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Guide to Playing Anomaly Garden


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Former Doom: The Dark Ages producer Andrew Willis has shared tuppence on the state of the blockbuster videogame trade, arguing that the biggest companies and most popular series are going through a familiar “cycle” whereby the moneyfolk finally displace the creatives, and start messing games up in the name of short-term returns. He reckons that the likes of Halo are well on their way to becoming “a dried husk of a product that everyone just now associates with like, slop”.

Capcom have done a brisk trade in Resident Evil remakes this past decade. They’ve gone back to formula with Resident Evil 2, Resident Evil 3, and Resident Evil 4, not just bumping up the resolution and revarnishing the cutscenes, but writing new variations on the old survival horror fables. There’s a Resident Evil: Code Veronica regurgitation due in 2027, and a Resident Evil 0 resurrection allegedly to follow in 2028.
The problems with this strategy are perhaps expressed by my previous sentence’s struggle to come up with extra synonyms for “remake”: sooner or later, Capcom are going to run out of original games they can credibly overhaul. Including the forthcoming or rumoured projects, they’ve only got Resident Evils 5 and 6 left now before they hit the “modern era” inaugurated by Resident Evil 7, the game that introduced the fancy RE Engine used by the remakes.

Picture this. You’re me, and you boot up the demo for Rain98, an incredibly blue-looking, rainy visual novel set in Tokyo, 1998, about a woman who refers to herself as the Angolmois, a world-ending reference to the predictions of good ole Nostradamus. At one point you have to light this woman’s cigarette in a lightly stylish sequence. You get to a bit where you’re asked to put your name in, and you put it in because like its predecessors, this is surely a self-insert kind of situation. Only you get a Steam achievement for getting a game over for putting your name in. Rude! But curious, so you, and of course I mean I, pressed on.