets and online publications are piloting gamified features that motivate regular updates and increased engagement. Though not widespread, these initiatives frequently concentrate on rewarding engaged users with benefits like access to exclusive newsletters, live Q&As, or temporary ad-free content. Rather than relying on mere badges, these incentives enhance the reading experience, aiming to foster a habit while making involvement feel rewarding.

Streaming services are also exploring similar concepts, where viewers can “level up” by interacting with recommended shows or curating playlists for others. This approach encourages viewers to delve deeper into content libraries, rather than simply scrolling passively.

Learning Meets Play

Gamification also proves effective for education within digital media. Whether covering financial literacy, health topics, or current events, employing game-like systems enables platforms to assist users in absorbing information seamlessly.

One banking application introduced a quiz feature linked to its educational articles, providing users with small cashback rewards for correct responses. A health-oriented media platform transformed daily check-ins and quizzes into a “quest” for subscribers, promoting learning about wellness while also delivering entertainment. ScienceDirect published a study demonstrating how these systems enhance information retention while boosting app engagement. These gamification aspects have turned education into something users anticipate rather than avoid.

Community Matters More Than Competition

Many perceive gamification as solely about outperforming others, but by 2025, platforms are recognizing that users crave connection, not just rivalry. Digital media and fintech platforms are implementing social leaderboards, collective goals, and community challenges to promote shared advancement.

For example, fintech communities frequently initiate group challenges in which users set joint financial savings targets, sharing their progress in a stress-free environment. News applications host community trivia nights, promoting learning and social engagement. These systems allow participants to experience goal achievement together, thereby sustaining their involvement through shared motivation and success.

Subtle, Seamless Design Wins

One reason gamification often does not succeed is that it may come off as forced, resembling an added layer to an app instead of an integrated part of it. By 2025, the most effective examples are from platforms that <a href="https://www.rocketsource.com/blog/customer-journey-mapping/" target="_blank"

The Persona series has consistently showcased its eccentricity with pride. It’s fashionable, thought-provoking, somewhat unhinged — and somehow succeeds in making demon fusion feel deeply meaningful. Yet, underneath the anime visuals and top-tier soundtracks lies a surprisingly intricate foundation: Carl Jung’s framework of the human psyche.

Indeed, the same Jung who introduced archetypes, the shared unconscious, and the notion that you might be unknowingly projecting your unresolved issues onto your former partner. Persona 5 Royal takes all of this and morphs it into a game where you summon your inner self, tackle internal struggles, and engage with metaphors.

If you’re jumping in with a Persona 5 Royal Steam code, be aware that you’re embarking on a journey that encompasses Jungian theory, adolescent rebellion, and cloaked metaphysics.

Jung, But Ready for Battle

At the heart of Jungian psychology is the notion that we all don masks — personas — to navigate society. These aren’t fabrications; they’re refined representations of ourselves meant to be acceptable. Yet behind the mask lies the Self, the complete, unrestrained you, filled with insecurities, hidden fears, and unresolved parental issues.

The Persona series makes this concept tangible. Your Persona is your alternate self — summoned during combat, developed through self-reflection, and brought to life by facing the darkest recesses of your mind. Jung referred to this process as individuation. Persona dubs it a boss battle in a luminous palace populated with shadow creatures and nuanced allusions to capitalism. Tomato, tomahto.

Shadow Work (With Experience Points)

Jung’s idea of the Shadow — the subconscious part of us that we reject or repress — is pivotal to the series. Every foe in Persona 5 Royal represents someone who has been entirely overtaken by their shadow self: compromised educators, exploitative supervisors, twisted lawmakers. They’re exaggerated, of course, but the horror stems from their relatability. These are individuals who were rewarded for neglecting their humanity.

In contrast, your eclectic group of teenagers each confronts their shadow to evolve. Ann regains her empowerment. Yusuke grapples with genuineness. Futaba finds healing through confrontation. Their Personas arise from these experiences not merely as enhancements, but as emblems of acceptance. You don’t annihilate your shadow — you embrace it.

So if you’ve ever looked into a mirror and questioned your identity – or if your mirror unexpectedly began speaking and providing tarot readings, perhaps a Persona 5 Royal Steam code is the therapeutic experience you thought you didn’t require.

The Velvet Room: Jung’s Dream Archive

Next is the Velvet Room — an intermediary space between awareness and the subconscious, where a man with an elongated nose and his increasingly foreboding aides assist you in fusing Personas like psychic Pokémon. It’s bizarre. It’s dreamlike. It’s essentially Carl Jung’s lucid dream, but featuring fusion mechanics and metaphors about parole.

The Velvet Room serves not only as a gameplay center. It symbolizes your inner self — the crucible for growth. Your choices there mirror your evolving psyche. Who you opt to fuse speaks as loudly about you as which Confidants you engage with or which assignments you skip to go dungeon exploring.

Discovering Yourself… and Battling a Deity

The climax of most Persona games involves confronting a deity-like figure that embodies societal conformity, indifference, or absolute control. Jung might have articulated it more delicately, but the essence remains the same: to truly become whole, you must reject the external pressures dictating who you should be.

Persona doesn’t simply turn psychology into a game. It challenges you to be open. To confront the aspects of yourself you might prefer to overlook. And perhaps, to understand that healing doesn’t diminish your strength — it empowers you, even if that empowerment includes summoning a fiery horse wearing sunglasses.

In a recently uploaded video on her YouTube channel, Laura Fryer, a veteran Xbox partner and executive producer on various Microsoft initiatives, conveyed her worries about Microsoft’s prevailing strategic choices. The video, shared on June 28th, 2025, emphasizes Fryer’s concerns regarding the company’s aspirations in hardware, recent mergers and shutdowns, and possible price increases, labeling Microsoft’s strategy as “disordered.”

Fryer particularly concentrated on the status of Xbox as Microsoft’s internal hardware, implying that the brand is essentially “no longer alive.” She talked about the collaboration between Xbox and ROG, especially the recently launched Xbox ROG Ally, sharing her apprehension that Xbox may be slowly withdrawing from the hardware sector. Fryer expressed, “I’m saddened because, from my viewpoint, it seems Xbox has no interest or simply cannot deliver hardware any longer.”

She raised doubts about the value offering of the Xbox ROG Ally, stressing that consumers require a strong incentive to invest in new hardware. Fryer reflected on the development of the original Xbox, observing that the Xbox ROG Ally may not entice buyers unless it competes well on price. Nonetheless, she was skeptical about this scenario, noting that the ROG Ally is merely a rebranded existing item, with its lowest variant priced at approximately $600. Fryer concluded that lowering the price is unlikely to be the element that motivates gamers to acquire the handheld.

Fryer also condemned Microsoft’s absence of attractive game exclusives, which she identifies as a vital factor for hardware purchases. She pointed out that numerous expected games, like “State of Decay 3,” “Perfect Dark,” and “Fable,” remain in the development phase without updates, despite being in the pipeline for over five years. Fryer candidly stated, “Xbox doesn’t do exclusives anymore,” and criticized the “Xbox Anywhere” project, suggesting it undermines the necessity for Xbox hardware as games can be accessed on other devices such as PC, PlayStation 5, or Nintendo Switch.

Fryer’s perspectives carry substantial weight given her vast experience in the industry. She was among the initial members of Microsoft Game Studios in 1995, held the position of Director of the Xbox Advanced Technology Group in 2000, and served as the General Manager of the Seattle Division of Epic Games in 2001. Her achievements include being recognized as one of The Hollywood Reporter’s “Top 12 Most Influential Women in Gaming” and one of Next Generation’s “Game Industry’s 100 Most Influential Women.”

Surgent Studios is creating considerable excitement within the gaming sector with their forthcoming psychological horror title, “Dead Take,” which will spotlight acclaimed video game actors Ben Starr and Neil Newbon in prominent roles. The revelation was made through a press release, emphasizing the studio’s partnership with these gifted performers. Fans will remember Ben Starr for his appearances in “Final Fantasy XVI” and “Clair Obscur: Expedition 33,” while Neil Newbon is recognized for his roles in “Detroit: Become Human” and “Baldur’s Gate 3.”

A recently unveiled teaser for “Dead Take” has heightened expectations, revealing the game’s unsettling ambiance and fascinating storyline. Set in an opulent yet isolated Hollywood Hills estate, players will take on the persona of an actor on a quest to locate a missing friend after an extravagant celebration. As players tackle escape-room-inspired challenges and assemble videos, they will reveal sinister secrets lurking beneath the glamorous surface of the entertainment industry.

Creative Director Abubakar Salim conveyed his excitement for the venture, highlighting the camaraderie and sincere authenticity that Starr and Newbon contributed to the project. Salim, who established Surgent Studios in 2020, aspires to expand the horizons of storytelling across diverse media platforms. The studio has already made its presence known with their award-winning short films and their debut video game, “Tales of Kenzera: ZAU,” which garnered nominations and honors at esteemed gaming ceremonies.

Although a precise release date for “Dead Take” has not yet been disclosed, the game is anticipated to debut this year on PC through Steam. As excitement mounts, fans are keenly looking forward to the chance to engage with the haunting narrative and outstanding performances that “Dead Take” is set to offer.

Walking into Summer Game Fest 2025, I anticipated the typical blend of intense trailers and eye-catching presentations. What I didn’t foresee was becoming utterly captivated by a stop-motion animated game centered on friendship and communication. *Out of Words*, the inaugural title from director Johan Oettinger and his team at Kong Orange, showcases something genuinely extraordinary in an industry frequently fixated on more grandiose, loud, and explosive engagements.

The game’s premise is deceptively straightforward, yet astonishingly relatable and moving. Players take control of Kurt and Karla, two best friends who unexpectedly find themselves whisked away to the enigmatic world of Vokabulantis after a moment of romantic tension leaves them literally speechless. Upon arriving in this peculiar realm, their mouths are entirely absent, compelling them to interact and tackle challenges purely through mutual cooperation and comprehension. Oh—and there’s a lovable new companion literally formed from their bond. There’s a great deal occurring here.

During my gameplay experience, the cooperative mechanics were both instinctive and emotionally impactful. It compels players to collaborate, and it’s this connection that renders everything remarkably fluid and distinctive. One particularly unforgettable moment situated both players within a colossal clay golem, with each controlling one of its gigantic hands as it attempted to pursue a tiny clay figure. It is both original and familiar, building on familiar concepts while introducing a co-op twist that necessitates communication. This kind of insightful metaphor permeates the experience, transforming what could have been straightforward puzzle-solving into something significantly more profound.

“Even from just watching the trailer for *Out of Words*, I was struck by how unique the game looked.”

While the gameplay does not revolutionize the genre, it provides enough for anyone to quickly grasp the essence of what’s transpiring. *Out of Words* achieves a fine equilibrium between accessibility and difficulty, allowing both newcomers and seasoned players to engage and uncover something extraordinary as they traverse the world.

Physics-defying puzzles necessitate genuine communication between players, whether they are exploring ancient catacombs or executing stunts amid the clay skyscrapers. One of the finest examples arises when players are tasked with manipulating gravity, requiring precise timing as one player falls normally while the other ascends towards the ceiling. These instances call for the type of unspoken comprehension that mirrors the game’s central theme: communication beyond words.

What truly resonated with me in *Out of Words* is the level of emotional depth the developers have infused into the experience, posing meaningful questions to the player without ever feeling like they are pushing a message or detracting from the gameplay. This isn’t a game about relationship-testing trials or competitive mechanics crafted to frustrate players. Instead, it emphasizes the real vulnerability that comes with expressing feelings for the first time. The *Alice in Wonderland*/*Wizard of Oz*–style descent that transports Kurt and Karla to Vokabulantis happens at the exact moment when they might have spoken something new to one another. It’s a metaphor that anyone who has struggled to articulate the right words will recognize instantly.

“*Out of Words* strikes a delicate balance between accessibility and challenge…”

Even from just viewing the trailer for *Out of Words*, I was impressed by how distinctive the game appeared. It intertwines the surreal, the humorous, and even the eerie into an experience that feels genuinely special, crafted by a team evidently thrilled to bring it to fruition. It very much resembles a passion project for everyone involved, and even from the brief time I spent with the game, I am eager to dive back in.

The technical accomplishment of translating stop-motion artistry into interactive entertainment cannot be emphasized enough. Cutscenes employ traditional stop-motion animation, while gameplay segments make use of those same handcrafted models to animate them through photogrammetry and light scanning. The seamless shift between these two techniques creates a unified visual language that feels both nostalgic and innovative.

*Out of Words* appears far more intricate than its charming exterior might imply. It tells a story about communication, vulnerability, and the bravery needed to express our most profound emotions. In a gaming landscape often ruled by conflict and competition, this lovingly crafted narrative offers something truly unique. When it debuts in 2026 for PlayStation 5, Xbox Series X|S, and PC via the Epic Games Store, it may redefine our expectations for cooperative gaming experiences, and I am keen for more people to engage with it and discover what it contributes to gaming.

A recent leak from the Alpha test of Battlefield 6 appears to affirm the comeback of one of the franchise’s most cherished online modes.

Shared on Twitter by an account named Rain—and on Reddit before moderators took it down—the video emphasizes the mode’s Attacker gameplay, highlighting the game’s destruction mechanics and an impressively smooth online experience (considering it’s an Alpha, at least).

The gameplay seems to originate from the Battlefield Labs Alpha Test, and it was not intended for public release, as the alpha requires players to agree not to distribute footage or details online. Nevertheless, this is just one of multiple leaks from the Alpha, as a video that surfaced in May featured former Battlefield producer David Goldfarb saying the game had “Bad Company 2 vibes.”

Many viewers who caught the footage on Twitter (X) expressed a blend of enthusiasm and doubt, with the leading comment stating, “How does it end up resembling MW2019 more each time something new leaks?” Others pointed out how firearms appear to have little recoil when fired and noted that movement speed seems significantly increased.

The anticipation for Battlefield 6 (which is not its confirmed name) has been quite extensive and challenging. A now-disproven “leak” claimed it was originally scheduled for reveal on June 9, 2021, with several subsequent leaks showcasing its ongoing development. Following Battlefield 1 and Battlefield V, which were set during WWI and WWII respectively, it has garnered praise from fans for its solid return to a more contemporary military shooter.

While definitive information from both DICE and EA regarding Battlefield 6 is sparse, or whatever it might be officially called, it is expected to release in March 2026. However, some have speculated that this could change with the launch of Grand Theft Auto VI in the same timeframe, yet CEO Andrew Wilson has assured that they do not plan on competing.