Gait Games

**Epic Games Transfers ArtStation and Sketchfab to KitBash3D: A New Chapter for 3D Creators**

Epic Games has announced the transfer of ArtStation and Sketchfab—two leading platforms for 3D art and video game resources—to KitBash3D, a renowned asset library provider. The specifics of the financial agreement have not been revealed. This shift follows Epic Games’ purchase of both platforms in 2021 and generates a wave of positivity among ArtStation’s extensive user community, which boasts approximately 10 million registered members.

**A Change in Custodianship**

The announcement emerged on August 10, with statements from Epic Games, KitBash3D, and ArtStation made in individual posts. Epic Games highlighted its dedication to focusing on initiatives like Unreal Engine 6 and Fortnite, while ArtStation addressed the impact of this change on its user community. According to ArtStation’s announcement, the collaboration intends to merge KitBash3D’s strengths with ArtStation’s art publishing and discovery features, ensuring that artists are supported throughout their creative journey from inception to release.

**User Reactions and Hopes**

Feedback from artists has been predominantly upbeat. Numerous users conveyed relief at breaking free from Epic Games’ influence, where worries about the surge of AI-generated art had become widespread. An assortment of reactions shared on the r/ArtStation subreddit reflects optimism for a possible return to the platform’s “previous prestige” and a desire for less AI-generated proliferation. Users have pointed out persistent issues with AI assets eclipsing original creations and fraudulent schemes that arose during Epic’s tenure.

ArtStation’s subsequent communication showed a commitment to restoring trust within its community. The platform assured users that essential features—like portfolios and libraries—would remain intact, fostering a continuity that is crucial for artists’ workflows.

**What Awaits?**

KitBash3D is acknowledged for its tools that assist 3D artists in crafting and sharing their projects. By incorporating ArtStation and Sketchfab into its framework, the company appears prepared to enhance the experience for creators by nurturing a more dynamic and supportive atmosphere. The leaders of ArtStation also expressed a willingness to connect with user input, aiming to emphasize the requirements and opinions of artists in guiding future changes.

In summary, the transition of ArtStation and Sketchfab to KitBash3D signifies a pivotal moment in the development of these platforms and presents optimism for a renewed focus on user-generated content and authentic artistry. As the community anticipates this new era, the commitment to heeding feedback may open doors for significant improvements that benefit all users.

**Title: The Debate Over Saber Interactive’s *Rideshare Stimulator*: AI and the Future of Game Writing**

Recently, Saber Interactive launched *Rideshare Stimulator*, a title that evokes the spirit of *Crazy Taxi* while providing a critique of late-stage capitalism. Initially, the announcement generated excitement, but it soon became a source of controversy after former writer Stella Sacco alleged that she was supplanted by AI during the development phase.

Sacco publicly expressed on Bluesky, “I was the lead writer on this project! And Saber swapped me for ChatGPT halfway through development.” This claim drew significant attention, particularly in a gaming sector already addressing the ramifications of artificial intelligence on creative professions. Sacco stressed that not only was her role taken over, but every passenger voice in *Rideshare* was produced by AI.

This isn’t the initial instance of Sacco raising alarms about AI’s infiltration into her creative work. In December, she revealed that she had been “replaced” by AI on another undisclosed project. Her recent remarks concerning *Rideshare* imply that the choice to incorporate AI into the writing process came from Saber Interactive, the publisher, rather than UNIGINE, the developer behind the game.

In reply to Sacco’s allegations, Saber Interactive provided a rebuttal to *PC Gamer*, asserting, “Neither Saber nor Unigine have replaced any writers with AI for *Rideshare* or any other title.” They further maintained that the narrative was solely developed by human writers, yet acknowledged the usage of generative AI to create dialogue for the game’s extensive roster of NPC passengers. Saber clarified that the demand for accommodating an “infinite” array of passengers influenced this decision, illustrating a clear position on using AI to enhance gameplay experiences and NPC interactions.

Nevertheless, the inconsistency in Saber’s response has drawn attention. In light of their statement, Sacco commented that although Saber claimed the narrative was crafted by humans, they simultaneously recognized the application of AI-generated text and voices. This has resulted in confusion and distrust regarding the level of AI’s involvement in the game’s development process.

The ramifications of this controversy underscore a continuing discussion within the gaming industry about AI’s role in creative domains. As technology progresses, striking a balance between leveraging AI for efficiency and maintaining the artistry of narrative writing remains a significant challenge. The dialogue surrounding *Rideshare Stimulator* exemplifies how such technologies can influence not just the end product but also the professionals who create the narratives we interact with in games.

As the industry observes this situation develop, it raises essential questions about the future of game writing, the moral implications of AI usage, and the significance of human creativity in a progressively automated landscape.

The secret of the floating bear is revealed: Helldivers 2 is gearing up for an assault on the Void, that icky hellmouth gobbling up a chunk of Illuminate-controlled space. The co-op shooter’s big new update, Devoid of Liberty, sees the intergalactic nasties throwing out two new mutant enemies to fight on the field, while your bosses on Super Earth deploy better equipped, better trained, generally less all-round useless infantry troops to help you out.

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Which Fighting Style is worth the Yen?

The post Which Rintama High Fighting Styles Should You Choose? appeared first on Gamezebo.

“That game with the massive dead body was created using generative AI!” roared the masses. “Oh shucks,” said I, “Don’t worry, I’ll soon find another massive dead body game to write about.” Reader, never let it be said that I am not as good as my word. In All Haul The King, players team up to drag the huge, elastic carcass of a goblin sovereign from one end of the world to the other. Your goal is to get him onto the Throne of Resurrection. This might go easier if you transform him into an anvil. Anvils don’t wobble around quite so much, after all. Here is a trailer.

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Very stylish.

The post Rintama High Hair IDs – How It Works + Hair Layering Tips! appeared first on Gamezebo.

When Saber revealed Rideshare “Stimulator”, Oisin was guardedly interested in the unofficial Uber simulator. You play a taxi operator picking up and dropping passengers around town while listening to their stimulating conversation. You thought the name referred to a different kind of stimulation? Get your head out of the gutter.

Though, maybe not too far out of the gutter. After all, since its reveal, Rideshare’s gained more attention for its odd swipes at Gearbox Software CEO Randy Pitchford and that time he left a USB stick at a Medieval Times restaurant which contained sensitive business documents and videos he described as “barely legal porn”. Saber CEO Matt Karch told Gamefile “The dig is because Randy took shots at Embracer in Borderlands 4. Without Embracer, Randy is performing magic tricks at birthday parties for a living.”

However, now Rideshare is coming under even greater scrutiny because the game’s former lead writer, Stella Sacco, said on Bluesky that “Saber replaced me with ChatGPT midway through development”. And, while Saber denies her account, they have admitted the game features generative AI. Use they’ve not disclosed on the game’s Steam listing, contravening Valve’s AI policy.

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The best Runes to merge.

The post Mine a Mountain Runes Tier List [How to Get, Boulders Types, and Merging] appeared first on Gamezebo.

**Overwatch: Adjusting to the Shift to Free-to-Play**

Blizzard Entertainment’s cherished hero shooter, Overwatch, has experienced a major change by moving from a conventional retail model to a free-to-play structure. This transformation has brought along both benefits and challenges that have altered the game’s experience for its players.

**Reduced Barrier to Entry**

The most immediate advantage of this shift to a free-to-play model is the significant decrease in the entry barrier. New players can dive into the action without any financial obligations, enabling a wider audience to connect with the game. This transition has revitalized the player community, motivating more individuals to engage in matches.

**The FOMO Aspect**

Nonetheless, this shift has also introduced fresh challenges, particularly the fear of missing out (FOMO). In the past, players could earn loot boxes through gameplay, providing an opportunity to acquire cosmetics without extra costs. Conversely, the current system emphasizes purchasable skins and battle passes that are available only for a short duration. This has led to situations where players unable to keep pace with seasonal updates may lose out on unique skins or items for their favorite characters.

**Reworking Battle Passes**

To tackle these issues, Overwatch is implementing major modifications in its fourth season of 2026. A key adjustment is the overhaul of the battle pass system. Players will no longer need to grind through all 80 levels of a linear battle pass in one go. Instead, they can select from multiple tracks, allowing them to focus on specific cosmetics and earn them more effectively. This revamped structure is particularly advantageous for players who lack the time or resources to play daily.

**Reintroducing Previous Battle Passes**

Moreover, Blizzard has revealed intentions to “unvault” earlier battle passes, allowing players to access rewards from past seasons without the pressure of time constraints. This much-anticipated functionality, expected to launch in a midseason update, permits players to unlock certain rewards from earlier content without the anxiety of missing out. Additionally, players will have the option to exchange Legendary skins from current battle passes for those they missed in previous offerings, creating a means to obtain previously coveted cosmetics.

**Community Reaction**

The announcement has sparked enthusiasm within the gaming community. Fans are keen to gather cosmetics they may have overlooked in the past, with reactions showing a mix of excitement and caution. Some players question the details surrounding the duration of access to the unvaulted content, while others are hopeful that these modifications will ease the persistent FOMO that has been prevalent since the free-to-play transition.

**Player Insights**

Personal anecdotes from players illustrate a wide range of feelings regarding the updated battle pass system. Many players have voiced joy at the chance to acquire past cosmetics that have previously eluded them. Others have emphasized the necessity of maintaining a balance in presenting these opportunities to prevent diminishing the thrill of acquiring new content.

In summary, Overwatch’s shift to free-to-play has transformed the game’s environment, providing new and returning players with fresh opportunities for enjoyment while attempting to alleviate the pressures related to seasonal content restrictions. As Blizzard continues to refine its systems and heed community feedback, the future of Overwatch appears vibrant and hopeful.

I don’t truly want to say a bad word about Vampire Survivors. I’ve adored the many hours I’ve spent in its endearingly slapdash dungeons. It’s also responsible for spawning a thousand imitators, many of which I have also poured hours of my life into playing. But, for all of its joys and successes, I can’t defend its lack of railguns.

I don’t know what Poncle were thinking when they let you loose on a world filled with monsters and ghouls and didn’t arm you with an electromagnetic gun that launches projectiles at more than 3 km/s.

It may not be a stake doused in holy water, but I reckon the railgun in Seven Suns Of Orion would do just as good of a job against Dracula.

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