Gait Games

As Microsoft undergoes substantial organizational shifts within its gaming division, the future of prominent studios such as Obsidian Entertainment is becoming clearer. Renowned for its celebrated titles like *Avowed* and *The Outer Worlds*, Obsidian has recently altered its course, reportedly scrapping plans for a sequel to *Avowed* and refocusing efforts on a new *Fallout* game, a decision that has astonished fans and industry analysts alike.

A report from *Bloomberg* indicates that Josh Sawyer, the studio design director at Obsidian, is poised to spearhead the development of this new entry in the *Fallout* franchise. This signifies a noteworthy return for Obsidian to the *Fallout* realm, having previously created *Fallout: New Vegas*, which debuted in 2010 and received widespread acclaim. However, sources caution that the overarching strategy for this project remains “in flux” and may change as time progresses. Sawyer had initially been overseeing a role-playing game (RPG) that shared characteristics with *Fallout*, but was not part of the Bethesda-owned universe.

The motivation for this change is emphasized by recent layoffs impacting Obsidian’s team, with a WARN Act notice revealing that 52 individuals were released from the studio’s California office. This accounts for approximately a quarter of the workforce, underscoring the profound effects of the restructuring on Obsidian. The planned *Avowed* sequel was allegedly set for an announcement within the upcoming year; however, new leadership under Xbox CEO Asha Sharma seems to have determined it as non-essential to the company’s current agenda, especially since *Avowed* and its predecessor, *Pillars of Eternity*, lack the same influence as franchise mainstays within the Xbox lineup. Furthermore, there is speculation that the first *Avowed* did not achieve anticipated sales, influencing the decision.

This transition to developing a *Fallout* game occurs at a moment when the franchise is experiencing a resurgence in popularity, particularly due to a successful TV adaptation available on Amazon’s streaming service. Still, with *Fallout 5* appearing to be on hold as Bethesda concentrates on *The Elder Scrolls VI*, there continues to be a desire for fresh content within the post-apocalyptic universe.

Despite the transformations at Obsidian, *Bloomberg* states that Bethesda will still be involved in the new *Fallout* project, even as it concurrently works to bring *TES VI* to completion, a game that remains several years away from its launch. Under Sharma’s direction, Microsoft aims to hasten the development of its key franchises, which also includes significant titles like *Halo*, as part of its revised strategic vision moving forward.

**Settlement Achieved in Christopher Barrett vs. Sony Lawsuit**

Christopher Barrett, an experienced game developer with a 25-year history at Bungie, has successfully negotiated a settlement with Sony following a contentious lawsuit that sought $100 million in damages. Barrett alleged that his dismissal by Sony constituted a breach of contract, claiming the company was trying to avoid paying over $80 million owed to him following its $3.6 billion acquisition of Bungie in 2022.

Initially, Barrett was let go under claims of a “pattern of misconduct,” related to inappropriate text messages sent to female employees. After his termination, Barrett publicly articulated his belief that Sony’s inquiry was flawed and primarily aimed at obstructing his entitlement to financial compensation linked to the acquisition.

On July 8, Barrett took to social media to reveal the resolution of the lawsuit, stating his satisfaction with the results and expressing gratitude for the support he received during the legal proceedings. “Closing this chapter allows me to focus my attention on what’s next in my gaming journey,” he mentioned, excited about forthcoming opportunities.

A joint statement released after the settlement recognized Barrett’s substantial contributions to Bungie’s achievements, highlighting his position as the original Game Director for the recently launched *Marathon*, and confirming that his name has been added to the game’s credits.

Barrett’s career at Bungie commenced with the development of *Myth II: Chimera* in 1998. However, his career came under scrutiny when reports indicated that his exit in 2024 coincided with an investigation into the nature of his interactions with female staff. He subsequently issued an apology, stating, “If anyone ever felt that way about their interaction with me, I am truly sorry.”

In February 2025, in response to Barrett’s allegations, Sony released select text messages publicly, leading to further controversy. Barrett’s representatives rebutted these assertions, claiming that the messages were selectively edited and did not justify termination.

While the specific financial details of the settlement remain confidential, Barrett’s restored credit in *Marathon* has been seen as a form of vindication. This resolution arrives during a tough period for Bungie, which recently underwent significant layoffs amidst broader restructuring within the company. As new seasonal content for *Marathon* is set to roll out, Bungie’s future remains uncertain after reducing its workforce by nearly 300 employees.

The settlement signifies the conclusion of a turbulent phase in Barrett’s career as he readies himself to pursue new projects within the gaming sector.

**Yoshitaka Amano’s Vision: The Thrilling Possibilities of ZAN and a New Production Company**

Anime Expo 2023 was perhaps eclipsed by a plethora of highly awaited sequels and nostalgic tributes, yet one of the most captivating announcements came from a panel centered on the esteemed artist Yoshitaka Amano, celebrated for his legendary contributions to the *Final Fantasy* series. Among the highlights of the panel was the introduction of *ZAN*, an anime adaptation of Amano’s artbook released by Dark Horse Comics in 2013, praised as “an exhilarating sci-fi action fantasy that transcends time and space.” This new limited series aims to merge chic heroes with a thrilling narrative, underscoring a dedication to traditional hand-drawn artistry.

The team behind *ZAN* includes a wealth of experience with industry legends such as animation directors Masashi Ikeda (*Inuyasha*, *Gundam Wing*) and Toru Yoshida (*Armored Trooper VOTOMS*, *Gundam SEED*), lead animator Moriyasu Taniguchi (*VOTOMS*, *Samurai Champloo*), and writer Yuya Takashima (*Mobile Suit Gundam: The Witch from Mercury*, *The Fable*). The artistic direction is helmed by seasoned professionals Kunio Ogawara (*Time Bokan*, *Mobile Suit Gundam*) and Minoru Nishida (*Kill Bill*, *Doraemon: Nobita’s Dinosaur 2006*).

During the panel, the extensive experience of the staff was showcased, with an average age exceeding sixty years. This distinctive demographic mix not only highlights a wealth of expertise but also a commitment to the craft. A brief “pilot film” was presented, composed of 2,700 carefully hand-drawn frames, each digitally scanned for use in production. Despite its short duration—only 90 seconds—the teaser exudes an irresistible charm.

The panel also announced the formation of a studio in Los Angeles, aimed at broadening Amano’s intellectual property into a global brand. The studio’s press release disclosed that *ZAN* is anticipated for release in 2028 or later, alongside two additional animated projects that are currently being developed and remain unannounced.

In a conversation after the panel, Amano discussed his motivation for establishing a production company at this time, stating, “When I began at Tatsunoko, everything was hand-drawn.” He expressed a strong commitment to uphold the traditional art form in an era that is becoming increasingly dominated by digital techniques. For Amano, the core of animation resides in the process of hand-drawing, a craft he believes is being overshadowed by those focusing primarily on digital methods.

The creation of *ZAN* resonates profoundly with Amano and his team. During the panel, several animators humorously noted their homes filled with sketches, with their beds being the sole remaining tidy area. This level of commitment goes beyond mere craftsmanship; it embodies a passion for motivating the next generation of artists. Amano envisions *ZAN* as a legacy project that will guide aspiring artists seeking to learn how to produce artistry of such high caliber.

Reflecting on the choice to relocate to Los Angeles, Amano recalled a pivotal moment three years ago at Santa Monica Pier, where the atmosphere influenced his decision. Beyond that experience, he recognized a community of fans and potential collaborators in the region that fit seamlessly with his vision for the future of his work.

With the launch of the new studio, Amano acknowledged the hurdles that lie ahead. He stressed the significance of actualizing the vision, reiterating his commitment to seeing the project through. “I’ve put it out there, and breathed it into existence. Everything we discussed today—It’s my responsibility to ensure it comes to fruition,” he declared firmly.

As *ZAN* progresses towards development and a future brimming with potential, it signifies not only a major milestone for Amano but also a potential standard for traditional artistry in a swiftly transforming digital world. The animation industry eagerly anticipates the realization of this labor of love, celebrating the lasting influence of hand-drawn art through the fervor of its creators.

I rather like Fallout: New Vegas. It’s one of my favourite games of all time, if not number one. Ever since I first played it as an impressionable teenager, I’ve been dying to see its developers Obsidian offered more chances to turn their well-honed talents for building deep RPGs with compelling worlds on the series about life after the bombs drop.

That’s what makes the fact I’m now getting to write the words ‘Obsidian are reportedly set to begin work on a new Fallout game helmed by New Vegas director Josh Sawyer’ with thoroughly mixed feelings as utterly galling as it is.

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### The Haranir: New Elements in World of Warcraft Lore

In the vast world of *World of Warcraft* (WoW), adventurers frequently navigate an intricate tapestry of lore encompassing numerous races, characters, and significant events. While a lot of players may not explore every nuance, they generally keep track of key storylines and character evolutions. A recent enhancement to this rich lore is the Haranir, a fresh race presented in the latest expansion, *The War Within.* This article delves into their history, the developing narrative surrounding them, and the community’s response to their debut.

#### Origin and Background of the Haranir

The Haranir are characterized as a nature-inspired amalgamation of trolls and elves, reminiscent of the night elves, a well-established race in the game. In ancient eras, the Haranir thrived on the surface of Azeroth but felt an enigmatic pull to the depths below. Their deep descent led them to safeguard the roots of the World Tree, shepherded by their elders, who prohibited them from resurfacing. Their existence largely stayed secluded until a critical event in *The War Within*, when a single member of their race chose to challenge the elders, enabling players to engage with them.

This narrative—depicting a devoted people wrestling with the loss of their deity and transforming their identity—offers a fascinating backdrop. Nevertheless, engagement with the Haranir has turned out to be fleeting for many players, resulting in mixed sentiments regarding their introduction and relevance.

#### The Haranir in *Midnight*

Within the newest expansion, *Midnight*, the Haranir transition from a minor subplot to a playable race, garnering considerable focus within the narrative. Their homeland, Harandar, constitutes a significant geographical zone, intriguingly distinct from the primary themes of *Midnight*, which revolve around the encroaching threat of darkness over Quel’Danas and the void legions commanded by Xal’atath.

Players have noted that interactions within Harandar depended heavily on lore exposition, primarily conveyed through cave artwork rather than immersive storytelling. The Haranir’s ultimate consent to aid surface inhabitants felt underwhelming, prompting additional discussions about the effectiveness and depth of their narrative involvement.

#### Recent Developments and Community Reactions

The recent patch, 12.1, introduced an intriguing lore twist: the Haranir claim to be the ancestral predecessors of both trolls and elves. This plot development, however, has triggered a wave of backlash within the community.

Numerous players contend that this genealogical assertion appears retroactive, disrupting previously established lore about the relationships between various races like the Dark Trolls. Others express perplexity about the sudden emphasis on this connection, highlighting that superficial mentions of these familial ties have existed throughout WoW’s history. The choice to elevate it to a central storyline has left some players feeling exasperated, as it seems disconnected from the broader narrative unfolding in *Midnight*.

Moreover, the Haranir’s introduction creates a troubling dynamic in race relations within the game. By proposing a shared ancestry among trolls and elves, the narrative risks oversimplifying intricate histories of conflict and hardship, attempting to address deep-rooted issues with an appealing yet ultimately flimsy resolution. Characters like Zul’jan, who refute the Haranir’s viewpoint, exemplify the legitimate grievances that linger in the game’s lore.

#### A Sense of Aimlessness in Narrative

In general, many players perceive the addition of the Haranir as indicative of a lack of direction in the current expansion’s storyline, especially when juxtaposed with the intense narrative focus of *The War Within*. Following the climactic happenings surrounding the Sunwell and Sylvanas’s return, the transition to the Haranir feels more like an afterthought than a captivating continuation of the overarching plot. This dissatisfaction reflects a more substantial feeling within the community, revealing worries about unresolved storylines and character arcs.

As the narrative keeps progressing, players remain engaged with the intricate details of lore and character dynamics while assessing the future direction of *World of Warcraft*. The Haranir have certainly contributed an additional layer to this legendary tapestry, yet whether they will resonate profoundly with the game’s dedicated fanbase is yet to be determined. In the meantime, many players are left contemplating more urgent questions, such as the fate of the sword embedded in Silithus, symbolizing the need to return to more immediately impactful storytelling.

**The Excitement Surrounding Dune: Part Three: An Insight into the Anticipated Finale of Villeneuve’s Series**

The buzz generated by the trailer for *Dune: Part Three* has sparked considerable dialogue among fans and critics alike. As the concluding chapter of Denis Villeneuve’s cinematic rendering of Frank Herbert’s grand saga unfolds, there exists a tangible curiosity regarding the narrative trajectory it will pursue, especially as it deviates from the expected literary course.

The trailer begins with a compelling reminder of the moral complexities surrounding Paul Atreides, played by Timothée Chalamet. A dramatic clash between Paul and Chani, portrayed by Zendaya, sets the atmosphere, revealing the repercussions of Paul’s choices from *Dune: Part Two*. At the film’s end, Paul’s actions—his betrayal of the Fremen’s faith by accepting the role of Emperor and his impending nuptials to Princess Irulan—act as pivotal moments that question his character’s integrity and intentions.

Set many years after Paul’s rise to power, *Dune: Part Three* illustrates the changes both he and the planet Arrakis have experienced. The reappearance of Duncan Idaho, played by Jason Momoa, stirs the interest of fans who remember his character’s fate in previous films. This revival suggests the inclusion of elements from *Dune: Messiah*, the sequel in Herbert’s series, fueling speculation about how extensively the film may explore Herbert’s intricate narrative dimensions.

Paul’s sister Alia, depicted by Anya Taylor-Joy, is introduced in a dramatically visual way within the trailer, indicating a role that is likely to be both intriguing and disconcerting. At the same time, Chani’s path has diverged considerably from the source material, prompting inquiries about her future in the narrative. The potential for an intense confrontation between her and Paul adds an alluring dimension to the story, as many viewers might welcome an alternate resolution that differs from Chani’s less favorable arc in the novels.

The omission of some of the more surreal events portrayed in *Dune: Messiah* and *Children of Dune* is significant, particularly with the introduction of gholas—a narrative device that Villeneuve seems prepared to investigate without completely embracing the eccentricities that define Herbert’s universe. As Paul appears fatigued and possibly even dry in the trailer, fans may ponder how profoundly Villeneuve will delve into the oddities that mark Herbert’s work.

The journey ahead for *Dune: Part Three* poses a distinct challenge for Villeneuve and his team. While the earlier films have adeptly captured the most captivating elements of Herbert’s tale, the complexity and philosophical depth of the text deepen beyond the initial book. Viewers eagerly anticipate how Villeneuve will tackle these challenges, presenting a film that resonates with audiences while remaining faithful to the core of the source material.

As the release date nears, fans of both the films and the novels stand at the crossroads of anticipation and concern, keen to discover how *Dune: Part Three* will wrap up Paul Atreides’ saga in a manner that honors the legacy of Frank Herbert’s creation while rendering it accessible to a contemporary audience.

You may want to get comfortable for this. Approximately 17 years after its debut, Minecraft is finally introducing a place for tired explorers to rest their weary bottoms: cushions are now included as part of the survival phenomenon’s newest preview build, with a complete launch anticipated for later this year.

Obviously, Minecraft hasn’t completely lacked spaces for players to unwind and recline prior to this – beds were introduced back in 2011. However, the advent of craftable cushions indicates that Mojang is now addressing the needs of players who favor a mostly horizontal break with their posterior gently cradled. Cushions – aptly termed “an item that the player can place in the world and interact with to sit on” – come in 16 different color options and require three Wool Slabs of matching color to create.

Players who prefer a horizontal approach to relaxation can also take advantage of Minecraft’s new straw beds, allowing users to sleep through the night without altering their spawn point. The downside? Straw beds are rendered unusable after a single sleep and won’t function in the Nether or The End. The upside is that you can create four straw beds from three Hay Bales.

Cushions and straw beds are accessible to anyone enrolled in Minecraft Preview, and the newest update – officially preview version 26.40.30 – introduces various other modifications and enhancements, as noted in Mojang’s patch notes. These changes include new abandoned camps in the Pale Garden and Flower Forest biomes, alongside improvements to the Dappled Forest. Anticipate all these features to be integrated into the full version of Minecraft later this year.

On a less fortunate note, Mojang is among several Xbox-owned studios affected by Microsoft’s severe layoffs this week, which led to over 3,200 team members from some of the most prominent gaming studios losing their positions.

The layoffs are part of what Xbox CEO Asha Sharma described as the “most significant” restructuring in Xbox history, impacting big names like Activision, Bethesda/ZeniMax, Blizzard, King, and many other development teams under the Xbox Game Studios banner. Studios such as Double Fine, Compulsion Games, Ninja Theory, and Undead Labs are all poised to operate independently, while the future of Arkane Lyon remains uncertain.

### The Response to Sony’s Choice to Ditch Physical Discs for PlayStation 6

A week has elapsed since Sony made its contentious announcement to phase out physical discs for the forthcoming PlayStation 6, and the response from gamers is intensifying, evolving into a more structured and vocal opposition. This move has sparked discontent not just among devoted supporters of physical media but also from casual onlookers who view this trend as worrisome.

#### Social Media Outrage

Following a spell of inactivity, the PlayStation social media channels resumed posting, yet rather than promoting their forthcoming products, tweets concerning other games swiftly became fodder for criticism. The PlayStation X account recently advertised an upcoming arcade fight stick for the launch of *Marvel Tokon: Fighting Souls*, but this marketing effort was met with a predominantly negative reaction. The post amassed over 27 million views and garnered more than 65,000 comments, nearly all critical of Sony’s stance on physical discs.

As the discontent mounted, reactions shifted from isolated angry remarks to a consistent flow of criticism aimed at any content shared by the PlayStation account. This included previews for games from other developers, such as the recently announced *Blood of Dawnwalker*, which received approximately 16,000 negative comments, along with announcements for various upcoming titles like *Mortal Shell 2* and an *Apex Legends* crossover event, each drawing thousands of unfavorable responses.

#### Community Response

The community’s reaction highlights a profound concern regarding the future of gaming and the availability of games in an entirely digital environment. Numerous users vented their frustrations through sharp comments and irony, underscoring the disconnect between Sony’s promotional strategies and the feelings of their consumer base. Expressions such as “Retweeting Doom will NOT save you Sony” and “So you can physically retweet but you can’t launch physical games?” illustrated the discontent experienced by many gamers.

#### The Effect of the Protests

The persistent question remains: how long will this uproar last, and will it influence Sony’s approach? Industry experts, including Niko Partners’ research and insights director Daniel Ahmad, suggest that the company may take the feedback into account due to the overwhelming backlash but might not completely overturn their decision. The concept that physical media is becoming outdated has raised concerns, particularly among collectors and those who favor possessing a physical copy of their games.

In light of the unrest, gamers have started a petition to maintain physical media on the PlayStation 6, which has already gained over 227,000 signatures. This initiative reflects a united desire for the return of physical discs, emphasizing the significance of choice in gaming.

#### Conclusion

As the gaming community persistently articulates its disapproval, the fate of the PlayStation 6 and Sony’s management of physical against digital media remains unpredictable. The outrage expressed on social media serves as a reminder of the dedicated fanbase’s involvement and the potential repercussions of significant industry decisions. The upcoming weeks will reveal much for Sony as they navigate the challenging waters of consumer expectations and the changing landscape of gaming.

Fewer than three years following its debut on Steam, Final Fantasy 7: Ever Crisis is set to close down. Square Enix has announced that sales of the Red Crystal in-game currency have ended, and the game will go offline on October 6. Despite attempts to deliver a high-quality gaming experience since its 2023 launch, Square Enix pointed to unspecified difficulties in sustaining the service.

The game garnered a mixed reception on Steam and saw a reduction in player numbers, which may have influenced this decision. While the Android and iOS versions performed better in user ratings, their player data remains undisclosed.

Final Fantasy 7: Ever Crisis sought to retell the comprehensive narrative of Final Fantasy 7, weaving in elements from the original game, the film Advent Children, and spin-offs like Before Crisis, Crisis Core, and Dirge of Cerberus. Nonetheless, its gacha mechanics and monetization practices faced criticism, evident in numerous Steam reviews.

Square Enix will continue in-game events until the shutdown and has issued a final roadmap for the game’s conclusion. After the servers are turned off, all account details will be removed to safeguard users’ private data.

### Assassin’s Creed Black Flag Resynced: A Remarkable Remake

**Overview**

The gaming world is abuzz with anticipation for *Assassin’s Creed Black Flag Resynced*, a reimagining of the cherished original released in 2013. Critics are lauding the remake’s outstanding quality, highlighted by its notable Metacritic score of 84, positioning it among the highest-rated AAA titles of the year. This new version not only provides technical upgrades but also brings fresh content and improved gameplay mechanics to the legendary pirate saga.

**Release Details**

*Black Flag Resynced* is scheduled to launch on July 9, accessible on Xbox, PlayStation, and PC platforms. As fans eagerly await its debut, the remake guarantees stunning graphics and enhanced world-building that revitalizes the pirate-themed storyline that enchanted players ten years prior.

**Reception and Comparisons**

The original *Assassin’s Creed IV: Black Flag* first released on Xbox 360 and PS3, before being upgraded for newer consoles such as the PS4 and Xbox One. Its Metacritic ratings differed by platform, with the PS3 version securing an impressive 88. In comparison, the remake’s current score of 84 signifies a revival in the franchise’s popularity, placing *Black Flag* back in the limelight of the gaming scene after a number of titles that found it challenging to reach scores above 80.

Here’s a comparative overview of the main *Assassin’s Creed* games based on Metacritic ratings:

– *Assassin’s Creed* – 81
– *Assassin’s Creed 2* – 90
– *Assassin’s Creed: Brotherhood* – 89
– *Assassin’s Creed: Revelations* – 80
– *Assassin’s Creed 3* – 84
– ***Assassin’s Creed IV: Black Flag* – 88**
– *Assassin’s Creed Rogue* – 72
– *Assassin’s Creed Unity* – 72
– *Assassin’s Creed Syndicate* – 76
– *Assassin’s Creed Origins* – 81
– *Assassin’s Creed Odyssey* – 83
– *Assassin’s Creed Valhalla* – 80
– *Assassin’s Creed Mirage* – 76
– *Assassin’s Creed Shadows* – 81
– ***Assassin’s Creed Black Flag Resynced* – 84**

**Conclusion**

The triumph of *Black Flag Resynced* reinforces the idea that a faithful adaptation of a beloved game, carried out with care and innovation, can resonate positively with both critics and gamers. While ratings from sources like Metacritic provide a glimpse into critical opinion, they should be viewed within the context of broader dialogues about game quality and player experience. For series aficionados and newcomers alike, *Assassin’s Creed Black Flag Resynced* seems poised to be a promising return to the pinnacle of pirate gaming adventures.