Gait Games

**Reexamining the Doom Franchise: Ten Years of Demonic Dispatch and Growth with Revelations**

Ten years ago, id Software triumphantly revived its most legendary franchise with the debut of *Doom* (2016). This rejuvenation not only encapsulated the spirit of the original title but also brought it up to date for a new audience. Following this achievement, id has since launched *Doom Eternal*, a sequel that built upon its predecessor’s groundwork, in addition to several DLCs. In the last year, they ventured into novel territory with *Doom: The Dark Ages*, a prequel set in a medieval-like environment that laid the groundwork for the series’ latest expansion.

Now, as we commemorate the 10-year milestone of this reboot, id Software has introduced *Revelations*, a significant expansion for *The Dark Ages*. This chapter continues the story while also linking the narrative gap between the series’ present tale and its roots in 2016. *Revelations* acts as a poignant farewell for this segment of *Doom*, elevating the franchise while reflecting on the recent substantial layoffs at id and Xbox.

In *Revelations*, players reconnect with the Doom Slayer, who embarks on a mission to dismantle the High Council of Hell—the malevolent forces fueling demonic mayhem. The plot unfolds as the Slayer is hindered, confined in purgatory, and aided by an enigmatic demon. This entity not only restores the Slayer but also equips him with a new weapon: a chain spear—propelling him on a quest to gather magical stones that will enable his escape and confront the true mastermind.

Though the storyline might appear simple, *Revelations* is abundant with cutscenes and dialogue, a trend that has become common in contemporary *Doom* titles. While the graphics and performances are praiseworthy, the plethora of lore can overwhelm some players seeking greater focus on the action. The initial gameplay hours may leave players feeling frustrated, as the spear lacks the satisfying heft of the shield, resulting in a disconnect from the combat style established in *The Dark Ages*.

Nevertheless, persistence is rewarded. Once players reacquire the shield and explore purgatory’s depths, the gameplay evolves into an exhilarating adventure. The combination of the spear and shield enhances agility, improving combat dynamics and involvement. The puzzles employing both weapons introduce unforeseen complexity, reminiscent of the trials in *Portal*, adding richness to the gameplay.

However, the expansion also brings back a rising annoyance among *Doom* veterans: the escalating intricacy of skill trees and enhancements. As players navigate through new skills and resources, some may perceive this as a diversion from the Doom Slayer’s primary goal—unleashing destruction upon demonic adversaries. The character’s regular appearances in cutscenes may dilute the perception of a formidable killing machine.

As players near the end of *Revelations*, the narrative-heavy segments return. For many, this transition can detract from the tempo of the action-driven gameplay that defines *Doom*.

In conclusion, *Revelations* serves as a suitable wrap-up to *The Dark Ages*, linking into the broader narrative of the *Doom* series. Although the franchise’s future is uncertain due to changes in leadership at id Software, its lasting legacy as a cornerstone in the first-person shooter genre remains indisputable. While we might not encounter another *Doom* title for a while, the essence of the game and its creators persist. Just as the Doom Slayer continues to rise to battle, so too does the legacy of *Doom* endure, assuring fans that the fight against evil is far from finished.

It is said that to name a wild thing is to tame it, to delimit and temper it, to defuse its menace. The giant, vaporous spider in Fallgrade is called Karl. Know any Karls? Are you a Karl? I wonder if it’s Karl as in Karl Marx. Perhaps it’s a reference to arachnid imagery in anti-Communist propaganda, though arachnid imagery isn’t the exclusive preserve of anti-Communists.

Myself, I tend to associate the name “Karl” with paperweights, for reasons my brain refuses to explain to me. And yet, for all these steadying associations, Karl the spider still gives me the willies. Nothing tame about that thing at all.

Read more

# Pokémon Winds and Waves: What We Know So Far

A wealth of information is circulating online regarding [Pokémon Winds and Waves](https://kotaku.com/pokemon-presents-winds-waves-pikachu-underwater-2000674398). Much of it stems from unverified leaks, making it difficult to discern what is accurate, what is fabricated, and what is merely speculative. This article seeks to clarify what we definitively know and distinguish it from potentially true information.

## A New, Open-World Region Inspired by Southeast Asia

The title of the new region in Winds and Waves is currently undisclosed, but the announcement trailer highlighted a lively open world seemingly influenced by Southeast Asia, showcasing notable features from the Philippines, alongside hints of Indonesia and Malaysia. Each Pokémon region is usually inspired by real-world locations, such as Kalos, which draws from France in Pokémon X and Y, and Unova, inspired by the United States. We can expect Winds and Waves to incorporate cultural elements tied to its Southeast Asian roots.

## Explore Both Above and Below the Water

The Pokémon franchise has been gradually shifting towards an open-world format, with recent games like Legends: Arceus and Scarlet/Violet laying the groundwork. Winds and Waves expands on this concept, enabling players to navigate both the surface and underwater environments. The reveal trailer spotlighted underwater exploration, featuring Pokémon that aren’t found on land, reminiscent of Ruby and Sapphire but with significantly improved visuals and exploration features.

## Differences Between Versions

Historically, Pokémon has created unique experiences within paired RPGs by offering varying Pokémon, characters, and narrative components. Recent titles have embraced this approach more fully, presenting different characters and settings. In Winds and Waves, players will have different starting outfits based on their game choice: Winds players will wear a white cowboy hat and backpack, while Waves players will have a blue cap and bag, each displaying different logos. It is expected that, similar to previous titles, there will be a deeper story element linked to these outfits.

## The Starters

Currently, three new starter Pokémon have been confirmed for Winds and Waves, each representing grass, fire, and water types:

– **Browt**, the grass-type avian
– **Pombon**, the fire-type canine
– **Gecqua**, the water-type reptile

These starters enable players to embrace the elemental affinities central to the gameplay.

## Who Else Will Appear in the Game?

As of now, the initial trailer has showcased a selection of Pokémon from past generations. The confirmed returning Pokémon list features:

– Pikachu
– Gloom
– Tropius
– Wailmer
– Wailord
– Nymble
– Tailow
– Tangela
– Oddish
– Ledyba
– Ledian
– Slugma
– Sizzlipede
– Wingull
– Krabby
– Sandygast
– Corsola
– Mareanie
– Toxapex
– Tympole
– Carnivine
– Duskull
– Lumineon
– Tynamo
– Frillish

## Pikachus with Style

Along with the catchable Pikachu, Winds and Waves will feature two distinctive Pikachu characters in the storyline: Mr. Windychu and Ms. Wavychu. These characters don beachwear and have a thematic link to the game’s titles, although it remains uncertain if they will be included in one or both versions.

## No Switch 1, Unfortunately

Winds and Waves will mark the first Pokémon RPGs released exclusively on the Switch 2. After encountering technical difficulties with previous titles on the original Switch, it is evident that Game Freak has maximized the new console’s capabilities to provide smoother gameplay, with expectations of enhanced performance compared to earlier titles like Scarlet and Violet.

## What About All the Unverified Leaks and Speculations?

A plethora of leaks and rumors pertain to Winds and Waves, addressing possible Pokédex counts, new evolutions, and aspects of a new battle mechanic. Some of this information stems from the extensive Game Freak Teraleak, while other insights come from community leakers with early build access. For now, while captivating, this information should be approached with caution.

## When Is the Release Date?

Pokémon Winds and Waves are set to launch in 2027.

If the Logitech G Pro X2 Superstrike‘s analogue clickers were all about fine-tuning the sensation at the very tips of your mousing fingers, the HyperX Pulsefire Saga is all about adjusting the parts nestled in the rest of your hand. To nowhere near the same extent, granted, but the Saga’s modular components – and the fact that it costs a fraction of what the X2 Superstrike does – make it appealing addition to your wired mouse options.

Read more

### Tomb Raider: Catalyst – Postponements and Digital Shifts

*Tomb Raider: Catalyst* was initially announced at last year’s Game Awards, presenting a teaser that ended with a projected release date of 2027. However, that timeline has been recently revised, with an Amazon gaming executive confirming that the game will not debut as originally planned. This postponement signifies a notable event in the *Tomb Raider* series, as it will be the first main entry to arrive on PlayStation without a physical disc release.

During *The Game Business Show*, Jeffrey Gattis, Amazon’s gaming general manager, expanded on the forthcoming *Tomb Raider* games. He mentioned, “We’ve shared news about the two *Tomb Raider* titles. *Atlantis* is set for February 12th next year, followed by the next one in 2028.” Gattis also shed light on Amazon Luna, the company’s game streaming platform, which aims to offer a broad selection of games, spanning from mobile titles to major franchises like *Tomb Raider*.

Initially, *Tomb Raider: Legacy of Atlantis*, a remake of the franchise’s original game utilizing Unreal Engine 5, was expected to launch this year, but its release has now shifted to early 2027. This delay may be linked to the busy release schedule of late 2026, notably with the arrival of *Grand Theft Auto VI*. Additionally, there are accounts of internal development issues at Crystal Dynamics, worsened by recent job cuts.

The news of *Tomb Raider: Catalyst* being pushed to 2028 aligns with a significant transition in the gaming sector, especially for PlayStation. Earlier this month, Sony announced it would halt the production of physical game discs for all new releases beginning January 2028. After this point, new titles will exclusively be available in digital formats on the PlayStation Store and through retailers.

The ramifications of this change are considerable. *Tomb Raider: Catalyst* will mark the first confirmed PlayStation title without a disc option for the PlayStation 5, echoing analysts’ forecasts that the PlayStation 6 might be entirely digital. While there remains a technical possibility for Sony to continue producing PS5 discs for titles postponed to before the 2028 cut-off, industry predictions trend towards a decidedly digital future.

Considering the patterns of the current console generation, it seems that gaming will sustain momentum on existing platforms for the foreseeable future, notwithstanding the shift to digital-only releases.

I’ve been vaguely looking forward to grotty dark fantasy RPG The Blood Of Dawnwalker, despite its genAI flirtations. To recap, it casts you as a medieval vampire fledgling whose family has been abducted by another, boss vampire. You’ve got 30 days and nights to save your loved ones while deciding just how much you’re going to succumb to the gore-guzzling curse.

Read more

### Zach Cregger’s Forthcoming Resident Evil Film: Artistic Choices and Audience Reactions

Zach Cregger, recognized for directing films such as *Weapons* and *Barbarian*, is preparing to unveil his interpretation of the cherished *Resident Evil* series with a new film centered on the notorious Raccoon City outbreak introduced in *Resident Evil 2*. While fans of the franchise are excited for a film adaptation, early sneak peeks and trailers have sparked concerns about continuity and the artistic freedoms taken by Cregger in the storytelling.

#### Discrepancies and Artistic Choices

Critics have pointed out multiple discrepancies in the film that stray from the well-defined lore of *Resident Evil*. For instance, the protagonist, Austin, is shown using a smartphone, which interrupts the timeline’s authenticity since *Resident Evil 2* was set in the late 1990s. Moreover, the film depicts snowy weather, which contrasts sharply with the game’s warm, oppressive ambiance. This has caused anxiety among fans who fear that the film may favor style over loyalty to the original material.

During a recent panel at San Diego Comic-Con, Cregger openly addressed these issues. He admitted to taking creative liberties, asserting that his choices were motivated by a desire to craft the narrative in a manner that he found engaging. “I think it looks really cool to have a horror movie set in the snow. I don’t see enough of those,” he stated, prioritizing visual appeal over strict fidelity to the original timeline.

#### Third-Person Cinematography Inspired by the Games

One of the more daring elements of Cregger’s film is its approach to camerawork, which he claims is inspired by the third-person viewpoints that gamers recognize. He noted how the camera’s movements closely emulate gameplay, highlighting specific scenes where the camera shifts to follow the character’s line of sight, enhancing the immersive experience for viewers. This cutting-edge technique seeks to resonate with fans who are familiar with the interactive narrative style found in video games.

#### Balancing Creative Vision and Fan Anticipations

While artistic liberties can occasionally revitalize an established narrative, they can also alienate the core audience. Cregger’s declaration that his film is not meant as a direct one-to-one adaptation of *Resident Evil 2* has elicited mixed responses. Some fans value the endeavor to create a fresh visual and narrative direction, while others voice concerns that the project might diverge too far from what made *Resident Evil* a cultural mainstay.

Cregger has indicated that he understands the significance of the original material and the expectations attached to it but remains committed to his directorial vision. He clarified that while the film does incorporate thematic aspects from the game, it ultimately constitutes a unique story intended to stand independently.

#### Conclusion

As anticipation grows around the upcoming release on September 18, discussions persist regarding what this *Resident Evil* film will genuinely embody. With Cregger leading the project, it may offer a unique combination of horror and inventive storytelling, but only time will reveal if it will meet the expectations of the devoted fanbase while establishing itself as a valuable addition to the *Resident Evil* cinematic universe.

World of Warcraft studio Blizzard have announced that they’ve fired a developer after development-only spells were used to insta-kill some Mythic+ dungeon bosses for a party of non-dev adventurers. The studio will also be “taking action against the player accounts that were complicit in this violation”, which was unearthed by some combat log sleuths.

Read more

**Star Wars Detours: A Long-Awaited Comeback**

*Star Wars Detours* is an animated comedic series born from the partnership between Star Wars creator George Lucas and the creative talents behind *Robot Chicken*, Seth Green and Matthew Senreich. The series had its initial public debut at Star Wars Celebration VI in August 2012, just a few months before Disney’s acquisition of Lucasfilm. After the acquisition, Disney chose not to release the series, which remained mostly unfinished.

Fast forward 14 years, and *Detours* is finally poised to become publicly available through the Lucas Museum of Narrative Art, a project conceived by George Lucas to honor storytelling across diverse forms. During a panel named “Inside the Lucas Museum of Narrative Art” at San Diego Comic-Con 2026, Seth Green confirmed that select episodes of *Detours* would be featured in the museum’s exhibition set to open in September. This announcement represents a significant moment for fans who have been eagerly anticipating the series.

In his comments, Green noted, “We created a show with George, an animated series. He aimed to develop *The Simpsons* in the Star Wars universe. It’s titled *Detours*, and there’s…going to be a selection of episodes from that show showcased for the public.” He also conveyed his excitement for the project, describing the experience of working on *Detours* as one of the most rewarding he has ever encountered.

Initially, the series was planned to comprise nearly 40 finished episodes, with more than 60 scripts written for additional episodes. However, post-Disney acquisition, concerns emerged regarding the timing of introducing beloved characters in a humorous format before the premiere of *Star Wars: The Force Awakens*, the first film of the new trilogy.

In a statement issued in 2013, Lucasfilm and Disney clarified, “*Detours* was created and developed before we decided to proceed with the new *Star Wars* trilogy. Following that choice, Lucasfilm has reassessed whether debuting an animated comedy prior to the launch of *Episode VII* is appropriate. Consequently, we’ve opted to delay the release of *Detours* until a later time.”

What ensued was a prolonged hiatus, extending for over a decade, during which only a few episodes of *Detours* would eventually be displayed in a museum environment. Fans of the franchise can now anticipate a distinctive exploration of familiar characters and narratives presented in a comedic manner, finally granting *Star Wars Detours* the exposure it has been waiting for.

I return to Project Zomboid exactly like an emaciated survivor crawling back to the undead-ridden town they abandoned many moons ago, having finally exhausted their wilderness stocks of cabbage and duct tape. I poke my head into the Steam forums as though cracking the door on a suspiciously silent mall.

Read more