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Including how to beat the Clanxor boss.

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# Slay the Spire 2 Beta Patch v0.109.0: An Eccentric Update

The newest beta patch for *Slay the Spire 2*, version 0.109.0, has been released, bringing a series of updates that are as whimsical as they are significant. Debuted on July 17, 2026, this patch has launched a blend of buffs, nerfs, and relic redesigns that have swiftly led the community to discover a variety of unusual strategies and exploits.

## Key Adjustments to Boss Mechanics

In this update, two of the Act 3 bosses have experienced major damage recalibrations. Aeonglass, a formidable adversary, now has minor damage reductions, stopping it from inflicting excessive harm on its initial turn. Conversely, the Torchhead Amalgam minion, encountered during The Queen boss battle, has increased its damage during the first strike, presenting players with a heightened level of difficulty against this foe.

## New Neow Relics: Unusual Additions

The patch introduces two fascinating Neow relics that are igniting discussions among players.

1. **Neow’s Sacrifice**:
– This relic adds a Guilty curse to your deck but offers an Ambergris potion as compensation. The Ambergris potion is a transformative addition, restoring 50% of your maximum HP and allowing an extra turn after its use. This impactful combination effectively turns many boss confrontations into effortless victories.

2. **Dowsing Rod**:
– This relic provides players with an unplayable Dowsing card that evolves after visiting five event rooms, transforming into Abundance. This skill card permits players to select one of three free power cards to add to their hand. While the evolution may present challenges early on, the potential benefits are regarded as worthwhile.

## Balancing Act: Card Adjustments

The patch encompasses several card revisions aimed at restoring equilibrium within the game.

– **Ironclad’s Dominate** has shifted from an uncommon card to a rare card, reflecting its previously overpowering nature.
– **Regent’s Pillar of Creation** now yields a single instance of 5 block instead of the former 3 block every time a card is created, aligning its effect with the game’s current balance.
– Perhaps the most debated change involves **Silent’s Well-Laid Plans**, reworked from a 0-cost uncommon card allowing the retention of two cards per turn to a 0-cost rare card enabling the retention of all cards for the entirety of the fight. This adjustment positions Well-Laid Plans next to Runic Pyramid in terms of potency, potentially influencing new deck strategies.

## The Quirky and Amusing: Eidolon’s New Mechanics

A prominent change in this patch pertains to the *Necromancer’s Eidolon*. This card now enables the play of all Ethereal cards in the Exhaust Pile rather than exhausting the hand and granting Intangible. This functionality opens up a new realm of strategic exploitation that players have warmly embraced.

– Players can leverage Eidolon to amplify cards like **The Scythe**, increasing permanent damage with each activation.
– Additionally, **Sentry Mode** can interact with Eidolon to replay all previously played Sweeping Gaze cards.

A particularly humorous exploit arises from employing a card like **Sculpting Strike** to make Eidolon ethereal and playing another Eidolon, resulting in an infinite loop where Eidolons activate each other if correctly arranged in the exhaust pile. This whimsical interaction has generated both amusement and astonishment within the community, with many hoping that Mega Crit keeps this mechanic intact.

## Conclusion

The v0.109.0 beta patch for *Slay the Spire 2* has revitalized the game with an eclectic mix of unexpected components and unique card interactions. As players delve into the diverse strategies stemming from these alterations, it is an intriguing time for both veterans and newcomers. With new exploits and game-altering strategies emerging, the creativity and laughter within the community are bound to thrive following this fresh update.

“A glance at the Astra 2 will tell you that it’s not just targeting a niche, but a niche within a niche”

The post REDMAGIC Astra 2 Review – A Worthy Tablet Sequel? appeared first on Gamezebo.

Answering concerns that The Sims team may face pressure to reduce support for diversity following the Saudi Arabian-backed buyout of EA, senior character artist Jess Hyland says she’s not “heard anything” about such a mandate and, if one were introduced, she “would fight it tooth and nail.”

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**The Backrooms Dispute: A24’s Copyright Actions and Community Reaction**

Recently, the horror community has been ignited by a major dispute involving A24, a well-known film studio. The controversy arose when A24 allegedly imposed copyright strikes on a range of artwork inspired by the *Backrooms*, a creepypasta that emerged from the internet and has fascinated many for years. This reaction from the company led to an uproar within the community, raising concerns about the legitimacy of such measures against creators engaged with the established mythology of the *Backrooms*.

This debate began with a popular Reddit post by user GnarlyNet. On July 15, GnarlyNet announced that A24 had requested the elimination of *Backrooms*-themed artwork that displayed the iconic yellow wallpaper associated with the creepypasta. The request for removal coincided with rising excitement for the upcoming film adaptation, prompting many to perceive the copyright actions as excessive.

Tensions rose when Kane Parsons, the director of the *Backrooms* film, took to Reddit to directly address the concerns of the community. His comments suggested that A24’s strategy had fostered unnecessary discord within the fanbase. Parsons indicated he was “looking into this” and conveyed that such copyright actions were unwarranted, particularly considering the *Backrooms*’ long-standing status as a public domain phenomenon in the realm of internet myths.

After discussions in a private Discord channel, Parsons disclosed that A24 did not actually mean to interact with the community this way. He explained that the copyright strikes resulted from an “outsourced system error” targeting unauthorized uploads, specifically bootleg films, and stressed that the company had no plans to suppress works from individuals inspired by the *Backrooms* aesthetic.

In a swift initiative to counter the backlash, A24 publicly admitted their error through a statement on the official *Backrooms* Instagram page. They clarified that the automated copyright claims had been mistakenly filed and cited the third-party firm Redbubble as the origin of the erroneous strikes. A24 emphasized that they do not assert ownership over the cherished yellow wallpaper or any creative works derived from it, reaffirming their commitment to supporting the broader artistic community surrounding the *Backrooms* mythos.

Parsons’ proactive approach and A24’s recognition of their error underscore the necessity of dialogue and accountability between major media entities and the creative communities with which they engage. This case serves as a reminder of the complexities that arise in the digital era, where artistic limits must be navigated with care to foster creativity instead of limiting it.

As the matter progresses, it will be important to observe whether additional fan creators encounter copyright challenges and how A24’s pledge to support the *Backrooms* community affects the realm of fan-created content in the future. The ongoing conversation between corporate bodies and the grassroots expressions of fans highlights the fragile balance that must be upheld to ensure that creative ecosystems can thrive.

Can you relog?

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The Communications Workers of America (CWA) union and their Canadian offshoot CWA Canada have filed unfair labour practice complaints against Microsoft, accusing the company of having mishandled the recent mass layoffs at Xbox.

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The new best Electric-type Evomon?

The post Evomon Boltonia [Strengths, Weaknesses and Type Chart] appeared first on Gamezebo.

**The Growth of Advertising in Video Games: Examining EA’s New Platform**

In a time when digital platforms flourish on ad income, Electronic Arts (EA) has launched an avant-garde video game advertising platform to take advantage of the increasing convergence of gaming and marketing. Revealed in June, this venture signifies a major transformation in how game creators might tackle monetization, offering substantial potential for the video game sector.

EA’s Vice President of Advertising and Sponsorships, Alexander Dao, views this as a crucial opportunity not just for EA but for the broader industry. He underscores the significance of integrating advertising from the initial stages of game creation. Numerous existing games have had advertising tacked on afterward, which can interfere with the player experience. In contrast, new games, especially free-to-play models, can be constructed with smooth ad incorporation. This enables a more natural brand experience that attracts a wider variety of advertisers.

The EA Advertising platform is embedded directly within Frostbite, EA’s exclusive game engine, employed for prominent titles like *Madden* and *Battlefield*. The integration is crafted to facilitate the creation of custom ads and optimize tracking player interaction with the ads. This allows advertisers to work with EA to improve targeting while ensuring compliance with privacy regulations. EA’s collaboration with Integral Ad Science seeks to ensure that ads are visible to actual audiences, measured against industry benchmarks.

Initial deployments of this platform have featured notable partnerships, including a unique Mountain Dew stadium in *EA Sports College Football 26* and Visa branding in *EA Sports FC*. The feedback on these efforts has been encouraging, with Dao reporting that one collaboration with Lowe’s produced over a billion impressions. The primary metrics being monitored encompass player engagement and discussions regarding the brands involved, which are essential for evaluating the efficacy of ad integrations.

As video game production expenses rise and pricing models face scrutiny, ad-supported games might present a way to keep costs manageable. This tactic mirrors patterns in other fields where advertising allows for lower consumer prices. Nonetheless, it prompts inquiries about its relevance to single-player blockbuster titles that necessitate significant sales to remain financially viable. The majority of player engagement currently occurs in games such as *Fortnite*, prompting speculation about whether traditional single-player experiences can similarly benefit from ad revenue.

Dao strongly believes that advertising trends progress with audience attention. Social media and retail have witnessed a shift towards dynamic ad integration, a trend that is now spilling over into connected TV and gaming. He contends that the gaming industry, particularly in console and high-definition formats, hosts vast audiences that marketers cannot afford to overlook.

Skeptics may express concerns regarding the ramifications of ad saturation in gaming, especially as players have voiced dissatisfaction with ads in other media types. However, if executed carefully, EA’s initiative could transform revenue streams in gaming, enhancing player experience while offering significant opportunities for brand interaction. As the discourse surrounding advertising in video games evolves, the industry will have to navigate the intricacies of ensuring player contentment while pursuing new monetization strategies.

While reports about Microsoft’s mass layoffs have painted a devastating picture, the company and affected studios like Doom developers Id Software have been publicly trying to reassure players that the cuts aren’t the end of the world. Doom: The Dark Ages director Hugo Martin has stuck to that line while acknowledging the layoffs during on official livestream of the game’s Revelations DLC, which came out the same week 136 Id workers were shown the door.

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