Tony Hawk’s Pro Skater 3+4 developers Iron Galaxy are laying off an unknown number of people, as they struggle to “adapt to the climate” of a videogames industry that is refusing to “get back to normal”. This follows a round of 66 job losses at Iron Galaxy last February, which were described as a “last resort”.
New lands await.
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**WonderCon 2026: A Display of Amazing Cosplay**
WonderCon 2026 has arrived and departed, celebrating the enormous Anaheim convention’s 39th anniversary. This gathering remains a standout for enthusiasts and cosplayers, featuring an impressive range of costumes that vary from elaborate creations to subtle references to iconic characters.
This year, the convention reaffirmed its status as a cosplayer’s paradise, especially with the rising popularity of the game *Dispatch*, which has raised the standard for imaginative costume design. Among the notable characters showcased were Blonde Blazer, Sonar, and Coupé. The event also featured remarkable entries from popular franchises like *Marvel Rivals*, with breathtaking portrayals of Daredevil and Magik, and the unmatched *League of Legends*, highlighting the intricately crafted Spirit Blossom Syndra.
One of the most unforgettable highlights was @aquaman__sd’s incredible Garrett the Garbage Man getup, which cleverly merged humor with superb craftsmanship, prompting numerous double-takes. Additionally, the impressive Eevee mascot costume stood out, eclipsing even many professional outfits.
Recognizable figures from gaming and animation were also in attendance, with characters like Kairi and Sora from *Kingdom Hearts* receiving an impressive upgrade through expert wig styling and makeup, giving them an almost animated look. The sense of community was palpable as eight distinct Mandalorian cosplayers gathered for an epic group photo, emphasizing the community bond that conventions promote.
Featured costumes included:
– **Daredevil – *Marvel Rivals***
– **BioShock**
– **Annihilus – Marvel**
– **Ursula – *The Little Mermaid***
– **Spirit Blossom Syndra – *League of Legends***
– **Nico Robin – *One Piece***
– **Garrett the Garbage Man – *A Minecraft Movie***
– **Megatron – *Transformers***
– **Eevee – *Pokémon***
– **Sonar & Coupé – *Dispatch***
– **Drukhari – *Warhammer 40K***
– **Blonde Blazer – *Dispatch***
– **Kairi & Sora – *Kingdom Hearts***
– **Watcher – Marvel**
As always, WonderCon showcased an abundance of creativity, commitment, and excitement this year. Event photographs highlighted many more outstanding costumes, emphasizing the fusion of artistry and enthusiasm that makes cosplay a beloved element of the community. For those unable to attend, Mineralblu’s video captures numerous fantastic moments from the convention.
Embark Studios are making a big change to Arc Raiders Expeditions, the recurring event where players opt to reset most of their account data in return for some sweet, sweet skill points and buffs. It may seem like a small change – with you earning rewards for damage dealt within the event, instead of wealth accumulated – but it could turn the game that’s become known for its friendly, helpful community into a bit of a bloodbath.
Creatures of the deep.
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Shuhei Yoshida, a key player in the gaming sector, held the position of president at Sony Computer Entertainment Worldwide Studios for more than ten years, spearheading significant initiatives and cultivating renowned franchises. In 2019, he was surprisingly succeeded by Hermen Hulst, the leader of Guerrilla Games, during a wave of leadership changes at PlayStation when Jim Ryan assumed control ahead of the eagerly awaited launch of the PlayStation 5 (PS5).
At the recent 2026 ALT: Games festival in Australia, Yoshida reminisced about his time at Sony and the events leading to his exit from the prestigious role. He was instrumental in the creation of highly praised titles like *God of War*, *Uncharted*, *The Last of Us*, and *Ghost of Tsushima*. He shared that *Ghost of Tsushima* was among the final major undertakings he managed before his demotion. Yoshida indicated that Jim Ryan had motivations for his dismissal, remarking, “Jim Ryan wanted to remove me from first-party because I didn’t listen to him,” which elicited laughter from the crowd. He mentioned that he resisted what he described as “ridiculous” requests from Ryan.
While details regarding their disputes are limited, the leadership transition marked a pivotal moment for Sony, which began shifting towards a strategy prioritizing live-service games, significant acquisitions, and subscription-based revenue systems. This change did not produce the anticipated outcomes, as several acquired studios faced employee layoffs or shutdowns, while numerous live-service games struggled or were canceled shortly after their launches.
A notorious example of this new strategy was the hero shooter *Concord*, which was withdrawn shortly after its release due to unsatisfactory performance, leading to the closure of its developer Firewalk. Yoshida’s predecessor, Shawn Layden, also left the company around this period, implying that he, too, was influenced by the company’s strategic transition towards live-service games.
Unlike Layden, Yoshida chose to stay at Sony during the early years of the PS5, concentrating on bolstering indie game development. He became a well-known figure at gaming events, actively seeking out innovative indie ventures and fresh talent. Following his official retirement in 2025, Yoshida continues to advocate for indie games, broadening his consulting work to platforms beyond Sony, such as Nintendo and Xbox, thereby utilizing his vast industry knowledge to support smaller developers.
As if catching the same briny breeze as early access darling Windrose, unannounced but blatantly obvious Assassin’s Creed: Black Flag Resynced, and, uh, Soulframe, there’s yet more pirates coming in yet more pirate games. Publishers Hooded Horse have announced Corsair Cove, an island citybuilder and freebooter colony management sim in the works at Tropico 6 and Park Beyond devs Limbic Entertainment.
Not all bosses drop Map Pieces.
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**Recent Updates in the Marvel Cinematic Universe: The Return of *Avengers: Endgame***
Amidst a surge of excitement leading up to December’s launch of *Avengers: Doomsday*, it has been announced that *Avengers: Endgame* will undergo another theatrical re-release this September. This version will include fresh footage that connects directly to the forthcoming film. During CinemaCon, it was suggested that this extra content might not simply serve as an added incentive but could be an essential component that enhances understanding of the narrative development within the Marvel Cinematic Universe (MCU).
Co-director Joe Russo highlighted the significance of revisiting *Endgame*, calling the re-watch “crucially significant.” This viewpoint reflects a persistent critique of the MCU approach, particularly noticeable during its late-2010s zenith, where viewers often felt compelled to navigate a vast multimedia network of interconnected movies and series to fully appreciate the context of new releases. Audiences found themselves traversing numerous Disney Plus series—some of which faced mixed reviews—before they felt ready to savor the latest blockbuster addition.
**Cinematic Intervals and Upcoming Releases**
The MCU has seen a considerable slowdown, with only one film in 2024—*Deadpool & Wolverine*—which has a loose affiliation with the larger universe. The forthcoming schedule appears sparse, with an interval since the most recent productions and a lengthy wait for the next *Spider-Man* sequel, marking the character’s first appearance in five years. *Doomsday*, set to debut in 2026, will be the first new *Avengers* film after a seven-year break, generating significant excitement among fans.
Notably, *Doomsday* is reportedly set to follow immediately after the events of *Endgame*, despite the chronological gap created by twelve other MCU films that have released in the meantime. This narrative decision prompts inquiries concerning character evolution and plot consistency — an element that the new footage in the re-released *Endgame* is anticipated to clarify.
**An Innovative Marketing Approach**
Russo indicated that the re-release aims to forge a distinctive connection between *Endgame* and *Doomsday*. He remarked: “It’s an opportunity to create a bridge from *Endgame* to *Doomsday* in a very unique way.” This re-release not only seeks to leverage the success of *Endgame* but also frames it as essential viewing for those eager to follow the intricacies of the upcoming narrative arc.
In spite of this effort to enrich the viewer’s experience, some fans have voiced their discontent regarding the requirement to rewatch a lengthy film just to remain informed for the next chapter. Critics have proposed that instead of including the new footage solely as part of a re-release, it could have been more efficiently woven into *Doomsday* itself, providing a more cohesive viewing experience.
**Conclusion**
As *Avengers: Endgame* gears up for its re-release, Marvel appears to be counting on both nostalgia and continuity to reel audiences back into theaters. While Joe Russo praises the new footage as a “vital companion story” that sets the stage for *Doomsday*, it raises broader concerns about audience engagement and the shifting dynamics of blockbuster cinema as viewers are encouraged to invest their time and resources in revisiting earlier narratives. With this re-release touted as essential viewing for fans, it remains to be seen how this will shape their perceptions of both the film and the franchise going forward.
Pensive and flamboyant action-RPG Soulframe has just received a new update that adds a pirate class, together with rapiers, cutlasses, and a flouncy sailor’s outfit. The class in question is the Duelo pact, which boasts of “swashbuckling abilities”: these include an artful dodge that spawns a decoy phantom, an enemy-slowing sword flourish, and the old classic ‘flintlock to the face’ manoeuvre. They’re also introducing a haunted shipwreck environment, plus a bunch of new enemies, another siege infiltration activity, and the ever-popular quality-of-life improvements.
“WHY ARE ALL GAMES ABOUT PIRATES NOW,” I lamented to James, before starting this article. James ignored me, being engrossed in his own piece on forthcoming Tortuga-tender Corsair Cove, but the large green parrot on his shoulder screeched “pier pressure!” Mortally wounded by the pun, I staggered across the swaying deck to the Captain’s cabin, only to be knocked flat by a barrage of yo-hoing from Ollie’s on-going game of Windrose. Flopping around on the planks like a walloped albatross, I cried out to Mark for a restorative glug of rum, but alas, we’ve not seen him for days; he was last spotted paddling in the spectral wake of Assassin’s Creed Black Flag Resynced.
