Gait Games

Pay a visit to the Mud Witch.

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**YouTube’s Copyright Claim Crisis: The La7 Controversy**

YouTube’s persistent battle with copyright misuse has intensified significantly, highlighted by a recent issue involving Nvidia and the Italian network La7. Numerous YouTube channels, including Nvidia’s official channel, have encountered erroneous copyright strikes after La7 uploaded a podcast featuring segments from Nvidia’s DLSS 5 announcement video.

The situation began on March 4, 2026, when content creator Scrubing shared a video discussing Nvidia’s DLSS 5, which was officially unveiled on March 16, 2026. Soon after, La7 released a podcast titled “Coffee Talk 04/04/2026,” incorporating clips from Scrubing’s video without authorization. In a baffling turn of events, La7 lodged a copyright claim against Scrubing’s video, alleging infringement despite utilizing content that was made available after Scrubing’s original upload.

Scrubing voiced his annoyance on Twitter, questioning how the YouTube system could disregard the timelines of the content involvement. His ordeal resonated with several other creators, including Last Stand Media, Luke Stephens, and Destin Legarie, all of whom encountered analogous copyright claims from La7 regarding their coverage of DLSS 5. Compounding the absurdity, Nvidia’s own official video announcing DLSS 5 has also been restricted due to La7’s claim, even though it is the original source of the content in dispute.

YouTube’s official reply to these claims has further enraged affected creators. The platform clarified that Content ID claims are automatically produced when content aligns with another in their system. They mentioned that once a dispute is filed, it is the responsibility of the claimant to react within 30 days. If they do not respond, the claim is set to lapse. This reply raises questions regarding the efficiency of YouTube’s copyright system, which many creators contend does not sufficiently prevent or correct unjust claims.

At this point, Nvidia has not publicly addressed the situation, and the DLSS 5 announcement video remains inaccessible on YouTube. This incident underscores a broader problem within the platform, where content creators frequently find themselves caught in unjust copyright conflicts, leading to widespread criticism of YouTube’s management of copyright enforcement.

The La7 controversy not only illustrates a blatant instance of copyright claim abuse but also uncovers the ongoing challenges faced by content creators maneuvering through the intricacies of YouTube’s copyright regulations. As this matter progresses, it has ignited discussions about the necessity for reform in YouTube’s content management and copyright enforcement processes.

You can even dual-wield with a Primary and Secondary.

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It seems that every week we’re reporting on news of another wave of layoffs at a big game studio. In March alone, we saw 1000 staff let go at Epic Games, 124 at Eidos Montreal, and over 100 at Ubisoft’s Red Storm Entertainment. And those are just the ones I can name without needing to rack my brain.

In some cases, these “reorganisations” are to keep investors happy, in others they’re painted as necessary for a studio to keep the lights on until its next paycheck. But every time a team loses members, they lose something that can’t be replaced if the money ever begins to flow again. The shorthand and trust that develops between staff who work together for a long time, the institutional knowledge of what’s been tried in the past and worked (or didn’t), these only come from teams that remain intact.

Many have sung the praises of institutional knowledge and holding a team together before, but in the wake of layoffs like we’re seeing at the moment, it seems worth providing an example of why letting a team mature together makes for better games.

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I’m no wildlife expert, but I’m pretty sure that’s not a rabbit.

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Flashy!

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A competitive item.

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Greetings, loyal Treehouse tenders and Horace huggers! Today is a bank holiday in the UK, which means we are probably asleep, but we’ve scraped together a little themed conversation piece article to comfort you in our absence. Specifically, it is Easter Monday, which isn’t a bad time to talk about resurrection – for ’twas on Easter that the worshippers rolled back the chocolate egg from the Cave of Character Creation and discovered that the Easter Bunny had started New Game Plus.

I hope the faithful among you will tolerate this attempt at humour and proceed immediately to discussing your favourite reborn, resurrected, or revived videogame character. No, you are not allowed to object that technically, every videogame character who isn’t subject to permadeath counts as resurrected, providing the player fails at least once. Pac-Man is not the Messiah, he’s a very naughty boy!

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**The Convergence of Digital Art and Classic Masterpieces: Cat Graffam’s Tribute to Artemisia Gentileschi**

For numerous people raised in the late 20th century, their initial exposure to art, technology, and digital entertainment came from the computers in educational labs. Among the plethora of educational software accessible, none was as memorable as *Kid Pix*, a vibrant and imaginative art-making application that became emblematic of creativity for a generation of budding artists. In a distinctive homage to both this cherished software and the prominent 17th-century Baroque artist Artemisia Gentileschi, contemporary artist Cat Graffam has reinterpreted Gentileschi’s 1620 artwork *Jael and Sisera* using Craig Hickman’s *Kid Pix Studio Deluxe* from 1998.

In a video reflecting on this project, Graffam reveals her personal connection to *Kid Pix*, referring to it as “extremely formative for cultivating my passion for technology.” This perception of art as not only a means of expression but also a vehicle for technological exploration is fundamental to Graffam’s practice, where she recreates notable artworks through innovative digital techniques.

Graffam’s artistic path is characterized by a series of captivating reinterpretations, as she conveys iconic pieces through the perspective of nostalgic gaming platforms. Her projects encompass depicting Goya’s haunting *Saturn* via *Mario Paint*, and Vermeer’s delicate *Milkmaid* recreated through DSi homebrew applications. Noteworthy is her exploration of THQ’s infamous uDraw peripheral to portray Edward Hopper’s legendary *Nighthawks*. Each artwork serves as a connection between classical fine art and the playful, albeit constrained, potentials of early computer graphics.

Exploring the historical significance of *Jael and Sisera*, Graffam recognizes the circumstances of Gentileschi’s life and the traumatic incidents that shaped her artistic expression. Gentileschi, a pioneer in a male-centric art realm, endured profound personal challenges, including a horrific sexual assault that influenced her view on power and violence. The themes depicted in *Jael and Sisera* offer a moving investigation of catharsis and reclaiming agency through artistic endeavors. “She employed this piece as a significant catharsis from the violence she experienced, regaining whatever power she could through art,” Graffam reflects. “It gives me chills.”

Over five days, Graffam used merely 112 colors from the *Kid Pix* palette, accomplishing an outstanding digital rendition of Gentileschi’s original masterpiece. This undertaking highlights her disciplined approach to art and the difficulties of eliciting complex expression from a program primarily recognized for its whimsical sound effects and eccentric instruments. Her capability to maintain concentration and restraint, eschewing the desire to exploit *Kid Pix*’s playful explosion eraser, attests to her commitment and reverence for the artistic journey.

Cat Graffam’s creative method fosters a conversation about the shifting dynamic between technology and fine art, while also paying tribute to Gentileschi’s legacy. By blending the traditional and the modern, Graffam not only honors the personal and cultural narratives embedded in celebrated artworks but also illustrates how digital platforms can spark creativity and rejuvenate appreciation for enduring themes in art.

### The Craft of Angling and the Elegance of Deterioration: An In-Depth Look at *About Fishing*

In the tranquility of dawn, when the universe is shrouded in a peaceful hush, the act of fishing elevates itself beyond mere recreation. The morning breeze, crisp and imbued with the aroma of the water, establishes an atmosphere that both soothes and disturbs. This paradox is captured in *About Fishing*, an upcoming title from The Water Museum, renowned makers of *Arctic Eggs*. Here, the game offers an investigation not only of the waters but also the symbolic depths of personal relationships and haunting recollections.

#### A Heritage of Angling

Central to *About Fishing* is the bond between you and your grandfather—a guide in the delicate craft of fishing whose insights are intertwined with personal narrative. The gameplay revolves around traditional fishing techniques: cast your line, show patience, and reel in your catch. However, the plot takes a captivating twist as your grandfather’s history unfolds—a shadow from his time in prison looms over your escapades. The revelation that a nearby graveyard has unearthed bones linked to your grandfather’s destiny hints at a broader reflection on family heritage and the haunting essence of memories.

#### A Compelling World

*About Fishing* sets itself apart not as a horror game, but as a distinctively unsettling experience. The game’s atmosphere animates its macabre elements, inviting players into a realm that shifts between aesthetic pleasure and discomfort. Early conversations from your grandfather—a mix of absurd allusions to curly fries and mermaids—echo the intricacies of dialogue and comprehension. Players will find themselves engrossed in an environment where the ordinary and the fantastical coexist, unveiling profound stories about nature and humanity.

#### Aesthetic and Design Brilliance

Visually, *About Fishing* excels with its vibrant artistic vision. While the industry buzzes with the low-poly aesthetic trend, The Water Museum amplifies this nostalgic style, forging a world that feels simultaneously recognizable and eerie. The interplay of lighting and textures enriches the tranquil yet haunting landscapes, immersing players in an ambiance that encourages exploration while stirring a subtle sense of disquiet.

#### A Genre Redefined

Fishing in video games frequently occupies a marginalized role—an unappreciated pastime often consigned to side quests or casual mini-games. However, *About Fishing* seeks to elevate this activity, intertwining it into a broader narrative about self-exploration and familial connections. As players cast their lines to reveal secrets hidden within the game’s intricately crafted town, they embark on a metaphorical journey that resonates with themes of loss, connection, and the allure of the undiscovered.

#### Conclusion

In summary, *About Fishing* emerges as an ambitious endeavor from The Water Museum, set to challenge traditional gaming narratives. With its fusion of fishing mechanics and poignant storytelling, it is poised to become an unexpected contender in the gaming arena. As players dive into its aquatic depths, they may uncover not just the excitement of the catch, but also a captivating narrative that echoes with universal themes of endurance and memory. This forthcoming title may very well transform the understanding of fishing in the gaming domain, inviting even the most apathetic players to cast their lines into its evocative waters.