How to Acquire Yhwach’s Blood in Type Soul: Ancient Vasto Prerequisite Explained

Last June, Jagex – the developers of medieval MMO Runescape – found themselves at odds with players after deciding not to create any new content for Pride Month. Disputed internally at the studio before the discussion then leaked online, the decision appeared to be a retreat in the face of a world turning on minority groups.

Following up in September, Games Industry asked Jagex CEO Jon Bellamy if he stood by the call to simply re-run existing Pride-themed quests and events. “Ultimately, my job is governance and protection as much as anything else, and so sometimes those kinds of harsh decisions have to be made to protect the imminent future of the game,” he told them. “If there are tough decisions to be made next year, we’ll make them. If the world has changed a bit and the environment is different, we will react accordingly.”

Five months on and with this year’s Pride Month on the horizon, we’ve asked if the environment is different.

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Fortnite developers Epic Games have confirmed plans to honour refunds for cosmetics related to D4vd, following the American singer being charged with murdering a 14-year-old girl. Players will have to request these refunds themselves by contacting Fortnite support, with Epic adding that more changes are to come.

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Back in April, Disney experienced substantial layoffs, which included a significant cut to Marvel Studios’ visual development team. This decision has spurred speculation among fans and industry professionals, raising concerns that Disney is looking to supplant artists with artificial intelligence. Company CEO Josh D’Amaro reiterated the necessity for Disney to be “more agile and technologically-enabled to meet tomorrow’s needs,” a viewpoint many interpret as a sign of growing dependence on technology—particularly AI—in the creative sphere.

The fallout from these layoffs coincides with the release of the special titled *The Punisher: One Last Kill*, which aims to reintegrate Frank Castle into the Marvel Cinematic Universe (MCU) ahead of the forthcoming *Spider-Man: Brand New Day*, set to debut on July 31. This 48-minute special has generated excitement not only for its storyline but also for certain visual effects, notably a scene where the Punisher appears to tumble onto a metal box.

Central to the discussions around *One Last Kill* is a particular sequence that has faced backlash for its seemingly rough CGI. About 32 minutes into the special, the Punisher battles on a rooftop, crashing onto a metallic surface, which has gone viral on social media for its inferior visual effects. A Twitter user shared the moment, humorously pointing out that it seemed like an incomplete VFX shot, reminiscent of early video game visuals.

Critics have likened the CGI quality in this specific instance to a character model from a PlayStation 3 game, underscoring the disparity between the polished visuals viewers expect from a premier streaming service and this specific depiction. An additional observation highlighted the character model itself, with some noting it bore a striking resemblance to Joel Miller from *The Last of Us*, further igniting comparisons to low-quality animation.

The MCU has a track record of uneven CGI quality, particularly in its television offerings, which have previously drawn connections to the employment of generative AI in projects like *Secret Invasion*. The heavy reliance on animation for its fantastical components, coupled with a notoriously strained internal framework for its artists, has led to a varied experience regarding visual effects. In light of the recent layoffs and the apparent hurry in production, the quality evident in *One Last Kill* raises alarms about the future of visual effects in the MCU.

In spite of the criticism concerning the VFX in this new special, *One Last Kill* appears to have been generally well-received, garnering positive reactions from both critics and audiences. Nevertheless, the noticeable decline in visual quality from a major entity like Disney casts an unfortunate shadow on an otherwise promising entry in the Marvel franchise.

In a following update, industry reports have clarified that the questionable shot may not be an incomplete effect but instead a blend of real footage with CGI enhancements, where Jon Bernthal’s face was digitally mapped onto a stunt double, further complicating the discourse surrounding the intersection of technology and traditional filmmaking in the MCU.