Gait Games

### Capcom’s Anticipated Remake of *Resident Evil: Code Veronica*

Capcom is preparing to remake *Resident Evil: Code Veronica*, which was first released for Sega’s Dreamcast, underscoring its importance as a complementary title to the acclaimed *Resident Evil 2*. A sneak peek at this exciting project was revealed during Summer Game Fest, confirming that *Resident Evil Veronica* is scheduled to be released as soon as 2027. Producer Yoshiaki Hirabayashi stressed that this game is crucial to the *Resident Evil* storyline, not just a minor addition.

### The Essential Role of *Code Veronica* in the *Resident Evil* Narrative

In a private presentation attended by *Kotaku*, Hirabayashi provided details about the game’s chronology, demonstrating its strong ties to earlier installments in the series. Taking place three months after the events of *Resident Evil 2*, *Code Veronica* details Claire and Chris Redfield’s adventures amid a viral outbreak on Rockfort Island, occurring concurrently with the downfall of Raccoon City shown in *Resident Evil 3*. Hirabayashi reaffirmed that *Code Veronica* carries the same significance as any numbered entry in the series because of its rich character dynamics and story progression.

### Development Team and Gameplay Approach

The remake is in the hands of the same team that worked on the remakes of *Resident Evil 2* and *Resident Evil 4*. While detailed information is limited, Hirabayashi teased the addition of new gameplay features while maintaining the core essence of the original title. Importantly, *Resident Evil Veronica* will exclusively employ third-person gameplay, without an option for first-person views, setting it apart from some of the latest *Resident Evil* games.

### Improvements and New Elements

Capcom is dedicated to updating *Code Veronica* with fresh features while staying true to the original storyline. Hirabayashi mentioned that the purpose of the remake is to integrate polished gameplay mechanics and expanded narrative elements to enhance player experiences. Even though fans might question whether Claire will possess new combat techniques such as the parry mechanic from *Resident Evil Requiem*, Hirabayashi specified that the game’s timeline does not permit such enhancements in Claire’s abilities.

### Quality of Life Enhancements

One of the primary targets for the developers is to elevate the overall user experience and functionality of the game. Hirabayashi noted the intention to apply knowledge and insights from past titles to improve *Veronica*’s gameplay experience. This involves enhancing the user interface and game mechanics to produce a smoother and more enjoyable interaction for players, consistent with the quality established in the *Resident Evil* remakes.

### Anticipations for Gameplay and Experience

Players can expect a quality level on par with *Resident Evil 4* while engaging with the narrative and characters from *Code Veronica*. The gameplay mechanics will align closely with those in the *Resident Evil 2* remake, combining familiar aspects while delving into new narrative dimensions.

### Platform Release Plans

*Resident Evil Veronica* is also set to launch on the forthcoming Switch 2. While enthusiasts of the original title can currently enjoy it as a PS2 classic on PlayStation 5 or through backward compatibility on Xbox Series X/S, the availability of the GameCube version on Switch Online is currently unclear. Hirabayashi expressed hope to see a Claire Redfield amiibo released alongside the game, indicating Capcom’s ongoing focus on fan involvement.

As excitement grows for *Resident Evil Veronica*, Capcom’s commitment to producing a remake that honors the original’s legacy while enhancing the experience for both new and returning players is evident.

X to equip.

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As Microsoft begins to recognize the possible misjudgments linked to its $69 billion purchase of Activision Blizzard, new insights have emerged regarding Toys for Bob, one of the studios involved in the transaction. In an interview with GamesRadar+, the studio’s leader, Paul Yan, shared how the merger unexpectedly allowed them to regain creative authority over their projects.

Toys for Bob has an extensive history in the gaming world, particularly celebrated for its contributions to titles that spark nostalgia for gamers from the early 2000s. Since its founding, and notably after being acquired by Activision in 2005, the studio gained widespread acclaim for creating the beloved Skylanders series, which uniquely blended collectibles with video gaming through its “toys-to-life” concept. More recently, the studio has participated in revitalizing classic franchises, working on remasters of cherished titles like Crash Bandicoot and Spyro the Dragon, revitalizing these iconic figures.

Nonetheless, the acquisition by Activision brought its own set of challenges. As the gaming landscape evolved towards blockbuster franchises, Toys for Bob was redirected to support major titles such as Call of Duty and Overwatch. This shift led many fans and the gaming community to question the studio’s direction, especially considering its history with more fanciful and adventurous games. Yan mentioned that while these opportunities were informative, they ultimately diverted from the team’s enthusiasm and commitment to the genres they excelled in developing.

In an effort to reclaim their narrative and reconnect with their creative origins, Toys for Bob began talks with Microsoft’s leadership, aiming to regain independence from the conglomerate. This initiative sought not just to restore creative authority but also to maintain the team’s cohesion that had been developed over many years of teamwork. Their approach culminated in their official exit from Activision in 2024.

The studio’s newly regained independence has already shown positive results, highlighted by the announcement of their forthcoming title, Spyro: A Realm Beyond. This next phase for Toys for Bob represents a return to the creative vision that has shaped their legacy, drawing on a rich history of platforming adventures that appeal to both new audiences and longtime fans alike. As players eagerly anticipate the resurgence of Spyro, Toys for Bob’s path highlights the intricate nature of corporate acquisitions in the gaming sector and the significance of creative freedom in nurturing innovative gaming experiences.

Easily missed among last week’s Summer Game Fest advert marathon was the Latin American Games Showcase: an exhibition that, at over eighty games strong, dwarfed the Keighley-fronted main event, yet has received only a small fraction of the eyeballs. Less than two months earlier, 154,000 visitors poured into Gamescom Latam to see games made across Brazil, Colombia, Argentina, Costa Rica, Mexico, Uruguay and more – but while that attendance was up 17.5% on the previous year, it totalled less than half the footfall of 2025’s Gamescom Cologne.

All the same, the audience gap faced by Latin America – to use the umbrella term for this vast and varied collection of nations – does not reflect a scarcity of clever or imaginative games. The diverse works being produced in these countries are as original as dinnertime RPG Family Reunion, as challenging as slavery-era naval battler Black Sailors, and as eye-catching as handpainted action-roguelike Talaka. The wider industry is taking note, too, with huge stacks of dollars pouring into Mexican, Brazilian, Argentinian, and Chilean organisations from the traditional powerhouses of North America and Europe.

However, this investment usually isn’t for the benefit of original games. At least, not directly. As it’s told by the creators themselves, the story of game development in these countries is one of a region that’s being mined for cheap, outsourced talent – yet has also formed a continent-spanning creative force, often by drawing directly from its own extensive range of cultures and histories.

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Go get him.

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### Bethesda’s *The Elder Scrolls 6*: Anticipation and Updates

Bethesda’s *The Elder Scrolls 6* ranks among the most eagerly awaited games in the pipeline, having been first revealed during E3 2018. Nevertheless, this enthusiasm has been mixed with disappointment, as the game was conspicuously missing from Xbox’s recent summer showcase. Alongside *The Elder Scrolls 6*, Arkane’s *Blade* also did not feature in the event, sparking speculation about the development status and timelines for both projects.

#### Current Development Status

Matt Booty, the chief content officer at Xbox, recently shared an update on the condition of *The Elder Scrolls 6*, affirming that the project is moving along positively and exhibiting impressive visuals. He remarked, “I can tell you, after visiting Bethesda and being with Todd while seeing *Elder Scrolls* in action, it looks incredible, and it’s progressing well.” Despite this reassurance, Booty stressed the significance of timing for the game’s reveal, implying that an announcement would happen at the most opportune moment.

In spite of the promising updates, no fresh teaser trailer has been released since the original announcement. Insights into the development have been limited, resulting in uncertainty about the release schedule.

#### Timeline and Expectations

In 2023, former Xbox leader Phil Spencer suggested that *The Elder Scrolls 6* might be “at least five years away,” hinting at a potential launch around 2028. This estimate coincides with the expected releases of new gaming consoles, including the PlayStation 6 and Microsoft’s Project Helix. Therefore, there exists a possibility that *The Elder Scrolls 6* could bypass an entire console generation, given its lengthy development cycle.

### Marvel’s Blade: Still in Development

*Blade*, the action title under development at Arkane Studios, was formally announced during the 2023 Game Awards. However, it too did not make an appearance at the recent showcase. Reports suggest that *Blade* did not enter full-scale production until 2024, indicating that its release could still be several years away.

When questioned about *Blade*’s absence from the event, Booty noted, “It’s a big show, I can’t include everything,” reassuring fans that updates or trailers may still arrive during future occasions, such as Gamescom or the 2026 Game Awards.

### Caution and Future Announcements

Booty has expressed caution when discussing games that are still in development, emphasizing the difficulties in managing player expectations. He highlighted the need to present games at the right time, ensuring that when a title is disclosed, it comes with the guarantee of a timely release. Booty’s remarks reflect the delicate balance of marketing upcoming titles while navigating the uncertainties inherent in game development.

Given prior announcements concerning canceled titles like *Perfect Dark* and the lackluster debut of *Redfall*, there remains a degree of caution within the gaming community.

### Conclusion

As *The Elder Scrolls 6* and *Blade* progress in their development, fans continue to hope for new information and definitive timelines. However, with considerable uncertainties surrounding release dates and possible shifts to new consoles, it seems that patience will be crucial as Bethesda and Arkane strive to deliver these highly anticipated titles.

Ubisoft are reportedly continuing the ruthless cuts they’ve been insitituting in various stages since that start of this year, with the latest round seeing the publisher’s Winnipeg and Belgrade studios closed down. At the same time, Ubisoft Barcelona is being restructured to focus solely on Rainbow Six games. As a result of all of that, up to 380 staff are reportedly at risk of losing their jobs.

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Everything you need for a shot at a better squad.

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### The Development of Visual Style in Kingdom Hearts IV

The anticipation for the forthcoming launch of **Kingdom Hearts IV** is palpable among the franchise’s supporters. This game, a continuation of the cherished Disney and Final Fantasy crossover saga, is poised to expose players to new realms and characters while also challenging the limits of visual artistry. However, this movement towards a more lifelike style has ignited discussions within the gaming community.

#### The Shift to Photorealism

Throughout the years, the **Kingdom Hearts** series has steadily adopted a more genuine aesthetic. Earlier entries showcased stylized, cartoonish representations of Disney characters alongside their Final Fantasy counterparts. However, as the series progressed, especially with the adoption of worlds inspired by live-action properties—like **Pirates of the Caribbean** and **Tron**—the visual quality has significantly improved.

With the introduction of Quadratum, a realm largely influenced by real-life Shibuya, characters are illustrated with greater realism, diverging sharply from their original appearances. According to director **Tetsuya Nomura**, this artistic choice seeks to portray Quadratum as an underworld that is distinctly different from reality for protagonist **Sora**. This transformation highlights a notable shift in the character’s depiction, rendering them less recognizable in their new surroundings.

#### A Matter of Identity Crisis?

The evolution of well-known characters has drawn mixed responses. Luxord, a member of Organization XIII who first emerged in **Kingdom Hearts II**, exemplifies this transformation; fans may find it challenging to align his new appearance with the version they recall from 2006. The technological progress in graphics can be astounding, yet the shift in artistic identity has left some fans yearning for the series’ classic aesthetic.

Significantly, the trailer for **Kingdom Hearts IV** features a fleeting glimpse of Donald and Goofy, who are shown against a backdrop of blue flames. This moment prompts questions about their possible redesigns if they were to enter the Quadratum realm. Will they also undergo photorealistic enhancements, or will Square Enix preserve the traditional stylization for specific characters? These uncertainties contribute to a heightened sense of disconnection between the game’s traditional Disney roots and its evolving artistic vision.

#### The Effect of Original Worldbuilding

As the series delves deeper into its original worldbuilding, the narrative of Sora and his companions risks feeling less like a Disney escapade and more like a separate narrative. While fans remain emotionally invested in the elaborate stories involving Sora, Riku, and others, many lament the fading of the distinct visual identity that previously characterized the franchise. Striking a balance between preserving a connection to Disney’s charm and venturing into new creative paths presents a challenge for the developers.

In light of these apprehensions, a spark of hope arises: Nomura has suggested that Sora and his friends may revert to their recognizable designs once they leave Quadratum. This potential development emphasizes the significance of character consistency as a method of maintaining the series’ link to its Disney heritage.

#### Conclusion

The path toward photorealism in **Kingdom Hearts IV** reflects the franchise’s growth. While advancements in graphics highlight the possibilities for immersive storytelling, the artistic transformations prompt inquiries about character identity and the core of what makes **Kingdom Hearts** distinctive. As fans look forward to more insights about the game, the hope persists that its rich legacy will continue to shine through amid the technological advancements.

I thought I was pretty up to date on Valor Mortis, the Napoleonic first-person fencing soulslike underway at Ghostrunner devs One More Level, but it turns out I’d missed the four seconds of flesh magic hook-grappling in this prior trailer. As such, the swinging and wallrunning elements of the new, much-expanded demo ambushed me like British archers ambushed the French at Agincourt. Yes, I’m aware I’m about four hundred years off that simile being applicable.

Also, there’s another new trailer, and a release date: September 24th 2026. Hang on, that’s the same day as Control Resonant. And Silent Hill: Townfall. And one only one day before Onimusha: Way of the Sword. Which I’m not as interested in as the other two, but still, man.

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