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**Octopath Traveler 1 and 2 Unveiled for Nintendo Switch 2: A Letdown for Current Owners**

Today, Square Enix stirred the gaming world with the reveal of enhanced versions of *Octopath Traveler* and *Octopath Traveler II* for the Nintendo Switch 2, scheduled for release on October 1. While numerous RPG fans are thrilled about the HD-2D graphics and enhanced performance, a sense of disappointment is brewing among existing owners of the original games.

Both *Octopath Traveler* and its sequel are renowned for their vivid visuals and intricate, captivating gameplay. The anticipated visual upgrades for the Switch 2 editions promise to enhance the experience even more. However, the financial strategy adopted by Square Enix has left many puzzled. The company has announced there will be no upgrade option for current players on Switch 1, compelling them to purchase the new versions at full price.

This was disclosed in the fine print at the conclusion of the promotional trailer, stating, “There are no plans to sell an upgrade pack to upgrade the Nintendo Switch version to the Nintendo Switch 2 version.” For players who have already spent $60 on the original games, the idea of paying another $60 for a graphical enhancement, devoid of any additional content, feels unfair. The frustration is evident among fans who believe a more reasonable upgrade cost of $10 could have accommodated both sides.

Additionally, save data incompatibility compounds the annoyance. Players opting to invest in the upgraded versions will have to start their journey from scratch, erasing their previous accomplishments and progress. This lack of continuity begs the question: What motivation do loyal players have to invest in the upgrade at all?

Square Enix’s erratic upgrade policy further complicates the situation. While some titles, like *Final Fantasy VII Remake Intergrade*, are exclusive to the new console without a previous version available, others, such as the *Dragon Quest* remakes and *Final Fantasy Tactics*, provide free upgrade options from Switch 1 to Switch 2. This inconsistency leaves fans bewildered, questioning the reasoning behind these choices.

For those who have yet to experience the charm of *Octopath Traveler*, the upcoming Switch 2 editions offer a fantastic chance. They will be accessible as both physical and digital copies, either separately or bundled. However, potential buyers must be cautious in selecting the appropriate version to avoid disappointment, as there are no upgrade choices available.

In summary, while the announcements may be exciting for newcomers, current fans of *Octopath Traveler* and *Octopath Traveler II* are left feeling disregarded by Square Enix. With a significant discount presently offered on the original Switch versions, potential buyers might choose to conserve their funds rather than invest in upgrades that lack the incentives typically associated with modern enhancements.

One advantage and one disadvantage.

The post Evomon Best Natures [How to Reroll Natures] appeared first on Gamezebo.

Good news! Marvel Tokon: Fighting Souls‘ Steam backend no longer lists it as not being available for purchase in 132 countries. It’s now only listed it as not being available for purchase in 117 countries. That’s 15 whole countries removed from the list of excluded nations, which looks like it could be linked in some way to the need to have PSN account to access certain bits of the game.

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### Taylor Swift and Travis Kelce’s Wedding: A Cultural Phenomenon

The nuptials of Taylor Swift and Travis Kelce have enchanted both fans and the media, igniting a surge of interest that goes beyond typical celebrity gossip. Despite being cloaked in secrecy due to rigorous non-disclosure agreements and covered windows, the influence of the event resonated far outside the actual location. Enthusiastic fans congregated outside Madison Square Garden, eager for any sight of the couple or their guests, crafting a surreal vibe akin to modern-day celebrity adoration.

The wedding’s stature was boosted not only by the star appeal of Swift and Kelce but also by the inventive ways fans showcased their enthusiasm. A remarkable show of devotion occurred through substantial street blockages surrounding the venue, with dedicated fans cheering as billboards declared “JUST&T MARRIED.” This public show of affection veers toward the surreal, highlighting the complex dynamics between celebrities and their fans in current society.

Adding a unique element to the event, artist Justin Gignac tapped into the buzz surrounding the wedding by launching a product named the “NYC Pocket Garbage: Not Invited Edition.” This collection, sold for $25 and rapidly selling out, features an assortment of debris collected near the wedding venue—such as cigarette butts, straws, and even an ovulation test kit. While these items may not be directly associated with the wedding, they represent the fervor and disorder enveloping the occasion, providing fans with a physical link to a moment they were not part of.

As Gignac puts it, the Pocket Garbage captures debris “gathered from the fringes of a love story.” The idea acts not just as an artistic observation on waste and consumption but also mirrors the lengths to which fans are prepared to go to obtain a fragment of their idols’ lives. This endeavor, while creative, prompts discussions about the commercialization of personal experiences and the extent of fandom.

Nonetheless, responses to this acquisition of wedding trash have varied. For some, the notion of buying “marquee trash” can elicit unease, especially with videos surfacing of fans scavenging the remains from the wedding. Reports indicated that the catering team brought out food for the fans, shedding light on the deep-seated parasocial connections that arise in contemporary pop culture.

This situation illustrates a rising trend in celebrity culture, where fans journey great distances and face discomfort simply to be in proximity to stars like Swift, who has historically entwined her personal narrative with her music. The maturation of stan culture has blurred the boundaries between admiration and obsession, with many feeling a profound link to celebrities, prompting them to engage in sometimes extreme expressions of fandom.

In summary, the marriage of Taylor Swift and Travis Kelce transcends a mere private event; it has emerged as a cultural landmark within the spheres of celebrity, fan interaction, and the commercialization of personal milestones. As fans continue to navigate their connections with celebrities, phenomena like the Pocket Garbage collection remind us of the lengths to which that connection can extend, provoking both intrigue and unease in equal parts.

A Shiny Bluebird into a Shiny Volcrest.

The post Evomon Shiny Bluebird [Shiny Volcrest Obtainment] appeared first on Gamezebo.

Warning: Spoilers for Baldur’s Gate 3 lie ahead.

Shagging Astarion in Baldur’s Gate 3 might say various things about your taste in blokes, but it’s understandably the way a lot of folks go. Not everyone’s got the nerve to admit that they want to cast some spells with Gale’s other wand. Anyway, a veteran BG3 modder’s now come to the aid of those who reckon one of the white-haired fang lad’s endings concludes a bit too abruptly for their liking, and without enough final hugs.

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**Games Done Quick Revokes SNK Sponsorship Following Community Backlash**

Games Done Quick (GDQ), the renowned speedrunning charity organization founded in 2010, found itself engulfed in controversy after the announcement and eventual retraction of a joint speedrunning event with SNK. The announcement occurred during a livestreamed speedrun of *Metal Slug* on July 12, but the initiative was abruptly withdrawn less than three hours later in response to community concerns regarding SNK’s ownership by Saudi Arabia’s Public Investment Fund.

Initially, GDQ conveyed enthusiasm about commemorating the 30th anniversary of *Metal Slug* through this collaboration. However, as the livestream progressed, worries emerged over the ramifications of associating with a company owned by a fund accused of egregious human rights abuses. GDQ’s reaction was immediate, declaring in a post on Bluesky that they would no longer accept financial support from the sponsorship, emphasizing their devotion to human rights and inclusivity as fundamental values that conflicted with this relationship.

At the time of cancellation, GDQ had already showcased one of the planned *Metal Slug* runs. An event coordinator was compelled to interrupt the livestream to notify viewers that the subsequent *Metal Slug* presentations would be scrapped, illustrating the swift transition from excitement to dismay.

SNK Corporation, recognized for its legendary franchises such as *Fatal Fury*, *King of Fighters*, and *Metal Slug*, was acquired by the Misk Foundation in 2022, an entity established by Mohammed bin Salman Al Saud, the Crown Prince of Saudi Arabia. This ownership is pivotal to the controversy as the Saudi government has been subject to extensive criticism over various human rights violations throughout the years. These concerns encompass torture, the assassination of journalist Jamal Khashoggi, gender discrimination, and persecution of LGBTQI+ individuals.

In light of the criticism, GDQ admitted their failure to thoroughly vet the sponsorship agreement before its announcement. They expressed regret to their community for not upholding the anticipated standards of scrutiny, particularly concerning the sensitive context of human rights in relation to the Saudi government.

This event unfolded soon after GDQ’s Summer Games Done Quick, an annual gathering that raises funds for Doctors Without Borders. This year’s marathon successfully garnered $2,408,701, underscoring the community’s dedication to charitable causes, even as they expressed strong objections to partnerships that contradict their ethical standards.

In summary, the cancellation of the SNK sponsorship underscores the significance of corporate responsibility and community principles within the gaming and charitable domains. As GDQ proceeds with its mission, it must navigate these hurdles while upholding its commitment to inclusivity and human rights.

I don’t feel well…

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Last week, Avowed and The Outer Worlds 2 developers Obsidian lost around quarter of their staff to Microsoft’s mass layoffs. The studio were subsequently reported to be pivoting to start work on a new Fallout game helmed by New Vegas director Josh Sawyer, with a sequel to Avowed all but canned in the process. Cue, naturally, people like me discussing what sort of game the shift towards a new Fallout all these years after New Vegas could result in, and also some voices declaring that Obsidian just aren’t as good as they used to be.

Outer Worlds 2 director Brandon Adler, naturally, disagrees with the latter group of loudmouths.

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