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**The Contentious Blade in *Marathon*: A Transformative Tool or an Excessively Powerful Weapon?**

In the competitive battleground of *Marathon*, one armament has gained both the attention and disdain of players: the blade. With melee enhancements and specific modifications, the knife has demonstrated its prowess as a formidable arm, capable of taking down foes in just a few rapid strikes. While some players applaud its potency, others express worries about its influence on the game, igniting intense debates within the community.

Game director Joseph Ziegler recognized these worries in a recent announcement on X, suggesting that modifications to the knife’s strength might be on the horizon in upcoming updates. He stated that the knife’s capacity to escalate to “god-like power levels” was one of the concerns brought up for review. This statement incited a civil divide among the *Marathon* community, with players split over whether the knife’s power should be modified or remain unchanged.

Advocates of the knife contend that it acts as an essential counterbalance to dominant firearms, especially in close-quarter combat situations. As one player highlighted, “The knife counters shotguns / purple and gold shields…” This viewpoint is bolstered by the reality that a significant amount of *Marathon*’s gameplay takes place in confined spaces, where conventional firearms might not perform as well. The knife stands out as a viable option, enabling players to engage successfully when battles grow personal.

Conversely, detractors contend that the knife’s efficiency diminishes the skill-driven essence of the game. Some players bemoan the abrupt deaths caused by knife-wielding adversaries, arguing that such outcomes weaken the strategic richness of *Marathon*. A player voiced their discontent, remarking, “In no universe should you eliminate an entire squad in 6 seconds with 6 knife melee attacks.”

The discussion persists as community members express their views on forums and social media, with some players proposing that the issue resides not with the knife itself, but with the tactics employed by players and their respect for close-combat encounters. “If you get outmaneuvered to allow someone to get close enough to you with a knife, it’s your responsibility for losing that battle,” one Reddit user noted, emphasizing that players should enhance their situational awareness.

The knife’s distinctive traits—being free of ammo, needing no reload duration, and requiring minimal aiming—add to its appeal, yet they also fuel feelings of inequity. Critics argue that the weapon’s straightforward nature can frustrate those who invest in more intricate equipment and tactics.

In the end, the knife in *Marathon* encapsulates an essential gameplay principle: regardless of how well-prepared a player may consider themselves, a single misstep can result in severe ramifications. As developers ponder possible changes, the resolution of this dispute could reshape the gameplay dynamics in the continually shifting realm of *Marathon*. The community’s fervent discourse highlights the delicate equilibrium between skill, strategy, and weapon power in competitive gaming.

The latest Steam hardware survey cites Linux as accounting for over 5% of the install base. That’s not a lot, and comes with the caveat of Valve’s info gathering not being bulletproof, but it ia a good chunk higher than the OS’s mark for the first two months of 2026.

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# Embracing Nostalgia: How to Incorporate Custom Videos in Retro Rewind

A few nights ago, while immersed in the delightful whirlwind of managing my rental store in the video game *Retro Rewind*, I became enchanted by the last 20 minutes of *The Terminator* playing on a small CRT display in the corner of my shop. The chance to view classic films in a digital rendition of a ’90s video rental store was a nostalgic pleasure. If you feel this longing for retro entertainment, here’s how to transform your shop’s screens into a time capsule filled with ’90s movies and clips.

## What is *Retro Rewind*?

*Retro Rewind* is a newly launched video rental store simulator available on Steam. It invites players to step into the shoes of a rental shop proprietor, reminiscent of cherished venues like Blockbuster. The game’s lovely visuals of brightly colored shelves and retro decorations create a warm ambiance for former video store patrons.

One of the standout features of *Retro Rewind* is the option to play custom videos on in-game TVs, which are typically equipped with generic clips. Players can replace these clips with their personal video files, opening a realm of customization possibilities.

## Step 1: Selecting and Downloading Your Videos

To begin, select the videos you wish to showcase on your in-game TVs. The choices are nearly endless, dependent on your taste. You can choose:

– Movies
– Trailers
– Cartoons
– Commercials
– Music videos
– Custom compilations

For genuine ’90s content, resources like the Internet Archive and YouTube are fantastic. For this guide, we’ll utilize a two-hour Blockbuster promotional tape found on the Internet Archive.

Remember that *Retro Rewind* currently accommodates only three channels, so you’ll need to combine multiple clips into longer videos if you have more than three to play.

## Step 2: Converting Your Videos

Once you have your video, the next step is to convert it for use in *Retro Rewind*. A simple way to achieve this is by using HandBrake, a free video conversion tool.

1. **Download and Install HandBrake**.
2. **Load Your Video**: Open HandBrake and pull your desired video file into the software.
3. **Set Format**: Make sure the format is MP4.
4. **Adjust Video Settings**:
– Under the “Video” tab, select H.264 as the Video Encoder.
– Go to the “Dimensions” tab and adjust the “Resolution Limit” to custom, then enter 512×512 pixels, which is the recommended resolution for the game.
5. **Save the File**: Name your file and remember where it’s saved (typically in your videos folder).
6. **Start Encoding**: Click the green button to begin. This process might take a few moments.

## Step 3: Integrating Custom Videos into *Retro Rewind*

With your video converted, it’s time to place it into *Retro Rewind*.

1. **Access Game Files**: In your Steam library, right-click on *Retro Rewind*, select “Manage,” then “Browse Local Files.”
2. **Navigate to Movies Folder**: Open the “Retro Rewind” folder, then “Content,” “VHS,” and finally the “Movies” folder.
3. **Select a Channel**: You will see folders for the three available channels: Police, Sci-Fi, and Public. Choose one to adjust.
4. **Replace Default Video**:
– Locate the existing video file (e.g., “RR_Channel_Public.mp4”).
– Drag your converted video into this folder.
– Rename the original file by adding an “X,” “A,” or “2” to its name.
– Rename your new video to match the original file name, removing the extra letter or number.

After finishing these steps, you can restart *Retro Rewind*, switch through the channels, and enjoy your personalized videos.

## Final Thoughts

This procedure allows you to craft a distinct atmosphere in *Retro Rewind*, reviving nostalgia as you manage your digital rental store. Just remember not to lose sight of your in-game duties while indulging in all the classic content you’ve incorporated!

I’ve not had a punt at Slay the Spire 2 myself yet, I’ve been too busy coming up with an excuse for not having played the first one, but the general read I’ve got on it is “it’s more Slay the Spire!” This can be interpreted much the same as a vote for Bart being a vote for anarchy, as far as I can tell too. There is multiplayer now too, of course, changing things up in a notable way through this mode, but so far, so generally familiar. In a new interview with Mega Crit co-founder Casey Yano over at PC Gamer, however, it sounds like a trio of new modes are in the works at least.

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### New Glitch Uncovered in Super Mario Bros. Could Transform Speedrunning

Over its 40-year existence, *Super Mario Bros.* has been thoroughly analyzed. Enthusiasts from the game’s dedicated speedrunning community appear to be aware of every glitch, exploit, and hidden feature the game holds, using these to achieve nearly flawless speedruns. Nonetheless, a new revelation may significantly elevate the future of speedrunning for the game.

On Tuesday, speedrunner Kosmic shared a [YouTube video](https://youtu.be/bNulp6cDqUU?si=0OwEiV9Qwfw6Esh4) showcasing a substantial new glitch found by the speedrunning community (thanks, [Polygon](https://www.polygon.com/super-mario-bros-ace-trick-discovered/)). While it isn’t yet a revolutionary tool for speedrunning, it provides considerable opportunities for the community’s advancement.

The glitch employs arbitrary code execution (ACE), a vulnerability that permits users to insert custom code directly through the game. ACE has been utilized to bypass extensive sections in speedruns of other titles such as [The Legend of Zelda: The Wind Waker](https://www.zeldaspeedruns.com/tww/techniques/arbitrary-code-execution), [Final Fantasy](https://tasvideos.org/4468M), and many [Pokémon games](https://bulbapedia.bulbagarden.net/wiki/Arbitrary_code_execution). While ACE has been applied in various *Mario* titles, this marks its first appearance in the original game.

Kosmic explained that the glitch’s existence was initially theorized following a Twitter/X user @TheLuigiSidekick’s playthrough of *The Lost Levels* on Nintendo Switch Online experiencing a crash. After the footage piqued the interest of the Mario speedrunning community, participants investigated the crash thoroughly and attempted to replicate it in the original game. Through comprehensive experimentation, they eventually uncovered a loophole.

In summary, ACE is now officially feasible in *SMB1*, allowing players to jump directly to the game’s conclusion. However, its effects on speedrunning strategies may not prompt immediate alterations. Kosmic informed Polygon that the technique is somewhat constrained and currently requires a series of pixel-perfect inputs that are difficult to perform. Furthermore, employing it to reach the conclusion tends to take longer than a standard completion of the game. Any potential enhancements to speed would likely be classified as a distinct category in speedrunning due to the exploit’s relevance.

Kosmic remarked that the finding signifies “more about the accomplishment of making it feasible and solving it.” This breakthrough is particularly significant given that *SMB1* is a legendary game that has been scrutinized thoroughly over the years. He suggested that it might also alter the speedrunning landscape: “If you wish, you can now access not just the Minus World, but any world or level you desire,” he noted. “Without any hacks or cheats. It’s a glitch that permits anything to happen.”

The *Super Mario Bros.* speedrunning community has faced its share of controversy lately, making this uplifting development a welcome change. The enthusiasm surrounding ACE brings forth inquiries about how far this discovery can extend and what other mysteries may come to light now that it’s clear there’s more to this 40-year-old game than previously realized.

I’ve never really been able to wrap myself around raising sim games such as the Princess Maker series. The framing of them feels like it could quite easily teeter over the edge into something uncomfortable, and in more modern entries such as Umamusume outright parasocial (and often exploitative). But lo and behold, a game enters my consciousness that fits within this very genre that looks absurdist enough to quell some of those concerns: Tomak: Save the Earth Regeneration, a rerelease of the 25-year-old game that sees you caring for the goddess of love who’s lost her body and is living out of a plant pot.

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**Brian Raffel Departs: Honoring His Impact at Raven Software**

After 36 years leading Raven Software, co-founder Brian Raffel has declared his retirement, signaling the close of a significant chapter for the studio renowned for its groundbreaking games and essential support within the Activision family. While Raven Software is currently most acknowledged for its work on the immensely successful *Warzone* and the yearly *Call of Duty* series, its past is adorned with a variety of significant and impactful titles, ranging from classic fantasy shooters like *Hexen* to cherished licensed games such as *X-Men Legends II: Rise of Apocalypse*.

In an emotional message shared on X on April 2, the studio reminisced about its history, stating, “In 1990, driven by a mutual passion for storytelling, Brian and his brother Steve embarked on a journey to create something of their own. What started as a modest creative endeavor known as *Black Crypt* evolved into something immensely larger.” Over the years, Raffel’s guidance has steered Raven through pivotal shifts in the industry, enabling it to create engaging narratives that have connected with players worldwide.

The announcement encourages fans to explore a detailed history on the Raven Software website, outlining the studio’s growth and its vast array of games. Following the launch of *Black Crypt*, Raven commenced its entry into first-person shooters with Quake engine projects like *Heretic*, *Hexen: Beyond Heretic*, and *Hexen II*. This early output laid the groundwork for the studio’s future achievements. In 1997, Raven was acquired by Activision, further cementing its role in the gaming sector. By 2000, it unveiled *Soldier of Fortune*, a contentious action title noted for its graphic violence, which subsequently made its way to systems like PlayStation 2 and Dreamcast.

Throughout the 2000s, Raven Software became recognized for its licensed games tied to major franchises. Titles such as *Star Wars Jedi Knight: Jedi Academy*, *Jedi Outcast*, *X-Men Legends I* and II, and *Marvel: Ultimate Alliance* highlighted the studio’s talent for capturing the spirit of popular characters and stories, providing captivating gameplay experiences. Nevertheless, the studio’s attempt at original intellectual properties saw its last significant endeavor with 2010’s *Singularity*, a sci-fi horror game that encountered developmental challenges, resulting in a linear campaign that fell short of evolving industry standards.

After exploring original titles, Raven transitioned to a supporting role within the *Call of Duty* franchise, starting with its efforts on *Black Ops*. Gradually, this support evolved from contributions to downloadable content to co-developing *Warzone* and *Black Ops Cold War*. While this shift was essential for the studio’s sustainability, it has since shaped Raven’s identity for the gaming community. “I believe we have a very diverse and highly successful portfolio,” Raffel shared in a *US Gamer* interview in 2014. “Moreover, our capacity to adapt and not get complacent with our own success is why we’ve thrived for 25 years.”

As Brian Raffel steps away, the gaming realm contemplates his profound legacy at Raven Software and the studio’s contributions that have influenced the gaming landscape over the years. Players and industry colleagues honor his vision and leadership, which not only nurtured creativity and innovation but also left a lasting imprint on the history of video gaming.

I think it’s entirely possible that I have not known true happiness since going through the childhood experience of going to your local Easter egg hunt, and finding a facsimile of an egg you can later trade in for the chocolate variety hidden in the plainest of views (but you’re five, so you proudly show it to your half-interested parents none the wiser). I miss the thrill of the egg hunt. So lucky me, all I have to do is play Deep Rock Galactic: Survivor later this month, as the Vampire Survivors-esque spin-off is getting such a mission type as part of its upcoming Heavy Duty expansion later this month.

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### The Story of Jonathan the Tortoise: A Fabrication Exposed

In an odd twist of fate, the globe was lately tricked into thinking that Jonathan the tortoise, allegedly the oldest terrestrial creature at 193 years, had died. Reports circulated swiftly through various news sources, including esteemed entities like the BBC and USA Today, only to be uncovered as an intricate ruse intended to swindle people through cryptocurrency schemes.

The falsehood originated on April 1, a day infamously associated with pranks and jests, which should have raised doubts among those covering Jonathan’s supposed death. Someone, misrepresenting themselves as Jonathan’s veterinarian, Joe Hollins, spread the news via a tweet, proclaiming, “Heartbroken to share that our beloved Jonathan…has passed away today peacefully on Saint Helena.” This tweet was not only incorrect, but it also formed part of a scheme involving cryptocurrency requests.

After an inquiry by USA Today, the authentic Dr. Hollins was reached and verified that Jonathan was indeed alive, refuting the earlier claims of his passing. Dr. Hollins asserted, “Jonathan the tortoise is very much alive,” clarifying that the account pretending to be him was deceptive. The impersonator had been requesting cryptocurrency donations, indicating that this was not just an April Fool’s prank, but a serious effort at fraud.

Further confirmation of the deceit came from the fake Hollins admitting to the hoax and revealing that individuals had sent cryptocurrency under the impression of the narrative. While it seems unlikely that anyone would fall for such a ploy, the reality of the digital era and the prevalence of scams have rendered it all too feasible. The allure of cryptocurrency and the readiness of some people to trust online identities bolster the effectiveness of these misleading tactics.

This event prompts reflection on the accountability of media organizations in validating sources, especially when delivering sensitive news like the demise of a cherished creature. The swift spread of unverified information led to confusion and humiliation among those who reported Jonathan’s alleged death. Thus, it serves as a reminder for journalists to ensure thorough fact-checking before releasing information that could mislead the public and harm reputations.

As word of this deceit spreads, it’s anticipated that forthcoming announcements about Jonathan or similar claims will undergo substantial scrutiny and validation. This episode underscores not only the weaknesses in our information framework but also the often bizarre intersection of reality and digital trickery we navigate in modern society.

In conclusion, Jonathan the tortoise remains alive and well, and this peculiar hoax acts as a warning about misinformation and the necessity for discernment in an age of rapid news consumption and digital deceit.

Are you having fun being Kliff MacDuff? How would you like to be Kliff MacDuff with an acute case of gastritis? It appears that open world RPG Crimson Desert has a secret “food consequence” system, cut during development. It offers 50 different “food skills” split across 15 categories, on top of the existing Crimson Desert cooking recipes. Stir it all together and you have something like a survival sim, as if this game wasn’t enough genres already.

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