Gait Games

Not all bosses drop Map Pieces.

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**Recent Updates in the Marvel Cinematic Universe: The Return of *Avengers: Endgame***

Amidst a surge of excitement leading up to December’s launch of *Avengers: Doomsday*, it has been announced that *Avengers: Endgame* will undergo another theatrical re-release this September. This version will include fresh footage that connects directly to the forthcoming film. During CinemaCon, it was suggested that this extra content might not simply serve as an added incentive but could be an essential component that enhances understanding of the narrative development within the Marvel Cinematic Universe (MCU).

Co-director Joe Russo highlighted the significance of revisiting *Endgame*, calling the re-watch “crucially significant.” This viewpoint reflects a persistent critique of the MCU approach, particularly noticeable during its late-2010s zenith, where viewers often felt compelled to navigate a vast multimedia network of interconnected movies and series to fully appreciate the context of new releases. Audiences found themselves traversing numerous Disney Plus series—some of which faced mixed reviews—before they felt ready to savor the latest blockbuster addition.

**Cinematic Intervals and Upcoming Releases**

The MCU has seen a considerable slowdown, with only one film in 2024—*Deadpool & Wolverine*—which has a loose affiliation with the larger universe. The forthcoming schedule appears sparse, with an interval since the most recent productions and a lengthy wait for the next *Spider-Man* sequel, marking the character’s first appearance in five years. *Doomsday*, set to debut in 2026, will be the first new *Avengers* film after a seven-year break, generating significant excitement among fans.

Notably, *Doomsday* is reportedly set to follow immediately after the events of *Endgame*, despite the chronological gap created by twelve other MCU films that have released in the meantime. This narrative decision prompts inquiries concerning character evolution and plot consistency — an element that the new footage in the re-released *Endgame* is anticipated to clarify.

**An Innovative Marketing Approach**

Russo indicated that the re-release aims to forge a distinctive connection between *Endgame* and *Doomsday*. He remarked: “It’s an opportunity to create a bridge from *Endgame* to *Doomsday* in a very unique way.” This re-release not only seeks to leverage the success of *Endgame* but also frames it as essential viewing for those eager to follow the intricacies of the upcoming narrative arc.

In spite of this effort to enrich the viewer’s experience, some fans have voiced their discontent regarding the requirement to rewatch a lengthy film just to remain informed for the next chapter. Critics have proposed that instead of including the new footage solely as part of a re-release, it could have been more efficiently woven into *Doomsday* itself, providing a more cohesive viewing experience.

**Conclusion**

As *Avengers: Endgame* gears up for its re-release, Marvel appears to be counting on both nostalgia and continuity to reel audiences back into theaters. While Joe Russo praises the new footage as a “vital companion story” that sets the stage for *Doomsday*, it raises broader concerns about audience engagement and the shifting dynamics of blockbuster cinema as viewers are encouraged to invest their time and resources in revisiting earlier narratives. With this re-release touted as essential viewing for fans, it remains to be seen how this will shape their perceptions of both the film and the franchise going forward.

Pensive and flamboyant action-RPG Soulframe has just received a new update that adds a pirate class, together with rapiers, cutlasses, and a flouncy sailor’s outfit. The class in question is the Duelo pact, which boasts of “swashbuckling abilities”: these include an artful dodge that spawns a decoy phantom, an enemy-slowing sword flourish, and the old classic ‘flintlock to the face’ manoeuvre. They’re also introducing a haunted shipwreck environment, plus a bunch of new enemies, another siege infiltration activity, and the ever-popular quality-of-life improvements.

“WHY ARE ALL GAMES ABOUT PIRATES NOW,” I lamented to James, before starting this article. James ignored me, being engrossed in his own piece on forthcoming Tortuga-tender Corsair Cove, but the large green parrot on his shoulder screeched “pier pressure!” Mortally wounded by the pun, I staggered across the swaying deck to the Captain’s cabin, only to be knocked flat by a barrage of yo-hoing from Ollie’s on-going game of Windrose. Flopping around on the planks like a walloped albatross, I cried out to Mark for a restorative glug of rum, but alas, we’ve not seen him for days; he was last spotted paddling in the spectral wake of Assassin’s Creed Black Flag Resynced.

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Including the current best Bloodline.

The post Sailor Piece Bloodlines – How to Get Bloodline Stones appeared first on Gamezebo.

AMD’s Ryzen 5 9600X has traditionally been the most affordable entry point into Team Red’s latest generation of processors, which yielded modest gains in gaming performance over the 7600X but much larger gains in its efficiency to make it a more optimal choice. It’s usually been a deal when I’ve spotted it at £160-£180 in the past, although you can currently snag an ‘As New’ condition for £131 on Amazon with its Resale section (formerly the Amazon Warehouse). There was a deal running to get a new one for £135 earlier today, which went very quickly, and this is technically even cheaper than that was.

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What did one ocean say to the other? Nothing, it just waved!

The post Where To Find Ancient Fragments in Sailor Piece: All 20 Locations To Unlock Sea 2! appeared first on Gamezebo.

Grim and grubby mercenary tactics game Menace is getting a big update that removes a “not-so-popular” promotion tax, gives all units the ability to clear away wrecked vehicles, and reworks the major Construct enemy faction, deemed by developers Overhype to be “severely lacking in uniqueness, variety, and style”.

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It’s here!

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### Hollywood Studios Adopt AI in Filmmaking: The Story of *Bitcoin: Killing Satoshi*

The fascination with artificial intelligence (AI) in the cinematic sector has piqued the interest of Hollywood studios, igniting a surge of curiosity regarding the incorporation of this technology into the filmmaking process. Nevertheless, the practical execution presents obstacles, shedding light on the current constraints and steep expenses associated with the technology. Despite these challenges, the allure of AI-generated material continues to entice, with endeavors like *Bitcoin: Killing Satoshi* attempting to lead the charge for future film projects.

#### The Idea Behind *Bitcoin: Killing Satoshi*

Helmed by Doug Liman, acclaimed for his direction in *The Bourne Identity* and *Jumper*, *Bitcoin: Killing Satoshi* is a thriller delving into the enigmatic persona of Bitcoin’s creator, Satoshi Nakamoto. The cast features Gal Gadot as a model-turned-journalist who teams up with a cryptocurrency mogul, played by Pete Davidson, to probe into a physician, portrayed by Casey Affleck, who is suspected of being Nakamoto. The production team adopts a distinctive method by leveraging AI across several filmmaking facets, such as lighting, set design, and post-production.

To streamline logistical complexities, the film was shot in a car showroom. The ambitious undertaking aspires to showcase nearly 200 unique locations, including remote areas such as Antarctica and Las Vegas. Producer Ryan Kavanaugh noted that the original budget for a conventional production exceeded $300 million, compelling the team to seek AI-driven solutions to drastically cut costs.

#### The Function of AI in Filmmaking

*Bitcoin: Killing Satoshi* utilizes a cast and crew of 200 individuals, with half comprising cast members, indicating a synergy of human expertise and AI capabilities. The film employs chroma key techniques, a staple in modern filmmaking, but distinguishes itself by assigning the visualization of the finished product to 55 “AI artists.” This progressive technique aims to harmonize the employment of human workers with advanced technology, as Kavanaugh claims they are utilizing AI “the right way.”

Even with AI’s incorporation, public opinion remains hesitant. Numerous viewers express doubts about AI’s role in media and may be reluctant to pay full fare for AI-generated material, a sentiment highlighted by Disney’s recent job cuts at Marvel Studios, which affected special effects departments.

#### Navigating the AI Environment

The prevailing trend among studios is to promote their AI usage in an effort to draw in investment, regardless of whether the full potential of AI will come to fruition. A significant comparison can be made to the recent $600 million agreement between Casey Affleck’s brother, Ben, and Netflix, underscoring the industry’s speculative stance on technology’s place in filmmaking.

In an era where financial motivators, like cryptocurrencies, perpetually attract investors, the narrative of *Bitcoin: Killing Satoshi* echoes broader discussions on innovation, investment, and the allure of uncertainty. With ongoing speculation regarding Nakamoto’s identity giving rise to various theories, including a recent claim by The New York Times suggesting British computer scientist Adam Back may possess the answer, the film aims to leverage this fascination.

### Conclusion

As the technology of AI advances, Hollywood studios are examining its application in film production, exemplified by *Bitcoin: Killing Satoshi*. While there are ongoing issues such as public skepticism and elevated costs, the drive to utilize AI might indicate a groundbreaking transformation in the filmmaking landscape. The future of cinema could hinge on achieving an optimal blend of human ingenuity and technological progress, positioning projects like this one as potentially pivotal moments in the realm of film history.

The Dark Souls franchise has consistently enthralled gamers with its detailed world construction, rigorous combat, and immersive narrative. Among its various settings, few can rival the bleak, toxic charm of its ruined locales. A recent examination by modder and YouTuber Doneda discloses that the seemingly innocuous views of Dark Souls II’s “The Gutter” hid a vast and intricate vision that ultimately did not make it into the final version.

The development journey of Dark Souls II was laden with obstacles. With series creator Hidetaka Miyazaki focused on the creation of Bloodborne, the game experienced a shift in directors, resulting in a product that a considerable number of fans regard as the most disliked entry in the series. This tumultuous process led to substantial cut content, leaving behind a rich cache of assets that were left open for exploration.

In his enlightening video, Doneda elucidates a vital element of Souls modding: the Map Studio Binary. This technical aspect determines which elements of the game are loaded for particular maps. When content is excised, it is frequently not entirely obliterated; rather, it is merely taken out of these binaries, meaning the core assets persist. This restoration procedure enables modders and inquisitive players alike to delve into forsaken components of the game, exploring realms that players may never have encountered.

The Gutter, originally imagined as a dark and extensive site akin to Blighttown, was reduced in its final form to a simplistic arrangement of wooden scaffolding. Nonetheless, pre-release materials suggest an alternate reality where the Gutter was a vibrant, albeit deteriorating, civilization. Even devoid of adversaries or treasures, its vast somber architecture, showcasing colossal pillars and intricately crafted pathways, vividly evokes what might have existed.

Throughout Doneda’s nearly hour-long investigation, he reveals intriguing remains of this world, including enigmatic notes in kanji, expansive boss arenas, and even a tavern—all indicators that a lively environment was once envisioned. The sense of discovery implies that the developers may have infused the Gutter with elements of optimism, aiming for a grand vision for future players to unveil.

In conclusion, Doneda’s exploration not only illuminates the ambitious design of Dark Souls II but also highlights the broader ramifications of cut content in the video game industry. The voyage through the restored Gutter emphasizes a dedication to revealing the intricate backstories and architectural splendor within the Dark Souls universe, revitalizing a cherished series and reminding players of the depth and richness that can exist just beneath the surface of completed video games.