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Future? No Thanks! is a jolly and acerbic open world city game from seasoned satirist Paulo “Molleindustria” Perdicini. It’s about a bitter old boomer trying to enjoy his final day in an ecosocialist paradise. There’s a demo on Steam that gives you 30 minutes access to a realm of sentient toilets, cricket burgers, ornamental park guillotines, and cannabis vending machines. Speaking as a bitter old millennial, I found my 30 minutes delightful.

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### The Enduring Charm of Hexcells: A Puzzle Game Trilogy to Cherish

From 2013 to 2014, Matthew Brown, an independent developer, stepped into the limelight to debut the *Hexcells* trilogy—three distinct puzzle games that enthralled players with their inventive mechanics, outstanding quality, and demanding gameplay. Each installment built upon its predecessor, crafting an unparalleled experience that has not been replicated in the years since their debut.

#### The Attraction of Logic Puzzles

As a dedicated fan of logic puzzles, the importance of *Hexcells* rests not solely on its captivating gameplay, but also on its capacity to present a gratifying mental challenge without the need for external knowledge or intricate mathematics. In contrast to Sudoku, which may sometimes be less appealing, games like *Picross*, *Slitherlink*, and *Kakuro* depend solely on clear, logical reasoning. *Hexcells*, with its distinctive combination of elements from popular titles like *Minesweeper* and *Picross*, emerged as a thrilling addition to the genre, providing an ongoing sense of accomplishment as players uncovered solutions.

#### Gameplay Features of Hexcells

At its essence, *Hexcells* comprises a grid of hexagonal tiles, primarily in orange, interspersed with guiding numbers. These figures indicate how many of the surrounding cells should be colored blue; for instance, a tile labeled with a ‘3’ signifies that three adjacent tiles need to be marked blue, while a ‘0’ shows that all neighboring cells must be cleared. The challenge lies in the requirement to synthesize information from multiple clues to ascertain the proper placements—an intellectual pursuit that guarantees a fulfilling experience.

As players navigate through the puzzles, new mechanics come into effect. Rules reminiscent of *Picross*, such as numbered hints along the edges of rows and intricate bracketed conditions, introduce layers of complexity that enhance the gameplay. The necessity to strategize becomes progressively vital as players confront these varied elements.

#### A Treat for the Senses

One of the most notable characteristics of *Hexcells* is its captivating audiovisual experience. The game operates solely on digital platforms, using the removal of hexagonal tiles to dynamically reveal new information. Each interaction is paired with a harmonious tone that melds perfectly with the ambient soundtrack, while its visually striking art is complemented by gratifying visual effects like polygonal shattering. This engrossing atmosphere augments the comfort of players as they delve into solving intricate puzzles.

#### The Trilogy’s Progression

The inaugural game, *Hexcells*, launched in September 2013, creating substantial excitement for its refined presentation and engaging gameplay, although some players deemed it a bit straightforward. Just three months later, *Hexcells Plus* was introduced, adding 29 new puzzles that heightened the challenge and complexity, swiftly becoming a favorite among enthusiasts.

The apex of the trilogy came on September 1, 2014, with the release of *Hexcells Infinite*. This installment pushed the limits of difficulty, presenting players with grids that were not only larger but also cleverly conceived. It creatively reintroduces concepts through demanding scenarios rather than explicit instructions, highlighting Brown’s remarkable game design talent and ability to craft compelling puzzles that feel like a delightful challenge.

#### An Ongoing Legacy

After the triumph of *Hexcells*, Matthew Brown created similar titles such as *SquareCells* and *CrossCells*. However, some of his more ambitious projects, like *Cypher* and *Alchemia*, ventured into difficulty levels that alienated even the most devoted fans. After a six-year break from puzzle design, Brown made a comeback in 2024 with *Epigraph*, a challenging game focused on decoding a new language.

While many games have offered enjoyment over the years, few have matched the sheer excellence of *Hexcells*. For those not yet acquainted with this puzzle trilogy, the entire collection can be acquired for just $9, representing an incredibly worthwhile investment for puzzle enthusiasts and newcomers alike. The lasting appeal of *Hexcells* stands as a testament to Matthew Brown’s creativity and the potential of digital logic puzzles.

Immaculate views from up here.

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Unity have announced Unity 7, the latest incarnation of their game creation platform. In a pleasant shock for people who’ve been keeping up with Unity’s doings these past couple of years, it doesn’t appear to ruin anything. Aside from more routine promises of “speedier workflows” and tastier graffix, the company are promising a more “open” approach whereby collaborators using third-party tools can contribute more easily to Unity projects, without using the full Unity editor. This being the year 2026, there are of course some new features for genAI fans, though Unity appear interestingly guarded on this front, stressing that these can be ignored.

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Including how to unlock Flash Step.

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Call of Duty: Modern Warfare 4, this year’s Activision shooter about military markspeople (who occasionally look like Beavis and Butt-Head) sliding around with SMGs and shouting 10-4 after checking their corners, is set for pre-release beta testing in August. There are two playtests currently on the calendar, though the first’s exclusive to those who pre-order the game.

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Valve has made it evident that it has no plans to create games that are exclusive to the Steam Machine, despite inquiries about whether the company would produce a tie-in title to enhance interest in the platform. Valve engineer Pierre-Loup Griffais mentioned that the company views “having the entire PC catalog as our ‘launch exclusive.’” This suggests a commitment to supporting a wide array of titles across all PCs, rather than confining access to particular hardware.

Historically, Valve has not produced exclusive titles, adhering instead to its enduring support for open systems and third-party access. This philosophy extends to its support for Linux as a core operating system, as well as the creation of games like *Half-Life: Alyx*, which operates on various VR headsets, highlighting their focus on compatibility.

The nature of the Steam Machine complicates the idea of exclusivity. Designed as an open system, Steam Machine owners have the liberty to install any operating system, including Windows, which restricts the practicality of exclusive titles. Games sold via Steam can be played on any PC that supports the platform, thereby rendering the notion of an “exclusive” to the Steam Machine somewhat moot. If Valve were to launch a game, such as the much-anticipated *Half-Life 3*, it would almost certainly be available through Steam, but not on competing platforms like GOG or the Epic Games Store.

In conclusion, Valve’s commitment to a non-exclusive approach reflects its core principles and addresses the challenges inherent in a Linux-driven open gaming ecosystem. The vision is not to limit gameplay to a single platform but to guarantee that a diverse range of titles remains accessible to the widest audience possible.

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**Avengers: Doomsday Trailer Reaction: A Mix of Feelings**

The first genuine glimpse of *Avengers: Doomsday* has finally come, yet the trailer’s reception isn’t as enthusiastic as Marvel Studios may have desired. Numerous fans are articulating feelings of discontent, having difficulty sensing any intense emotions after observing the stakes introduced by Robert Downey Jr.’s Doctor Doom and Chris Hemsworth’s Thor in this latest addition to the Marvel Cinematic Universe (MCU).

It has been a lengthy eight years since the groundbreaking *Avengers: Infinity War* captivated audiences, and the lack of clarity within the current MCU landscape is evident. Viewers who haven’t stayed updated with the array of films and streaming series released since might find themselves confused by the swift pace and tangled storylines showcased in the *Doomsday* trailer. The opening moments propel into a flurry of frenzied action scenes, seemingly void of any foundational buildup or grounded narrative. Rather, it seems like the ending of a trilogy that was never properly laid out, leaving numerous fans longing for a more unified story.

Online feedback has been decidedly varied, reflecting a spectrum of emotions. One user shared their unease by saying, “Guys…. Am I the only one who thinks that the Avengers: Doomsday trailer was utterly disappointing? It felt so strangely edited and lacking.” This feeling resonates across various social media channels, where fans unfavorably compare the *Doomsday* trailer to the early teasers of *Infinity War*, which successfully built excitement and anticipation.

Another critique highlighted the technical features of the trailer, with one viewer remarking that the action sequences appeared almost computer-generated, suggesting a disconnect between what was happening on screen and the sentiments they were intended to invoke. This feeling serves as a reminder of the ongoing debates regarding CGI and the reliance on technology versus practical effects in today’s blockbuster filmmaking.

Fans pointed out the trailer’s absence of clear motivations or direction, remarking, “It’s literally just Things Happening with no buildup,” which underscores the chaotic nature of the footage. The lack of impactful moments leaves many feeling that the film may not provide the emotional stakes viewers desire, hoping instead to rekindle the thrill experienced during earlier MCU phases.

Some fans conveyed nostalgia, yearning for the coherence present in past *Avengers* films. There’s a prevailing wish for the franchise to reclaim its past splendor, especially considering several lackluster spin-offs and mixed-quality shows released over recent years.

Looking ahead, many harbor hopes that *Doomsday* could serve as a launching point for revitalizing the X-Men franchise, offering potential for fresh storylines and character developments. However, as the countdown to the film’s December debut begins, substantial work remains regarding marketing and audience engagement.

With five months remaining until the movie premieres in theaters, Marvel Studios has a critical chance to refine their promotional strategy. Addressing the evident concerns raised by fans and ensuring the subsequent trailer more accurately encapsulates the essence and excitement of the *Avengers* saga could be crucial in reigniting interest and building anticipation for what is hoped to be an exhilarating cinematic experience.

## The Transformation of Video Game Studios: An In-Depth Look at Identity and Transition

In recent times, the video game sector has experienced a surge of widespread layoffs, prompting a reevaluation of the essence of being a video game studio. As studios shut down, reorganize, or alter their workforce, we confront significant inquiries regarding identity, continuity, and the fundamental nature of the creative process in a medium that is innately collaborative.

### Characterizing a Video Game Studio

A video game studio functions as a collective of individuals, each contributing their distinct skills and viewpoints toward the development of a game. Unlike other media forms, such as literature or music—where authorship typically remains stable—video game creation often involves various teams and individuals throughout projects. The brand linked to a studio might convey a sense of prestige or anticipation, yet the personnel associated with the name can fluctuate markedly over time.

### The Assumptions We Hold

When conversing about video game studios, particularly established names like Retro Studios, there’s a tendency among the gaming community to presume continuity. For instance, when Retro Studios was designated as the developer for *Metroid Prime 4*, many fans anticipated the quality linked to their prior title, *Donkey Kong Country: Tropical Freeze*. This enthusiasm, however, overlooks the reality that staff transitions are an ordinary aspect of the industry.

### Staff Changes: An Examination

To grasp turnover, consider the staffing alterations between *Tropical Freeze* and *Metroid Prime 4*. Drawing on data from Mobygames, a thorough investigation of credited individuals revealed notable shifts. Out of 349 individuals credited in both games, merely 60 participated in both projects. Retro Studios experienced the departure of 42 individuals and a remarkable influx of 247 new staff for *Metroid Prime 4*. This results in a workforce increase from approximately 102 to over 307, indicating a move toward a larger, more contractor-driven workforce.

The turnover trends suggest that while certain departments like engineering maintained staffing continuity, others like art displayed significant variability. For instance, the concept art team expanded dramatically, indicating a clear distinction in staffing strategies as the studio enlarged its project scope.

### Contractor Dynamics

A key insight from this review is Retro Studios’ increasing dependence on contract labor. *Metroid Prime 4* not only engaged a larger pool of workers but also created numerous specialized contractual positions. While *Tropical Freeze* relied more on full-time employees, *Metroid Prime 4* highlighted a varied team primarily consisting of contractors. This mirrors broader industry practices where companies pursue flexibility and specialized skills over conventional employment structures, resulting in dynamic yet potentially precarious workforce environments.

### Leadership and Cultural Shifts

In addition to personnel changes, alterations in studio leadership occurred between the two games. Prominent individuals advanced within the studio while others left, hinting at a reconfiguration of team dynamics and creative vision. The core of a studio can transform with leadership changes, affecting how projects are approached and implemented.

### The Identity Query

As we reflect on whether Retro Studios, as it stands today, is the same entity that created *Tropical Freeze*, we face a philosophical dilemma similar to the Ship of Theseus. Is a studio characterized by its original team or by its name and historical output? It becomes evident that change is both unavoidable and essential to the creative process.

While clear answers about when a studio stops being itself may elude us, increased turnover and restructuring—as observed in scenarios of mass layoffs—represent pivotal moments that can redefine a studio’s identity. The community’s emotional connection to a studio’s legacy complicates this narrative; we often romanticize the names and past achievements, frequently overlooking the fact that the creativity behind them is human, fluid, and susceptible to change.

### Final Thoughts

In summary, the transformation of a video game studio encapsulates the intricacies of collective creative efforts. It emphasizes the notion that video games are not simply the result of individual vision but are the outcomes of collaborative activities that can shift and develop over time. Acknowledging these transformations is vital as we celebrate the lasting legacy of studios while also recognizing the dynamic nature of the people who bring our cherished games to fruition. As we look to the future, it is essential to honor both the names tied to our favorite titles and the constantly evolving teams that propel the industry forward.