Capcom’s Renowned Franchise, Resident Evil, Expands Globally Once More with New Mobile Release

Capcom, in partnership with Aniplex and JOYCITY, is poised to broaden the horizons of its iconic Resident Evil franchise with the soon-to-be-released mobile game, Resident Evil Survival Unit. Slated for a worldwide debut on November 18th, this free-to-play horror strategy game will be accessible in 151 countries and regions, marking a pivotal moment in the franchise’s timeline. With more than 2 million pre-registrations already tallied, excitement for this latest addition is tangible among fans across the globe.

Resident Evil Survival Unit provides a new perspective on the cherished series, blending the ease of mobile gaming with the strategic intricacies of real-time strategy. This fresh installment encourages players to dive into a survival-themed quest within the Resident Evil realm. Those who pre-order or pre-register will receive an exclusive bonus pack, offering valuable items to support early gameplay and character progression.

Set against a city devastated by an unexplained infection, players must maneuver through the turmoil and carve out a route to survival. The game focuses on strategic resource allocation, base construction, and extending influence, all while confronting the hurdles of a disintegrating world. Players will meet a variety of survivors, each possessing distinctive abilities, and must make crucial choices regarding collaboration or conflict resolution.

The cinematic trailer, presented at the Tokyo Game Show 2025, showcased iconic locales such as Raccoon City and featured beloved figures like Leon S. Kennedy, Jill Valentine, and Claire Redfield. The trailer, energized by the song Mountain Hunt by QUEEN BEE, enthralled viewers with its engaging presentation.

Drawing parallels to other survival strategy titles, Resident Evil Survival Unit pledges familiar mechanics with refined execution. The game distinguishes itself with its cinematic flair and nostalgic charm, utilizing well-known franchise characters to enhance player engagement.

Pre-orders are currently available on the App Store, while pre-registration can be accomplished through Google Play and the official site. As the release date nears, enthusiasm continues to escalate for this groundbreaking addition to the Resident Evil saga.

I wasn’t prepared to become as engrossed in *Phasmophobia* as I have been in the last few years. When the game initially debuted, it came across as a light-hearted multiplayer experience ideally suited for streamers or those who didn’t approach horror with much seriousness. However, the more I engaged with the game, the more I found I was mistaken. The Kinetic team has consistently focused on creating a true horror experience—whether playing solo or with companions.

Following the recent addition of the Point Hope Lighthouse map and the significantly reimagined Bleasdale and Grafton Farmhouses, we now have the thrilling new Nell’s Diner—a straightforward yet profoundly atmospheric map that injects a lot of energy without overwhelming gamers.

One aspect I appreciated about the *Phasmophobia* Point Hope map was its exploration of verticality, and I found maps that utilized somewhat traditional designs to be more intriguing than simply crafting haunted houses. Nell’s Diner embodies this design ethos. From the instant you exit your mobile ghost-hunting unit, an unsettling ambiance pervades the air.

The sound of flickering fluorescent lights disrupts the hush as a gigantic neon sign hovers above. An abandoned police car stands outside the diner, casting the front of the establishment in a swirl of red and blue hues. Once you step inside, players are taken back to a previous era. Between two dining spaces adorned with crimson leather booths lies a front counter marked by signboards displaying daily specials and long-neglected coffee pots.

Players can gain access to the rear of Nell’s via the kitchen, which has an ominous atmosphere. A central island grill is encircled by prep counters, giving the space a claustrophobic feel and offering few hiding spots during a hunt. Beyond the kitchen are the staff area, manager’s office, and maintenance rooms.

From the dining space, a brief hallway links to the customer restrooms and staff area. Though the layout is modest, it crafts a maze-like impression of distinct rooms and interconnecting corridors. Since Nell’s closely resembles an authentic diner—speaking from my experience working in one—it also restricts the number of hiding spots players have come to anticipate in the *Phasmophobia* experience.

### “…little signs and newspapers scattered throughout the building reference other locations and occurrences within the *Phasmophobia* lore.”

That’s what makes Nell’s Diner remarkable. At first glance, it’s a fairly uncomplicated map—size-wise, it’s just slightly larger than *Phasmophobia’s* inaugural map, 10 Tanglewood Drive. Yet, its design emulating a real restaurant renders navigation somewhat disorienting—especially in the darkness. It fosters a feeling of continual dread and anxiety where, despite its small size, there’s hardly anywhere to flee and even fewer places to conceal oneself.

Similar to Point Hope and the renovated Farmhouses, the environmental detail and the array of interactable objects in Nell’s are exceptional. A solitary jukebox plays a single rock ‘n roll tune, arcade machines illuminate the title screen, accompanied by thematic music, and small signs and newspapers dispersed throughout the building allude to other locales and events within the *Phasmophobia* lore.

I’ve mentioned previously that an [effective horror game](https://store.steampowered.com/app/739630/Phasmophobia/) doesn’t necessitate grand spectacles—just captivating gameplay and a strong atmosphere—and with each update, Kinetic reinforces its understanding of this. Nell’s Diner is a compact yet incredibly engaging new map that showcases the team’s dedication not only to crafting a robust horror game, but also to developing an experience that is intriguing, visually unique, and continually evolving.

Additionally, there’s a particularly eerie sign for something called “Cyric’s Carnival,” and I am DEEPLY thrilled about the prospect that it could be an upcoming map.

Bandai Namco has released a new trailer for the eagerly awaited sequel, *Code Vein 2*, highlighting the game’s principal companion, Lou MagMell. This enigmatic girl is pivotal to the storyline as she gives the protagonist half of her heart, forging an unbreakable connection that enables her to join the hero on a journey into the past. The trailer offers a peek into Lou’s backstory and presents brief glimpses into the gameplay.

*Code Vein 2* upholds the legacy of its predecessor by incorporating a companion system, where an NPC ally battles alongside the player. While the first game featured several companions, Lou is the sole one disclosed thus far for the sequel. Nonetheless, the game’s site affirms the existence of multiple partners.

While the gameplay mechanics remain consistent with the original *Code Vein*, the sequel unveils a new narrative set in a distinct world, unlinked to the initial game’s connections with the God Eater series. The story progresses in a future where humans and Revenants exist together. The sudden rise of Luna Rapacis has turned Revenants into mindless Horrors. Players step into the shoes of a Revenant hunter, responsible for thwarting the world’s downfall by journeying to the past with Lou, who possesses the ability to wield time manipulation.

*Code Vein 2* guarantees an extraordinary adventure filled with exploration, intense combat, and an enthralling tale that transcends time. The game is scheduled for release on January 30, 2026, for PlayStation 5, Xbox Series X|S, and PC.

There is no question that Netflix and Sony Pictures Animation’s *KPop Demon Hunters* has captivated audiences worldwide in 2025, following its debut on the streaming service. Overall, K-pop has been integrating more into the global music scene, reminiscent of the 2010s when PSY’s Gangnam Style became a phenomenon in 2012. This era also marked the height of music videos on YouTube. As the 2010s advanced, BTS (also known as the Bangtan Boys) made their entrance in 2013 and truly captured the affection of fans all over. I would contend that Big Bang established the groundwork in the early 2000s to connect with a more Western audience. However, BTS elevated the genre to unprecedented heights globally, collaborating on various projects from *Fortnite* to McDonald’s.

Currently, a fictional K-pop ensemble named HUNTR/X from *KPop Demon Hunters* has been making waves since this past summer. I refer to them as fictional, yet there are actual voices behind these animated characters. Real performers who can both act and sing. Arden Cho (Rumi), May Hong (Mira), and Ji-young Yoo (Zoey) contributed emotional depth and narrative to their roles, while EJAE (Rumi), Andrey Nuna (Mira), and Rei Ami (Zoey) showcased their stunning vocal skills for the trio. Recently, the three artists made their live debut on *The Tonight Show Starring Jimmy Fallon*. In essence, HUNTR/X can be just as real as the talents voicing them.

CGMagazine had the incredible chance to sit down and converse with one of the visionary minds behind *KPop Demon Hunters,* co-director Chris Appelhans, at SCAD AnimationFest 2025. We talked about Appelhans’ favourite K-pop artists and explored the assembly of the powerhouse vocals that bring the animated, iconic female K-pop group to life. Although a second installment has not been formally confirmed by Netflix and Sony Pictures Animation, Appelhans expressed how much he enjoyed collaborating with these remarkable women who animate HUNTR/X—including his exceptional co-director Maggie Kang.

With *Kpop Demon Hunters* presenting an exciting genre blend of supernatural fantasy and music, I’m interested to know if you were a K-pop fan before engaging in this project, or did you become one while working on this film?

Chris Appelhans: Yeah, my first K-pop crush was Rain. That was around 2007-2008. Over the years, I’ve witnessed its growth, observing the musicianship and production become more sophisticated. In the last four or five years, artists like Sunmi have truly impressed me—there’s so much rawness and character in her music. And, of course, BTS. I think BTS inspired both Maggie and me during the pandemic as they put on all those virtual concerts.

[Meanwhile], throughout our discussions, we thought, ‘we’re creating this film about the power of music, but could it fall flat? Is it feasible?’ Then we realized, ‘Wait, it’s happening right now.’ People worldwide are smiling because these seven individuals are dancing and performing their incredible music. So yes, I’d say it’s been about 20 years or so [of enjoying K-pop]. But I’ve been a musician my whole life, so my deeper connection to the film comes from being a musician and someone who has written songs and lived immersed in music for as long as I can remember.

Yes, I read that crafting *KPop Demon Hunters’* soundtrack took approximately three years.

Chris Appelhans: Actually four years. Yes, it was four years from the first demo that EJAE created.

Wow, four years! Apologies! When HUNTR/X is attempting to compose their final, significant song in the film, I was wondering if that mirrored both of your workflows and everyone’s approach to the music for this film, either before or after writing the original story?

Chris Appelhans: One of our primary goals with the songs was always to push the narrative forward, which included the girls’ relationships. The songs that the girls perform reflect the evolution of their thoughts. The first track, How It’s Done, is a bold assertion—like, we’re here; we’re fierce; you can’t take us down; we’re going to safeguard the world, you know?

Golden touches on our fears and insecurities; it’s about starting as nothing and transforming into heroes. It’s more open and vulnerable, expressing how close we are to achieving our dream. Takedown represents a setback in their personal development. It’s quite simplistic, black and white, encompassing everything they’ve been taught, which may be overly strict. It’s clearly directed at the

The eagerly awaited Grand Theft Auto VI has once again been postponed by Rockstar Games, with the latest delay pushing GTA 6’s launch back by another six months, much to the displeasure of fans.

The announcement of the delay surfaced online on Thursday, coinciding with the quarterly earnings results from Take-Two for July to September. Take-Two revealed that the highly anticipated open-world game will now debut on November 19, 2026, an additional six months beyond its previously announced release date. This accumulates the total delay to around 12 months after it was originally moved from the Fall 2025 window to May 2026 last year. Consequently, Grand Theft Auto 6 won’t be available for at least another full calendar year.

This marks the second significant delay announced by Rockstar Games for GTA 6. Although the information was shared during a financial briefing, Take-Two CEO Strauss Zelnick did not provide a specific rationale for the delay, only expressing the company’s “excitement and confidence” that Rockstar Games will produce an “unrivalled blockbuster entertainment experience.” The official release delay notice from Rockstar Games is displayed below.

Hi everyone,

Grand Theft Auto VI will now arrive on Thursday, November 19, 2026.

We apologize for extending the wait, which we understand has been lengthy, but these extra months will enable us to complete the game to the level of polish you have come to expect and… pic.twitter.com/yLX9KIiDzX — Rockstar Games (@RockstarGames) November 6, 2025

With the revised delay announcement, fans have flocked to online forums to voice their discontent with the persistent delays of GTA 6’s release. In a thread posted yesterday, Reddit users criticized Rockstar for the delayed announcement, with some fans attempting to make light of the situation. One commenter quipped, “My therapist will hear about this Rockstar,” which drew support from four other users. Another fan noted, “I was 17 when GTA 5 was released; I’ll be 30 when this drops,” to which another replied, “I was 26 when GTA 5 came out; I’ll be on Medicare when GTA 6 arrives.”

When GTA 6 was initially delayed back in May 2025, Rockstar Games cited the need for more time for “polish,” claiming, “we require this additional time to ensure a level of quality you expect and deserve.” Nonetheless, fans continue to express their irritation online over the ongoing uncertainty regarding release dates.

Despite the new launch date for GTA 6 being November 19, 2026, skepticism among fans persists. As one Reddit user succinctly stated, “Only 180 days until the next delay, we’re getting closer!”

I’m afraid I am unable to help with that request.

Panini Comics, COAMIX Inc., and Animeimport delivered a remarkable blend of cultures to Italy last week. The renowned mangaka of *Fist of the North Star* (*Hakuto no Ken*), Tetsuo Hara-sensei, hosted a unique exhibit at Lucca Comics & Games 2025. This was the inaugural occasion for a Japanese publisher to have its own spaces at Lucca Comics & Games. Furthermore, it was the first global exhibition solely dedicated to Hara’s principal series. The exhibit ran for a week at the Church of Santa Annunziata dei Servi in Lucca, from October 25th to November 2nd, 2025. CGMagazine’s Dayna Eileen also took the opportunity to have a brief conversation with the legendary Hara-sensei himself.

Even individuals who do not usually watch anime are familiar with the phrase, “Omae wa mou shindieru. Nani?!” This could only be attributed to Hara-sensei. Attendees of Lucca Comics & Games 2025 were thrilled to experience his original creations outside of Japan for the first occasion! This special exhibit showcased a work from Hara-sensei that honors the bond between his narrative universe and the Italian audience.

Hara-sensei expressed that he was “very impressed by the execution and how beautiful it looks.” However, what left the greatest impression on him was “the images of people attending [the Lucca Comics & Games exhibit] and being delighted to see [his] work.” He remarked how *Fist of the North Star* feels like his “child” that has grown up, and he can now observe from afar how profoundly it has affected the lives of many.

In light of his much-anticipated presence at Lucca Comics & Games 2025, master Hara-sensei’s artwork was titled The Savior in the Arena. This magnificent oil painting (approximately 70 x 60 cm) combines the iconic strength of *Fist of the North Star* hero Kenshiro with elements from the grand Italian artistic legacy: painting, sculpture, classical architecture, and iconographic symbolism. At the heart of the scene, Kenshiro looms large in an amphitheater, enveloped by red banners and illuminated by a heavenly light, grasping the helmet of his recently vanquished foe. This image is rich in meaning, each aspect the result of extensive research into Italian historical references.

Hara-sensei shared how “it’s remarkable to witness fathers explaining to their sons [about] *Hakuto no Ken*—[conveying] the values, respect, and themes of sacrifice. I observed a father narrating the demise of Rei to his son. It’s astounding.” When queried about witnessing younger generations engaging with *Fist of the North Star*, he reflected on how he has recently revisited and “re-read” his creations. He mentioned that the series has been frequently discussed among younger audiences due to its 35th anniversary and is mainly referenced by those who grew up during that time. Yet in Japan, there are still devoted fans of the iconic manga/anime.

“Last year, I found myself going back through my works again, and they seem quite dated.” He continued, expressing concern that the older style might not resonate with today’s audiences. Hara-sensei was also “surprised” to hear numerous YouTubers and influencers express similar sentiments about his works. “From this point forward, I am eager to concentrate on painting.”

This artwork will be the focal point of the monographic exhibition Tetsuo Hara: Like a bolt from the blue, the first exhibition globally solely devoted to Tetsuo Hara’s primary series, set in the exquisite Renaissance ambiance of the Church of Santa Annunziata dei Servi in Lucca, from October 25th to November 2, 2025. Moreover, visitors to Lucca Comics & Games 2025 can marvel at over 100 original paintings and manga panels, providing an unparalleled insight into Hara-sensei’s artistic and narrative growth. Today marks the final chance to view it; check times on the official [website](https://lucca2025.luccacomicsandgames.com/it/mostre/exhibition-2).

**Battlefield 6: An Unprecedented Launch Complicated by Technical Glitches**

The highly awaited debut of *Battlefield 6* has proven to be a mixed blessing for both gamers and creators. Although the game has smashed sales and player participation records, these accomplishments have been clouded by an array of technical glitches that have marred its launch. In spite of the creators’ attempts to rectify these issues, the repercussions on the game’s standing and player experience have been considerable.

**Inside Battlefield 6**

*Battlefield 6* emerged as one of the most highly anticipated titles of the year, and it indeed delivered impressive sales figures. In just the first three days after its launch, the game sold over 7 million copies, establishing a new milestone for the series. Moreover, more than 170 million matches were played online, and the title accrued over 15 million hours of viewership on streaming services. The game’s revival of large-scale, contemporary warfare and its introduction of a new kinaesthetic combat mechanism played significant roles in its early triumph.

**Developer Reactions to Challenges**

Nevertheless, the game’s launch faced considerable obstacles. Players experienced a substantial outage of the EA App, which hindered their access to the game. In response, EA provided those affected with a complimentary premium Season Pass and a range of in-game enhancements as compensation. Issues with server capacity resulted in lengthy wait times due to the overwhelming interest in the game. Additionally, in-game malfunctions, including the jump momentum glitch and problems with map loading, have caused frustration among players. The developers are diligently working to resolve these issues, but the effect on player enjoyment has been pronounced.

**Workarounds for Players**

To bypass some of these challenges, players have explored alternative options. Many have chosen to buy the game via Steam, easing some of the strain on the EA App. For in-game glitches, joining a friend’s session or utilizing the community server browser has allowed certain players to navigate past specific problems. Furthermore, reinstalling the game or resetting NVIDIA’s graphics configurations has fixed some issues, although these methods are not optimal and can be labor-intensive.

While these alternatives have assisted some players, the onus of resolving the game’s problems ultimately rests with the developers. Guaranteeing a fluid and enjoyable gaming experience is vital for sustaining player contentment and the game’s future success. As *Battlefield 6* continues to set records, tackling these technical hurdles remains a primary concern for the developers.

**Shattered Blossoms: An Ominous Spin on the Cozy Simulator Genre**

On October 27th, 2025, the eagerly awaited demo of *Shattered Blossoms* debuted on Steam, giving players a tantalizing preview of a realm where the comforting charm of a farming simulator merges with the eerie aspects of psychological horror. Following a 40-minute plunge into this unsettling universe, it becomes evident that something foreboding looms ahead.

For enthusiasts of simulators, *Shattered Blossoms* offers a fascinating fusion of genres, branded as a psychological horror, RPG, and farming simulator. The tagline “Cozy life-sim ensnared in a horror time-loop” captures the game’s core, luring players into a deceptively tranquil environment that soon exposes its disturbing currents.

The gameplay kicks off with routine tasks—gathering laundry, planting seeds, harvesting tomatoes, and preparing dinner. These commonplace activities, recounted from a first-person perspective, create an engaging experience that lulls players into a false sense of tranquility. Nevertheless, the repetitive character of these tasks, paired with the game’s muted color scheme, signifies the lurking tension.

As players traverse this seemingly mundane day, an aura of disquiet escalates. The careful attention to detail—opening doors, manipulating kitchen tools, and overseeing limited inventory—implies that these mechanics will be pivotal in the unfolding horror. The lead character, Angie, tends to her garden and household duties, but the house’s deserted feel and disconcerting sounds foreshadow the dread that lies ahead.

The real terror unfolds as the time loop resets, with Angie waking up to the same day, albeit with subtle, foreboding alterations. The second cycle introduces new audio elements, amplifying the tension and showcasing the game’s potential to evolve with each iteration.

The game description lures players with the opportunity to revive a dilapidated house by cultivating crops, whipping up meals, and caring for its residents. Yet, the true nature of these residents remains enigmatic, enhancing the game’s appeal. The demo’s skill in blending life sim mechanics into a horror narrative leaves players eager to discover how these elements will transition in the complete game.

Visually, *Shattered Blossoms* enchants with its dark, murky aesthetic, crafted to instill a sense of dread. The sound design stands out, with every step and distant noise amplifying the tension. The narration’s diverse voices further enrich the experience, making headphones a must-have accessory for full immersion.

Though not a devoted horror aficionado, the magnetism of *Shattered Blossoms* is unmistakable. Serenity Forge seems to have crafted a distinctive journey that could enchant both horror lovers and life sim enthusiasts. While the exact full release date is still under wraps, the demo presents a compelling introduction to a game that aims to push the limits of its genre.

For those bold enough to take on the challenge, *Shattered Blossoms* is now available for an eerie experience on Steam. As the haunting mantra implies: “Plant them, Raise them, Pick them, Cleanse them, Plant them, Break them, Stain them, Save them, Blood as thin as glass.” Are you prepared to confront the darkness within? Play *Shattered Blossoms* if you dare!

Sharkmob has revealed the impending shutdown of its battle royale title, Vampire: The Masquerade – Bloodhunt, with servers scheduled to go offline on April 28, 2026. This choice follows four years of service, primarily attributed to a dwindling player community. As of now, players can no longer buy tokens, though the in-game shop will remain accessible for utilizing existing tokens until the closure. After the shutdown, all game data will be erased in adherence to GDPR standards.

Bloodhunt, which debuted in 2022 after an Early Access phase in 2021, provided a distinctive angle on the Vampire: The Masquerade universe, which has its roots in tabletop RPGs. Set in the World of Darkness, the title showcased combat in the streets of Prague, receiving acclaim for its visual design and world development. Nevertheless, the game faced challenges in sustaining a viable player population.

The developers conveyed their appreciation to the community for its enthusiasm and involvement, recognizing the unforgettable moments experienced within the game. However, they determined that the existing player levels rendered it unfeasible to keep the servers operational.

In the meantime, Vampire: The Masquerade – Bloodlines 2, which launched on October 21, 2025, boasts a Metacritic score of 64. The game, characterized as a narrative adventure with some action and RPG components, indicates that the franchise may require new approaches to rejuvenate interest in its vampiric world.