Gait Games

**Yoti Age Verification Software: Privacy Issues and Data Practices**

Yoti, a prominent age verification solution utilized by roughly 60 percent of websites and services that require age checks—including prominent platforms such as PlayStation, Meta, and TikTok—has faced criticism for its data collection methods. A new analysis from the Georgia Institute of Technology and the University of California raises concerns about the volume of personal information Yoti collects, exceeding what is necessary for age verification and its ramifications for user privacy.

The analysis, named “Papers, Please: A First Look at Age Verification on the Web,” was shared at the IEEE Symposium on Security and Privacy conference on May 18, stressing that Yoti’s practices could endanger user privacy while questioning the efficacy of its age verification process. The findings indicate that Yoti gathers a significant amount of high-resolution data about the user’s device during the verification procedure—data considered unnecessary for determining a user’s age. This encompasses detailed information, such as operating system version strings, available RAM, connection type, and CPU architecture. Such data can facilitate unauthorized tracking of users’ devices, raising considerable privacy issues.

One of the most concerning points raised in the analysis is Yoti’s partnership with various opaque fourth parties, including payment processor Stripe. The research mentions that Stripe collects considerable telemetry which could potentially enable unique identification of a device. The data shared with these third parties, according to the study, extends beyond age verification requirements, including high-entropy browser and device metadata, in addition to other granular telemetry that could threaten user privacy.

Following the release of the report, the researchers noted that Yoti has asserted it is addressing the matter concerning Stripe’s access to the first-party website. However, they were unable to independently confirm the accuracy of this claim. This situation brings up further inquiries regarding the security of user data managed by Yoti and the credibility of the safeguards established to protect that information.

The characterization of the issue as a “bug” by Yoti does little to build trust in the system, raising worries about how securely user-provided data is handled and whether any information shared with Stripe has been retained.

As age verification becomes more essential for online services—aiming to shield minors from inappropriate content—grasping the privacy implications of the technologies used in such processes is crucial. The increasing overlap of age verification and user privacy highlights the necessity for transparency and accountability from entities like Yoti, as they confront the challenges of ensuring safe, effective age checks without undermining user data security.

The latest update for Menace, the turn-based tactics game where you play as space police in a system overrun with aliens and rebels, brings good news and bad news. On the one hand, it gives us two kinds of tank, letting us finally take some heavy armour into battle, but on the other, the cost of your failure just got significantly higher. If you lose a planet to Menace’s main enemy, the allied faction on the surface is wiped out.

Plus, there are three new ways to trigger a game over. So, quite a lot more bad news than good, I’m afraid.

The patch also adds wheat fields. That news is neutral.

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**YouTuber Allen Ferrell Receives Lifetime Ban from Cedar Point Due to Food Challenge Stunt**

YouTube star Allen Ferrell, recognized for his wild food challenge videos, has recently been issued a lifetime ban from Cedar Point, Ohio’s renowned amusement park, following a reckless stunt that went viral. The event took place when a fan dared Ferrell to eat ten chicken McNuggets while on the Millennium Force rollercoaster. He accepted the dare, leading to a scenario that has since drawn significant media attention.

In a brief video snippet, Ferrell is shown trying to sneak a ten-piece McDonald’s meal onto the amusement park ride. Disregarding park regulations, he provocatively urges staff to look away while an accomplice aids him by holding dipping sauce. The footage captures Ferrell covering himself in sauce, a sight that many would find both amusing and off-putting. Ultimately, he was unable to finish all ten nuggets, yet the video succeeded in attracting millions of views online, solidifying Ferrell’s reputation as a controversial figure among social media users.

In a subsequent video, Ferrell shared his astonishment at the national coverage the incident garnered. “I did not anticipate this making national news,” he noted. During his reflection, he recognized the seriousness of his actions and Cedar Point’s ruling to ban him, stressing that he comprehends the park’s viewpoint. He also listed other Six Flags parks from which he has faced similar bans, highlighting the broader implications of his stunt.

Cedar Point officials responded, reiterating their dedication to safety. “Safety is a foundational aspect of our business, and we have zero tolerance for inappropriate and unsafe conduct,” a spokesperson remarked. They highlighted that the park’s safety policy prohibits loose items, including food, on rides due to potential choking risks.

The incident has ignited discussions about the limits of content creation and the obligations that accompany it, especially in environments designed for family-oriented entertainment. While Ferrell’s antics are not unprecedented, this specific stunt has impacted his access to some of the most popular amusement parks in the nation. While he might view himself as a professional entertainer, the fallout from his actions illustrates the delicate balance between humor and safety.

As summer nears and many head to amusement parks for thrilling experiences, the repercussions of Ferrell’s viral video act as a warning against reckless behavior in the quest for online recognition. Despite his comedic intent, the outcomes underscore the necessity of following safety protocols in amusement parks, ensuring pleasant experiences for all visitors.

I know I don’t have the best knees. My body informed me of this during a drunken dance-off in a Leeds night club when one of them popped out of place and tore a line through the back of my knee cap. It told me again a year later when I did the same thing playing frisbee. And a third time when I slipped on some grass while walking Jeremy Peel’s dog on a rainy day. Put kindly, they’re shoddy.

Yet, I’m developing a whole new appreciation for their shoddiness while playing through Half-Life: Alyx, Valve’s VR spin on City 17.

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**Minecraft Movie Squared: All We Know About the Upcoming Sequel**

The eagerly awaited follow-up to the original Minecraft film has been officially announced! Named *Minecraft Movie Squared*, the movie’s title was revealed at Microsoft’s Minecraft Live event during TwitchCon 2026, along with a confirmed release date scheduled for July 23, 2027. This revelation promises an exciting block-busting adventure that fans of the franchise are excited to discover.

### New Cast and Characters

In *Minecraft Movie Squared*, actor Jack Black will return to his role, accompanied by both new and returning characters. Prominently, Jason Momoa will be back, adding his star power alongside Black. Additionally, Matt Berry will rejoin the franchise, though he will portray a new, undisclosed character this time. A noteworthy addition to the cast is Kirsten Dunst, who will assume the role of Alex, marking her first appearance in the *Minecraft* universe.

### Thrilling New Adventures

The upcoming film is set to take audiences on a journey through new settings and present a variety of new mobs. This expansion of the Minecraft universe promises to enhance the sequel’s depth and excitement, as the characters embark on brand-new adventures that will enchant both fans and newcomers alike.

### Initial Reactions

As anticipated, the announcement has elicited mixed reactions from fans and audiences. Comments on social media capture a blend of enthusiasm and doubt. A popular comment on Instagram states, “Squared is such a peak name,” while another mentions, “This terrible movie didn’t require a sequel,” reflecting the divided opinions surrounding the franchise.

### Director and Creative Team

Jared Hess is back to direct *Minecraft Movie Squared*, working on the screenplay with Chris Galletta. The creative team’s experience and insight into the original film might play a vital role in enhancing the narrative and visual quality this time around. Furthermore, fan-favorite actresses Danielle Brooks and Jennifer Coolidge are confirmed to reprise their roles, reinforcing the film’s connection to its predecessor.

### Fan Engagement

In an exciting twist, *Minecraft Movie Squared* is promoting fan participation through a creative contest. The *Minecraft Movie Build Challenge* invites fans to share their own builds via TikTok, Twitch, or directly through the game, with the possibility of having their creations featured in the film or its credits. This initiative not only promotes community involvement but also allows fans to be a part of the cinematic journey.

### Box Office Success and Future Prospects

Despite the original Minecraft film receiving mixed reviews from critics, it turned out to be a tremendous box office hit, earning over $1 billion. This financial success has played a crucial role in the production of a sequel. With this robust financial foundation, Warner Bros. and Mojang are proceeding with *Minecraft Movie Squared*, aiming to attract an even broader audience with an improved storyline and visual experience.

### The Status of the Netflix Series

While anticipation builds for *Minecraft Movie Squared*, the previously announced *Minecraft* Netflix series remains officially in limbo. Since its announcement in 2024, no updates have emerged regarding its production or release. Fans of the franchise are eager for news about this animated series, which intended to explore original tales featuring new characters.

As July 2027 approaches, fans can look forward to discovering what *Minecraft Movie Squared* has planned—an opportunity to explore deeper into the cherished world of Minecraft and enjoy new adventures with both familiar and fresh characters.

Ah, it’s a Saturday and the start of a heat wave. What to do? What to do? Pull out the plastic storage box and fill it with cold water and ice cubes for a nice chilling foot bath. Get some damp flannels in the freezer to become an ice pack ready to be deployed at a moment’s notice. And get a nice hot cup of tea on, because tea doesn’t stop for a poxy heat wave.

(Though maybe I’ll get a nice buttery chardonnay in the fridge for afters)

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Earlier this week, *El Tigre* creator Jorge R. Gutierrez revealed *Punky Duck*, part of a trio of new animated series generated by AI that are set to debut from Amazon. Although the idea of a brash duck with a defiant personality was intended to attract viewers, it instead incited a backlash that Gutierrez had not foreseen. Just two days following the announcement, he took to social media to separate himself from the whole initiative.

“I have made the decision to withdraw from the AI program at Amazon,” Gutierrez shared. “My goal was to highlight artists, both emerging and established, both inside and outside the studios, who are engaging with this new technology. I sincerely apologize to those I have upset. I pledge to improve going forward. Thank you for your understanding. I will strive harder.”

The backlash against AI-produced content is extensive and deeply rooted, especially within the animation sector. After the announcement of *Punky Duck*, filmmaker Guillermo del Toro used social media to endorse *I Am Frankelda*, the first full-length Mexican stop-motion film. Del Toro, who contributed to the film’s production, stressed that it, like other animated projects, is “crafted by humans for humans.” While he did not directly refer to Gutierrez, it was evident that his remarks critiqued the increasing dependence on AI in creative professions.

“This whole community never gives in—never loses its hope,” del Toro proclaimed. “Created by humans for humans. Those who embark on this journey are performing the work of the animation Gods.”

*Punky Duck* is part of Amazon’s AI Creators’ Fund, which also features *Love, Diana Music Hunters* and *Cupcake & Friends*. The latter series, based on Loryn Brantz’s *The Good Advice Cupcake*, was developed without Brantz’s participation or consent, prompting her to voice her outrage and disgust over the misuse of her character. Brantz expressed feelings of betrayal to BuzzFeed, where she originally developed the character, stating, “My experience at BuzzFeed was characterized by constantly being exploited and deceived. They repeatedly assured me in good faith that they would never do anything with Cuppy without my input, yet provided me with no legal protections, insisting that I would never require them.”

The shift of *BuzzFeed* towards AI-generated entertainment has garnered substantial criticism. In spite of their attempts to broaden their offerings through AI, the outcomes have yet to resonate with audiences, leading Brantz to urge her followers to boycott *BuzzFeed* and all AI-generated animation.

The rising disquiet within the animation community concerning AI technology underscores a wider apprehension about the trajectory of creative industries and the potential repercussions for artists and their original works. As developments continue, the discussion about the function of AI in storytelling and animation grows more intense, raising questions about the worth of human creativity in an ever-automated environment.

All roads lead to, and sometimes return to, XCOM. In this case, it’s more of a return, as a sequel to Warhammer 40,000: Chaos Gate – Daemonhunters was announced this week, replacing its demonic subtitle with an equally gloriously edgy “Deathwatch.” This one’s apparently a direct sequel to Daemonhunters, now putting you in charge of the Imperium’s “most elite alien-hunters,” once again taking the form of a turn-based tactical RPG.

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**Marcia Lucas: A Pioneer in Film Editing**

Marcia Lucas, an esteemed film editor, bequeaths an extraordinary legacy in cinema, having partnered with legendary filmmakers such as Martin Scorsese, Francis Ford Coppola, and Haskell Wexler from the 1960s through the 1980s. Her most notable accomplishment occurred alongside her then-spouse, George Lucas, when she edited the original *Star Wars*. This film not only cemented her reputation in the industry but also garnered her an Academy Award, acknowledging her remarkable talent and impact on film editing.

Originally from Modesto, California, Marcia moved to Hollywood with dreams of becoming a film librarian. By 20, she swiftly advanced to the position of assistant editor at Sandler Films. It was during her time working with Verna Fields, the editor for *Jaws*, that she encountered George Lucas—who would become both her romantic partner and a significant creative associate. Marcia played a crucial role as the assistant editor on Lucas’s cult favorite *THX 1138* and displayed her editing prowess in the successful film *American Graffiti*, collaborating once more with Fields.

Marcia’s filmography leading up to *Star Wars* includes numerous landmark films that influenced the cinematic landscape of her era. She edited Scorsese’s intense narrative *Taxi Driver* and the heartfelt *Alice Doesn’t Live Here Anymore*, along with Haskell Wexler’s surreal examination of political unrest in *Medium Cool*, which explored the events surrounding the 1968 Democratic National Convention.

Her innovative work on *Star Wars* established her as the film’s “secret weapon,” shaping critical narrative choices and plot progressions. Her contributions were particularly vital in deciding that Obi-Wan Kenobi should fall in his confrontation with Darth Vader, underscoring her significant creative input that went beyond conventional editing. Though Lucas chose not to participate in *The Empire Strikes Back*, she made a return for the trilogy’s conclusion, *Return of the Jedi*.

Despite the immense success of *Star Wars*, Marcia opted to retreat from the film industry to concentrate on her personal life. She and George Lucas divorced in 1983, partly due to his workaholic tendencies, allowing her to focus on her family and personal well-being.

Marcia Lucas’s passing at the age of 80 due to cancer signifies the end of a chapter for many in the film community. Her family fondly remembered her as a gifted storyteller and a pioneer for women in film, celebrating the vitality and grace she brought into the lives of those around her. Her legacy in cinema endures, rendering her an unforgettable figure in Hollywood history.

Birds, as we all know, are dinosaurs. Yet there exists a higher being above birds that answer the question “what if dinosaurs really were birds?”: dragons. I can only assume the exact same logic I’ve laid out here was used during the design process for the board game Wyrmspan, the dragon-oriented follow-up to the bird-focused strategy card game Wingspan. And now, much like Wingspan before it, Wyrmspan too is getting its own video game adaptation.

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